Sculpture
Express your creativity and vision by exploring the limitless art of sculpture. At Anderson Ranch, our sculpture program offers a vibrant spectrum of workshops that reflect a variety of studio practices. At the confluence of tradition and technology, these programs are material and technique-rich, ranging from classical metal fabrication to experimental digital production.
Students work in communal and interactive studios designed for all levels of experience, supporting traditional and nontraditional methods. The sculpture studios are fully equipped with advanced machinery and offer additional outdoor covered workspace.
Our renowned sculpture faculty work closely with students through critical discussions, material demonstrations and individual assistance. Instructors encourage exploration and experimentation, emphasizing process and idea development. We complement this with a focus on process and sound construction. You leave with far more than finished pieces—you walk away with the tools and inspiration required to elevate your studio practice.
Don’t know where to start? View the skill levels for sculpture workshops.
Anderson Ranch Arts Center is a historic, rustic campus that features gravel pathways and uneven terrain that may pose challenges for individuals using wheelchairs or other mobility devices. We strive to provide accommodations to ensure all guests can access and enjoy our programs and facilities. With advance notice, our staff can offer personalized assistance and coordinate access to studios and campus spaces. For questions or to request an accommodation, please contact us at (970) 923-3181 or [email protected].
William Lanzillo
Studio Coordinator, Sculpture
William Lanzillo is the Studio Coordinator of Sculpture at Anderson Ranch. He is a sculptor whose work includes objects, performances, and interactive experiences. He recently earned an MFA in Sculpture from Cranbrook Academy of Art.
Anderson Ranch Campus
Upcoming Workshops
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III
Level III
Students have experience with a variety of materials and fabrication techniques and know how to use hand and power tools competently and safely. Students are self-starting with some formal training in critical aspects of sculpture and have a portfolio of artwork. Students have taken a minimum of three classes or workshops.
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IV
Level IV
Students have advanced skills and knowledge of sculpture. Students are highly motivated, have a minimum of five years experience in the field and have multiple portfolios of their artwork. Typical students are academics and professional artists.
Jun 1 - 12, 2026
9 AM - 5 PM
Building with Clay and Steel
Trey Hill
Tuition $2,250
Code S0102-26
Investigate new materials and approaches to building sculpture in this two-week exploratory workshop. Students discover innovative ways to combine different materials, creating dynamic mixed-media sculptures. This workshop experiments with adding different materials to students’ work — such as clay, steel, and found objects — while considering how each adds formal information and intensified content. A rigorous studio environment gives access to a variety of new materials and fresh ways of approaching students’ studio practice. The workshop is open to students working in any media who are looking to try something different and add new skills to their toolbox.
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I
Level I
Students are new to sculpture and have no formal training.
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II
Level II
Students have a basic knowledge of 3-D art making and sculpture concepts and are comfortable using a variety of hand and power tools. Students have taken one or two sculpture classes or workshops.
Jun 1 - 5, 2026
9 AM - 5 PM
Opposites Attract: Combining Steel and Soft Materials
Carl Reed
Tuition $1,300
Code S0101-26
Throughout art history, steel has been associated with industry, strength, and even violence. This workshop challenges those associations by exploring ways to make steel appear visually delicate, and by creating new meanings through its combination with materials of contrasting characteristics. Participants engage in exercises that address both technical and creative questions, including how steel is cut, shaped, and joined, as well as how to rethink its role in a composition—treating steel as a secondary, supporting element rather than the primary focus. Through experimentation, students learn to challenge material assumptions and expand the expressive potential of steel in contemporary sculpture. We explore the aesthetic and technical consequences of combining steel with soft, vulnerable, contradictory, and unexpected materials.
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O
Open to All
Students of any skill and knowledge level.
Jun 15 - 19, 2026
9 AM - 5 PM
Sculptural Paper Casting and Forming
Leah Aegerter
Tuition $1,250
Code S0303-26
In this foundational paper-making workshop, students transform pulp into one-of-a-kind cast-paper sculptures. Beginning with dry abaca pulp, participants learn to reconstitute, beat, dye, and cast sheets using a traditional mold and deckle. Abaca paper, with its long fibers and impressive wet strength, is ideal for sculptural manipulation. Students mold wet sheets onto objects brought from home, found in the studio, or discovered in the environment. Sewing and gluing techniques are used to combine dried paper forms into cohesive sculptural creations. By the end of the week, students gain a versatile set of paper-making and sculptural skills that can be adapted to any studio environment.