Code:
Dec 31, 1969
Faculty
Join Waitlist for
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Workshop Details>
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Related Events>

Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
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I
Level I
Students are new to sculpture and have no formal training.
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II
Level II
Students have a basic knowledge of 3-D art making and sculpture concepts and are comfortable using a variety of hand and power tools. Students have taken one or two sculpture classes or workshops.
Jun 2 - 6, 2025
9AM-5PM
The Brutal and the Delicate: Steel Combined with Soft Materials
Carl Reed
Tuition $1,290
Code S0102-25
Throughout art history, steel has been associated with industry, violence, and strength. This workshop challenges such connections by investigating ways steel can become visually delicate, and by inventing new meanings and visual relationships through combining steel with materials with opposite characteristics. Exercises address technical and creative inquiries regarding how steel is cut, shaped, and physically joined, and how to challenge material assumptions if steel becomes a secondary, rather than primary, compositional element. We explore the aesthetic and technical consequences of combining steel with soft, vulnerable, contradictory, and unexpected materials.

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O
Open to All
Students of any skill and knowledge level.
Jun 2 - 6, 2025
9AM-5PM
Works on Paper: Collage and Gouache
Amaryllis R. Flowers
Tuition $1,415
Code D0102-25
Students explore mixed media as they create works on paper in this dynamic and experimental workshop for students of all levels. The beauty of gouache and its potential for vibrancy and rich, matte tones is introduced and put into practice. Paper and its seductive surface quality and versatility as a substrate is used in a variety of ways to create collaged and multilayered imagery. Students produce multiple works on paper and discover new skills through prompts and exposure to materials, with both abstraction and the figure as options for subject matter.

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O
Open to All
Students of any skill and knowledge level.
Jun 2 - 6, 2025
9AM-5PM
Photographic Collage: An Exploration of Photography and Painting
Kate Leonard
Tuition $1,430
Code P0103-25
Join an engaging exploration of the synthesis between two distinct art forms: photography and painting. Students discover transfer techniques that integrate photographic images and text directly onto painted surfaces, resulting in intriguingly layered works. Participants explore traditional collage and photomontage, and master new methods that allow for opaque and translucent layers. Reductive methods, such as sanding and scraping, reveal the history of earlier photographic layers and suggest an archaeological approach to image development. The workshop emphasizes experimentation and exploratory approaches. Students produce a portfolio of physical examples of all techniques.