Carmen Winant
Carmen Winant is an artist and the Roy Lichtenstein Chair of Studio Art at the Ohio State University. Her work utilizes archival and authored photographs to examine feminist care networks, with particular emphasis on intergenerational, multiracial, and sometimes transnational coalition building. Winant is a 2019 Guggenheim Fellow in photography.
Carmen's Links:
Carmen's Upcoming Workshops
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III
Level III
Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.
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IV
Level IV
Photography students have advanced skills and knowledge of photography and digital image processing. New Media students have advanced skills and knowledge of video, multimedia, coding or animation. Students are self-motivated and have multiple portfolios of their artwork.
Jun 15 - 19, 2026
9 AM - 5 PM
Exploring Image-Making Through Lived Experience and Power Dynamics
Carmen Winant
Tuition $1,200
Code P0307-26
This workshop is designed for photographers interested in reimagining the politics of image-making through the lens of lived experience — particularly those shaped by gender, feminism, marginalization, and underrepresented perspectives. Drawing on both historical strategies and speculative approaches, participants will engage in collaborative and experimental exercises such as multiple exposures, camera-passing, and surrealist "exquisite corpse" techniques. Together, we'll challenge traditional roles of photographer and subject, questioning photography's roots in authorship, control, and visual dominance. Through image-making, critique, discussion, and selected readings, we'll explore how even the smallest choices — editing, framing, language — can reinforce or resist dominant structures of seeing. This workshop invites play, experimentation, and critical reflection as we ask not just what an image shaped by marginalized experience looks like, but what it can do.