Painting & Drawing
Code: D0612-25
-
Ages 13-17
Acrylic Painting for Teens
Jul 7 - 11, 2025
9AM-3PM
Concept
In this introductory-level painting workshop for teens, students learn to approach painting through a variety of lenses from observational to stylized, and embark upon many exercises relating to color, line, and form. Students begin by focusing on painting from observation and learning to record what they see, then explore abstraction, pattern, and developing color fields. We take inspiration from paintings throughout history and gain a knowledge of historical works, as well as taking a look at contemporary imagery. Teens come away with a portfolio of paintings to continue to build upon in the future.
View All Painting & Drawing Workshops
Media & Techniques
Acrylic painting, observational, abstract, illustrative
Faculty
Lindsey Yeager
Studio Coordinator, Paint and Printmaking
Lindsey Yeager paints and illustrates connections between society and nature, between human and animal, translating and reframing human contexts into fearful, raw, and feral allegories. Yeager received BFAs in New Studio Practice and Illustration from Milwaukee Institute of Art & Design. Her work has been shown at Var Gallery, Mana Contemporary, Soft Times Gallery, Museum of Wisconsin Art, and Society of Illustrators, among others. Lindsey is represented by Var Gallery in Milwaukee, WI and works as the Studio Coordinator of Painting, Drawing, and Printmaking at Anderson Ranch.
Lindsey Yeager, Creature Like Me (One Stone)
Workshop Details>
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact Lindsey Yeager, [email protected].
Provided by Anderson Ranch
Equipment
- Butcher paper
- Containers
- Cordless drills
- Cutting mats**
- Drawing boards
- Easels
- Gamsol (OMS)**
- Gloves
- Glues**
- Hand tools: hammers, screwdrivers, pliers, clamps
- Laser printer
- Palette knives**
- Palette-topped utility carts
- Presentation projector
- Push pins
- Rags
- Rulers**
- Scanner
- Scissors
- Spray bottles**
- Staple guns
- Stools
- Tape**
- Work tables
Supplies
- Acryla Gouache
- Assorted acrylic paints**
- Assorted brushes**
- Canvas**
- Drawing utensils (pencils, pens, Sharpies)**
- Duralar**
- Erasers**
- Graphite transfer paper
- Heavyweight paper
- Liner brushes**
- Palette paper**
- Stencil brushes**
- Tape**
What you need to bring
Required Tools and Supplies
- 3-5 personal objects for a still life
- High-contrast digital image of yourself, someone else, or a pet
- Prohibited supplies: power tools, torches, spray paint, encaustic, turpentine, resin, plastisol, any solvent that isn’t low VOC
Optional Tools and Supplies
- Any preferred acrylic paint, brushes, or surfaces
- Apron**
- White (or light colored) t-shirt for screen printing**
* Available for purchase in the studio.
** Available to purchase at the Anderson Ranch ArtWorks Store for 10% off. The store aims to stock comparable items, though specific products from the supply list may vary based on inventory.
Learn more about shipping supplies and artwork to and from the Ranch in the Student Handbook.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In>
-
III
Level III
Students have formal training in critical issues of 2-D art making, experience with public critiques and a solid portfolio of their artwork.
-
IV
Level IV
Students have advanced skill and knowledge of painting and drawing. Students are highly motivated and self-directed, have a minimum of five years experience in their field and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.
-
MC
Master Class
Jun 29 - Jul 3, 2026
9 AM - 5 PM
Advanced Topics in Painting
Craig Drennen
Tuition $1,295
Code D0510-26
Master Class This course is designed to improve our work through full immersion in the discourse of contemporary painting. We examine theory and critical dialogue as it pertains to individual practice, and explore the history and craft of paintings within a contemporary context. Through readings and discussion, artists have opportunities to broaden the scope of their practices and continue to hone their artistic voices. This course uses the term “painting” in the most expanded contemporary manner. We engage in individual critiques, group critiques, reading assignments, group discussions, and the creation of new work. Students should bring a digital portfolio of current studio work.
-
III
Level III
Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.
-
IV
Level IV
Photography students have advanced skills and knowledge of photography and digital image processing. New Media students have advanced skills and knowledge of video, multimedia, coding or animation. Students are self-motivated and have multiple portfolios of their artwork.
Jun 29 - Jul 3, 2026
9 AM - 5 PM
More Than Words: Photography as Creative Nonfiction
Imani Perry
Tuition $1,350
Code P0511-26
This workshop asks students to engage in close readings of image, sound, and text in order to develop their own creative practice. Authors and artists examined include Roy DeCarava, Langston Hughes, Robert Frost, Dawoud Bey, Tina Campt, Baldwin Lee, Susan Sontag, James Baldwin, Endia Beal, and Joni Mitchell. Students will explore questions such as, How are history, region, identity, social location, sound, and disposition communicated through image? How can narrative be a co-creative endeavor alongside image? How does the body of the photographer figure in images even when not visible? What ethical principles ought to guide visual and narrative storytelling? Class sessions will include writing exercises and peer critiques.
-
II
Level II
Students have basic knowledge of 2-D art making including form, negative space, value and line.
-
III
Level III
Students have formal training in critical issues of 2-D art making, experience with public critiques and a solid portfolio of their artwork.
Jun 29 - Jul 3, 2026
9 AM - 5 PM
Painterly Quilts
Chloe Wilwerding
Tuition $1,295
Code D0512-26
Discover the many possibilities of working in mixed media incorporated with quilting techniques to create colorful and vibrant compositions. With an experimental approach to quilting, students use appliqué, cyanotype, photographic images printed onto fabric, painting and ink, stamping, embroidery, and decorative hand stitching as they focus on pattern, composition, surface texture, and color relationships. While addressing the complexities of the quilted image, we emphasize discovering new ways to piece together compositions, creating formal connections, and incorporating personal and found materials like fabrics, beads, and relics.