Jack Fox

Photographers with developed bodies of work dive deeply into the art of creating zines and photobooks, exploring how these formats function as powerful tools for structuring, refining, and sharing long-form photographic projects. The workshop includes in-depth demonstrations of essential techniques—such as hand-binding methods, cover construction, trimming, sequencing workflows, and layout planning—so participants can see each step of the bookmaking process in action before applying it to their own projects. Throughout the week, photographers receive guided instruction in editorial decision-making, narrative development, and conceptual cohesion. Structured activities include collaborative editing sessions, peer critiques, guided sequencing exercises, and hands-on design modules using both analog and digital tools. Participants experiment with dummy-book structures and materials, learning how choices in paper, binding, and format influence the reading experience. By the end of the workshop, each photographer leaves with a deeper understanding of visual storytelling, sequencing, and layout, as well as one or more tangible prototypes or mock-ups of their own publication. These drafts serve as concrete foundations they can continue refining into fully realized zines or photobooks beyond the course.

Explore the creative and historical possibilities of cyanotype in this hands-on workshop. Using non-toxic chemicals, working in both sunlight and UV light, you will create prints on paper and fabric while experimenting with this versatile 19th-century photographic process to create gorgeous, blue-and-white prints. Students will learn how to work with liquid emulsion, select papers and materials, calculate exposure, and develop their cyanotypes. Students can work with natural materials and found objects to create cyanotype photograms. Students are also welcome to bring an archive of digital images to incorporate into the process through digital negatives or scanned imagery. The workflow for creating and using digital negatives will be explored. Group discussions and demonstrations will support hands-on practice, creative exploration, and the development of individual artistic vision. Topics will include the use of alternative materials, combining the use of negatives and objects to produce unique works, creative presentation options, and the possibilities of making a home studio to continue your practice. Visual presentations of historical and contemporary artists working in the medium will also be included for creative inspiration. All cyanotype materials are provided, though participants are welcome to bring personal items for photograms, and unique papers and fabrics for experimentation as appropriate.