VIRTUAL WORKSHOP
Innovative Woodcut Methods: blocks, jigsaws and the laser cutter

Dive into the compelling printmaking process of reduction linocut printed by hand on Japanese paper. The reduction method is a relief printmaking technique for making multi-color prints from one block of wood, or, in this class, linoleum. With each layer of carving and impression, students discover the transformation and complexity of their image, adding depth, color, and dynamism. The process results in a rich, textured print with layered detail specific to this unique medium. Students learn to prepare paper and blocks for printing using registration tabs and pins. Blend rolls and stencils are introduced as a means to add further detail and richness.

This rigorous, engaging, printmaking workshop focuses on monoprint and woodcut methods with an emphasis on layering color to produce luminous results. We begin with observational studies from the natural world, and explore trace, stencil, painterly, and multiple plate monotype methods. Reduction woodcut techniques are then added to layer transparent and opaque color to create a radiant sense of space. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine printing using a woodcut matrix with a variety of monoprint methods.

This rigorous, engaging, printmaking workshop explores color monoprint and woodcut processes using hand and laser-cut stencils and blocks to create one-of-a-kind and editioned prints. We begin with observational studies from the natural world and explore monotype with stencils and multiple plates. We then use the laser cutter to cut woodblocks and combine these puzzle block prints with hand carved marks, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine multiple matrices in many ways.