Master Classes

Take Your Practice Further

Master Classes at Anderson Ranch Arts Center are highly selective, limited-enrollment workshops which provide advanced students with even greater access to world-renowned artists and educators. These rigorous classes are geared toward professional and committed artists who want to take their work to the next level with mentoring from master teachers, but who may not have the time for a years-long committed mentorship or residency. In the interest of continuity, some Master Classes also offer additional virtual sessions following the in-person summer workshop. Master classes require a portfolio review for admission.

Concentrating on aesthetic, technical and conceptual development, classes specifically address how to improve one’s work through group discussions, individual sessions with the instructor and studio time. Students dive deeply into the dynamics of their art-making and medium. The goal is to unleash a student’s potential with rigor and exploration, direction and critique. Our Master Classes are a dynamic new offering as well as an essential addition to our artistic programs.

Master Class Faculty

Tina Campt

Tina Campt is Owen F. Walker Professor of Humanities and Modern Culture and Media at Brown University. Tina is a black feminist theorist of visual culture and contemporary art. One of the founding researchers in Black European Studies, her early work theorized gender, racial, and diasporic formation in black communities in Europe, focusing on the role of vernacular photography in processes of historical interpretation. She is the author of four books: Other Germans: Black Germans and the Politics of Race, Gender and Memory in the Third Reich, Image Matters: Archive, Photography and the African Diaspora in Europe, Listening to Images and A Black Gaze published by MIT Press in 2021.

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David Antonio Cruz

David Antonio Cruz uses painting and performance to explore the visibility and intersectionality of brown, black, and queer bodies. David is a professor at the School of the Museum of Fine Arts at Tufts University. He has exhibited at the Brooklyn Museum, National Portrait Gallery and was awarded the Joan Mitchell Painting and Sculptor Grant. He received an MFA from Yale University.

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Linda Geary

Linda Geary is Professor/Chair of Painting at California College of the Arts in San Francisco. Her book, Studio Visit, is a compilation of 100 studio visit conversations with a focus on collage and color, including an essay by poet Norma Cole. Linda is a painter who lives and works in Oakland, CA.

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John Gill

John Gill teaches at the New York State College of Ceramics at Alfred University. He has received numerous awards including honors from the National Endowment for the Arts and the New York Foundation for the Arts.

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Andrea Gill

Andrea Gill is a Professor Emerita at Alfred University. Her works are in the permanent collections of the LACMA and the Victoria and Albert Museum in London.Andrea Gill is a professor Emerita at Alfred University. Her works are in the permanent collection of the LACMA and the Victoria and Albert Museum in London.

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Elliott Hundley

Elliott Hundley’s practice integrates photography, painting, collage, sculpture, performance and drawing. In 2019, he was the inaugural curator of “Open House”, a group exhibition at the Museum of Contemporary Art, Los Angeles that featured works drawn from the permanent collection. Elliott is a recent recipient of a John Simon Guggenheim Memorial Foundation Guggenheim Fellowship.

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Jan and Randy Johnston

Jan McKeachie Johnston: Since 1979, Jan McKeachie Johnston has been active in teaching workshops across the United States and Chile. For the past 40 years she has participated in important national and international exhibitions and her work has also been featured in Clay Times and Ceramics Monthly. Randy Johnston: Randy Johnston is an internationally-recognized artist and the recipient of numerous awards, including the Bush Foundation Artist Fellowship, two Visual Artist Fellowships from the National Endowment for the Arts, and a Distinguished Teaching Award in American Arts from the James Renwick Society of the Smithsonian. Randy is a member of the International Academy of Ceramics and his work is in numerous international museums and private collections.

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Tyler Mitchell

Tyler Mitchell (b. 1995 Atlanta, GA; lives and works in Brooklyn, NY ) is a photographer and filmmaker working across many genres to explore and document a new aesthetic of Blackness. In 2018, he made history as the first Black photographer to shoot a cover of American Vogue for Beyoncé’s appearance in the September issue. The following year, a portrait from this series was acquired by The Smithsonian National Portrait Gallery for its permanent collection. In 2019 Mitchell held his first solo exhibition, I Can Make You Feel Good, at Foam Fotografiemuseum Amsterdam where he showed new photographic and video works including his film Idyllic Space. An iteration of the show traveled to the International Center of Photography in New York in 2020. Mitchell published an eponymous monograph with Prestel Random House in conjunction with the exhibition, further exploring his take on a Black visual utopia. In 2020 Mitchell was announced as the recipient of the Gordon Parks Fellowship, which will support a new project that reflects and draws inspiration from Parks’ central themes of representation and social justice. Mitchell’s fellowship will culminate in an exhibition of the new works at the Gordon Parks Foundation Gallery in Pleasantville, NY. Mitchell has lectured at a number of institutions on the politics of image-making including Harvard University, Paris Photo and the International Center of Photography (ICP).

