Elinor Carucci
Fine art photographer Elinor Carucci was born in Jerusalem. Her work has been exhibited worldwide and appeared in publications internationally, and is in the collections of MoMA, The Jewish Museum, the Brooklyn Museum, and many others. She has been awarded the ICP Infinity Award, a Guggenheim Fellowship, and NYFA. Carucci has published five monographs to date: Closer, Diary of a Dancer, MOTHER, MIDLIFE, and The Collars of Ruth Bader Ginsburg. Carucci teaches at the graduate programs of photography at School of Visual Arts.
Elinor's Links:
Elinor's Upcoming Workshops
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II
Level II
Photography students have a basic understanding of photography principles and technology and are comfortable using an SLR camera in manual mode. New Media students have a basic understanding of video, multimedia or animation software. Students have basic computer skills and are comfortable using a Macintosh computer.
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III
Level III
Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.
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IV
Level IV
Photography students have advanced skills and knowledge of photography and digital image processing. New Media students have advanced skills and knowledge of video, multimedia, coding or animation. Students are self-motivated and have multiple portfolios of their artwork.
Jun 22 - 26, 2026
9 AM - 5 PM
What About Love?
Elinor Carucci, David Hilliard
Tuition $1,195
Code P0409-26
Our best photographs are often inspired by immensely emotional, physical, or psychological pulls within our lives. In photographing people, places, and even objects that we are intimately acquainted with or drawn to, we are better able to communicate a more profound and specific level of understanding of it through the camera’s lens. These intense feelings are the gateway to emotionally resonant pictures. These longings can inspire and inform many working methodologies — a narrative story, a personal journal, a documentary, a visual poem, self-portraiture, and more. Many of us shy away from addressing “the emotional” within our images, but in this workshop, participants are encouraged to embrace these feelings. Students work on enhancing and informing their vision and style while delving deeper into the emotions and nuances of life, experiences, surroundings, and how they coalesce into photographic imagery. Field trips complement studio activities.