Tyler Mitchell (b. 1995 Atlanta, GA; lives and works in Brooklyn, NY ) is a photographer and filmmaker working across many genres to explore and document a new aesthetic of Blackness. In 2018, he made history as the first Black photographer to shoot a cover of American Vogue for Beyoncé’s appearance in the September issue. The following year, a portrait from this series was acquired by The Smithsonian National Portrait Gallery for its permanent collection. In 2019 Mitchell held his first solo exhibition, I Can Make You Feel Good, at Foam Fotografiemuseum Amsterdam where he showed new photographic and video works including his film Idyllic Space. An iteration of the show traveled to the International Center of Photography in New York in 2020. Mitchell published an eponymous monograph with Prestel Random House in conjunction with the exhibition, further exploring his take on a Black visual utopia. In 2020 Mitchell was announced as the recipient of the Gordon Parks Fellowship, which will support a new project that reflects and draws inspiration from Parks’ central themes of representation and social justice. Mitchell’s fellowship will culminate in an exhibition of the new works at the Gordon Parks Foundation Gallery in Pleasantville, NY. Mitchell has lectured at a number of institutions on the politics of image making including
Summer Series programs are free and open to the public, however space is limited. Early registration is open exclusively to Anderson Ranch Trustees and National Council Members at this time.
Student, Faculty, and General Public registration will be open soon! CLICK HERE to subscribe to our newsletter if you would like to be notified.
Can’t make it in person? CLICK HERE to subscribe to our newsletter and receive a livestream link to view the program virtually.
In Conversation With
Helen Molesworth is a curator and writer. Her major exhibitions include: One Day at a Time: Manny Farber and Termite Art; Leap Before You Look: Black Mountain College 1933–1957; Dance/Draw; This Will Have Been: Art, Love & Politics in the 1980s; Part Object Part Sculpture, and Work Ethic. She has organized monographic exhibitions of Moyra Davey, Noah Davis, Louise Lawler, Steve Locke, Anna Maria Maiolino, Josiah McElheny, Kerry James Marshall, Catherine Opie, Amy Sillman, and Luc Tuymans. She is the author of numerous catalogue essays and her writing has appeared in Artforum, Art Journal, Documents, and October. The recipient of the 2011 Bard Center for Curatorial Studies Award for Curatorial Excellence, she serves as the Curator-in-Residence for the Anderson Ranch in Aspen. She recently hosted a podcast series called “Recording Artists” with The Getty and is currently at work on a book about art, love, and freedom.
Jul 22, 2021 12:30PM