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Mark Newport

Mark Newport’s work uses textiles, performance, print, and photography to reveal the vulnerability inherent in traditional western ideals of masculinity. His work has been recognized by awards from the Louis Comfort Tiffany Foundation and the Creative Capital Foundation. Newport’s work is represented by the Simone DeSousa Gallery, Detroit.

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Ongoing Workshops

  • III

    Level III

    Students have significant experience in the print medium that is the subject of the workshop.

  • IV

    Level IV

    Students have advanced skill and knowledge of the printmaking fields. Students are highly motivated and self­-directed, have a minimum of five years experience in their field, and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.

Jul 4 - 8, 2022
9AM-5PM

Master Class:
Sustaining Creative Strategies in Printmaking

Elliott Hundley, Brian Shure

Tuition $1,200
Code R0505-22

This unique opportunity for advanced printmakers creates a forum for dialog about how to curate your practice to push your work into a strong direction. Artists are invited to work on self-directed projects in the printmaking area of their choosing while receiving technical support in tandem with critical feedback. Opportunities for technical demonstrations, group critique and one-on-one mentorship make up the structure of this Master Class. *Brian Shure will be present for the entire duration of the workshop; Elliott Hundley will join daily from 1-5PM. To attend a Master Class workshop, a portfolio review is due by Friday, February 11th, 2022. Instructions on how to submit your portfolio are as follows: Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to the Artistic Director of Painting, Drawing and Printmaking, Liz Ferrill at lferrill@andersonranch.org The single PDF must be less than 10 MB to be considered. Include 10 images of 10 works with image identification that lists the title, media, dimensions and year of each image. While not required, it is helpful to see an artist statement addressing the images you send. Include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop for which you are applying. Please provide a phone number where you can be reached and a link to your website. Submissions that do not follow the requested directions will not be reviewed. To be considered, we must receive portfolios by 5 PM MST Friday, Feb. 11th, 2022. If we receive your materials after Feb. 11th, you will be considered on a space-available basis. We will email you regarding your status on or before Friday, Feb. 25, 2022. If you are accepted, a deposit of $500 will be required within one week of notification of acceptance to hold your place. Housing will be assigned on a space-available basis upon enrollment.

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  • IV

    Level IV

    Students have advanced skill and knowledge of painting and drawing. Students are highly motivated and self­-directed, have a minimum of five years experience in their field and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.

Jul 18 - 22, 2022
9AM - 5PM

Master Class:
Painting the Figure Through a Political and Radical Lens

David Antonio Cruz

Tuition $1,200
Code D0711-22

This workshop for advanced painters explores the fundamental properties of figurative painting and portraiture through the lens of political and historical gestures and poses. The course examines “the figure” in painting, documentary photography, art history and literature, using these examples as sources for live model sessions, studio practice and discussions. Students work on self-directed projects and from live models. They participate in one-on-one and group discussions, as well as individual critiques with the instructor. Students are asked to bring a digital portfolio of recent work to discuss their research, methods and practice. To attend a Master Class workshop, a portfolio review is due by Friday, February 11th, 2022. Instructions on how to submit your portfolio are as follows: Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to the Artistic Director of Painting, Drawing and Printmaking, Liz Ferrill at lferrill@andersonranch.org The single PDF must be less than 10 MB to be considered. Include 10 images of 10 works with image identification that lists the title, media, dimensions and year of each image. While not required, it is helpful to see an artist statement addressing the images you send. Include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop for which you are applying. Please provide a phone number where you can be reached and a link to your website. Submissions that do not follow the requested directions will not be reviewed. To be considered, we must receive portfolios by 5 PM MST Friday, Feb. 11th, 2022. If we receive your materials after Feb. 11th, you will be considered on a space-available basis. We will email you regarding your status on or before Friday, Feb. 25, 2022. If you are accepted, a deposit of $500 will be required within one week of notification of acceptance to hold your place. Housing will be assigned on a space-available basis upon enrollment.

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  • IV

    Level IV

    Students have advanced skill and knowledge of painting and drawing. Students are highly motivated and self­-directed, have a minimum of five years experience in their field and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.

