2023 International Artist Honoree
Christian Marclay (b. 1955, San Rafael, California) explores the connections between vision and sound, creating works in which these two sensibilities enrich and challenge one another. Marclay garnered international acclaim at the 54th Venice Biennale for his masterpiece video work, The Clock, for which he received the prestigious Golden Lion award. Marclay’s work has been exhibited in museums and galleries internationally, including one-person presentations at the Hirshhorn Museum and Sculpture Garden in Washington D.C. (1990); the Musée d’art et d’histoire, Geneva (1995); the Kunsthaus, Zurich (1997); the Museum of Contemporary Art, Chicago (2001); the San Francisco Museum of Modern Art (2002); Musée d’Art moderne et contemporain, Geneva (2008); the Whitney Museum of American Art, New York (2010); Leeum, Samsung Museum of Art, Seoul (2010); Garage Center for Contemporary Culture, Moscow (2011); the Museu d’Art Contemporani de Barcelona (2019) and the Centre Pompidou (2022–2023). A pioneering DJ using records and turntables as musical instruments to create sound collages, since 1979 Marclay has performed and recorded both solo and in collaboration with many musicians, including John Zorn, Elliott Sharp, Otomo Yoshihide, Butch Morris, Shelley Hirsch, Okkyung Lee, Mats Gustafsson, and Lee Ranaldo. His work is in the public collections of the Metropolitan Museum of Art in New York; the Smithsonian American Art Museum, Washington D.C.; the Tate Modern, London; and the Centre Georges Pompidou, Paris. Marclay lives and works in London.
Photo by @andyhaslamphoto
Christian Marclay in the Huddersfield Town Hall in
England. © Christian Marclay. Courtesy Paula Cooper Gallery, New York