Screen Printing for Teens

In Against Interpretation, Susan Sontag writes, "What is important now is to recover our senses. We must learn to See more, to Hear more, to Feel more." This community focused, discussion and critique-based workshop encourages artists to investigate their artistic intentions within a supportive environment of critical thinking, looking, and responding. As a cohort of artists who are active participants in the act of observation and interpretation, the intention is to expand one's understanding of how to speak about the work of our peers without judgment or categorization. Though this is not a traditional critique class, we focus on building skills in how to guide a studio visit with questions, avoiding art world sound bytes but rather spotlighting authentic and unique feedback. This workshop is for serious artists who are searching for community, dialogue, and honesty within a cohort. Participants are encouraged to bring physical work as well as digital images to share and discuss, with emphasis on awareness and being present among the group. TO REGISTER: Please contact Lindsey Yeager, Studio Coordinator of Painting, Drawing & Printmaking, at [email protected] to inquire about attending this workshop.

Students investigate the current trends of print media in contemporary culture and get the tools they need to make artistic statements using screen printing. This workshop focuses on water-based, photo screen printing techniques as well as low-tech stencil printing methods. Technical demonstrations cover beginning photo screen printing processes, one- and two-color registration, hand dyeing, draw back into, manipulation of the surface, water-soluble markers, and hand-cut and photo stencil methods. Each student creates experimental, unique prints and comes away from this workshop with a toolbox of new printmaking techniques.

Explore the process of translating imagery into the dynamic mark-making intrinsic to the medium of woodblock printmaking and collage. We embark on combining elements of woodblock printmaking, drawing, cut paper, and other collage materials to produce complex and compelling imagery. Students add to their practice with a whole new toolbox of methods as well as new conceptual approaches to the woodblock medium. While the primary tenets of traditional block printing are covered, printmaking operates as a means to facilitate the student’s concept. Students gain knowledge of the fundamentals of woodblock printmaking: carving, reproduction, registration, inking, etc. and various collage applications to produce a multilayered surface.