Aug 1 - 5, 2022
9AM - 5PM

Master Class
Advanced Painting: Making and Dialog

Linda Geary

Tuition $1,200
Code D0915-22

This advanced painting workshop is for students working in any medium, designed to be a catalyst for making art within a broadly-defined painting language. Students work on individual projects while digging into experimental processes that boost the forward momentum of their work. Presentations, prompts and critiques support purposeful discussions addressing how your work is communicating. Questions and topics covered: How can time be captured through color? What is tactile knowledge? Who are your art ancestors and what is their role in the building of your visual language? What and how does your work communicate within the context of contemporary art? To attend a Master Class workshop, a portfolio review is due by Friday, February 11th, 2022. Instructions on how to submit your portfolio are as follows: Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to the Artistic Director of Painting, Drawing and Printmaking, Liz Ferrill at lferrill@andersonranch.org The single PDF must be less than 10 MB to be considered. Include 10 images of 10 works with image identification that lists the title, media, dimensions and year of each image. While not required, it is helpful to see an artist statement addressing the images you send. Include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop for which you are applying. Please provide a phone number where you can be reached and a link to your website. Submissions that do not follow the requested directions will not be reviewed. To be considered, we must receive portfolios by 5 PM MST Friday, Feb. 11th, 2022. If we receive your materials after Feb. 11th, you will be considered on a space-available basis. We will email you regarding your status on or before Friday, Feb. 25, 2022. If you are accepted, a deposit of $500 will be required within one week of notification of acceptance to hold your place. Housing will be assigned on a space-available basis upon enrollment.

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  • IV

    Level IV

    Photography students have advanced skills and knowledge of photography and digital image processing. New Media students have advanced skills and knowledge of video, multimedia, coding or animation. Students are self­-motivated and have multiple portfolios of their artwork.

Aug 8 - 12, 2022
9AM-12PM

Master Class:
Photography and Representation

Tina Campt, Tyler Mitchell

Tuition $1,295
Code P1021-22

Engage in critical group dialogue and critiques to hone the fundamental aspects of your work and deepen your understanding of contemporary art practice. In this Master Class workshop for advanced photographers, students produce work at their own pace, pausing in the mornings for discussion with the instructors and peers. Topics are wide-ranging in both depth and breadth, including technique, concept, approach, and context. Students are expected to work independently and to set their own studio goals for the week. The course strongly encourages a broad interpretation of photography for this workshop and welcomes artists working in all forms of lens based media. To attend a Master Class workshop, a portfolio review is due by Friday, February 11th, 2022. Instructions on how to submit your portfolio are as follows: Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to Anderson Ranch Studio Coordinator, Esther Nooner at enooner@andersonranch.org. The single PDF must be less than 10 MB to be considered. Include 10 images of 10 works with image identification that lists the title, media, dimensions and year of each image. While not required, it is helpful to see an artist statement addressing the images you send. Include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop for which you are applying. Please provide a phone number where you can be reached and a link to your website. Submissions that do not follow the requested directions will not be reviewed. To be considered, we must receive portfolios by 5 PM MST Friday, Feb. 11th, 2022. If we receive your materials after Feb. 11th, you will be considered on a space-available basis. We will email you regarding your status on or before Friday, Feb. 25, 2022. If you are accepted, a deposit of $500 will be required within one week of notification of acceptance to hold your place. Housing will be assigned on a space-available basis upon enrollment.

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  • IV

    Level IV

    Students have advanced skills and knowledge of the ceramics field. Students are highly motivated, have a minimum of five years experience in the field and have a portfolio of their artwork. Typical students are academics and professional artists.

Aug 22 - Sep 2, 2022
9AM-5PM

Master Class
Handbuilt Pots: Surface and Form

John Gill, Andrea Gill

Tuition $1,600
Code C1219-22

With two renowned artists at the helm, this two-week intensive workshop implements the use of simple techniques to explore freedom of ideas and process in a most exciting manner. Students elevate the quality and content of their ceramic work through the distinct lens of each of the instructors. John Gill shares his articulated approach to building and glazing by guiding the creation of vessels from soft clay slabs through darting and paper patterns. Andrea Gill imparts her expertise on surface patterning and layering of glazes. Learn the application process of transferring two-dimensional imagery onto three-dimensional surfaces, and leave with a variety of works and a comprehensive understanding of the craft. To attend a Master Class workshop, a portfolio review is due by Friday, February 11th, 2022. Instructions on how to submit your portfolio are as follows: Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to Anderson Ranch Studio Coordinator, Louise Deroualle at lderoualle@andersonranch.org. The single PDF must be less than 10 MB to be considered. Include 5-10 images of your work with image identification that lists the title, media, dimensions and year of each image. While not required, it is helpful to see an artist statement addressing the images you send. Include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop for which you are applying. Please provide a phone number where you can be reached and a link to your website. Submissions that do not follow the requested directions will not be reviewed. To be considered, we must receive portfolios by 5 PM MST Friday, Feb. 11th, 2022. If we receive your materials after Feb. 11th, you will be considered on a space-available basis. We will email you regarding your status on or before Friday, Feb. 25, 2022. If you are accepted, a deposit of $500 will be required within one week of notification of acceptance to hold your place. Housing will be assigned on a space-available basis upon enrollment.

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