Jack Fox

Photographers with developed bodies of work dive deeply into the art of creating zines and photobooks, exploring how these formats function as powerful tools for structuring, refining, and sharing long-form photographic projects. The workshop includes in-depth demonstrations of essential techniques—such as hand-binding methods, cover construction, trimming, sequencing workflows, and layout planning—so participants can see each step of the bookmaking process in action before applying it to their own projects. Throughout the week, photographers receive guided instruction in editorial decision-making, narrative development, and conceptual cohesion. Structured activities include collaborative editing sessions, peer critiques, guided sequencing exercises, and hands-on design modules using both analog and digital tools. Participants experiment with dummy-book structures and materials, learning how choices in paper, binding, and format influence the reading experience. By the end of the workshop, each photographer leaves with a deeper understanding of visual storytelling, sequencing, and layout, as well as one or more tangible prototypes or mock-ups of their own publication. These drafts serve as concrete foundations they can continue refining into fully realized zines or photobooks beyond the course.

Explore the creative and historical possibilities of cyanotype in this hands-on workshop. Using non-toxic chemicals, sunlight, and UV light, you create prints on paper—and optionally on fabric—while experimenting with this versatile 19th-century photographic process. Students work directly with cyanotypes using natural objects or found materials, or bring an archive of digital images to incorporate into the process through digital negatives or scanned imagery. The workflow for creating and using digital negatives is explored. The workshop covers traditional cyanotype techniques, photograms, negatives, and methods for enhancing prints. You also learn about the history of cyanotype, contemporary artists working in the medium, and approaches for moving beyond classic indigo-and-white prints. Demonstrations include working with chemistry, selecting papers and materials, and setting up at-home dark/dim room alternatives. All cyanotype materials are provided, though participants are welcome to bring personal papers, clothing, or other items for experimentation as appropriate. Assignments, demonstrations, and group discussions support hands-on practice, creative exploration, and the development of individual artistic vision.