Screen Printing for Teens

In this experimental and playful printmaking class, students explore exciting chine collé techniques — affectionately dubbed the “potato chip” method — learning to inlay one printed image inside another, and experiment with dynamic collage techniques in combination with drypoint. Beginning with drypoint techniques on plexiglass, printmakers explore new ways to breathe life into their work through innovative methods. Students are also invited to experiment with plates, papers, and prints from previous projects. All print media work well with these techniques and skills learned in this class can be applied to your practice in a multitude of ways.

Dive into the compelling printmaking process of reduction linocut printed by hand on Japanese paper. The reduction method is a relief printmaking technique for making multi-color prints from one block of wood, or, in this class, linoleum. With each layer of carving and impression, students discover the transformation and complexity of their image, adding depth, color, and dynamism. The process results in a rich, textured print with layered detail specific to this unique medium. Students learn to prepare paper and blocks for printing using registration tabs and pins. Blend rolls and stencils are introduced as a means to add further detail and richness.

This rigorous, engaging, printmaking workshop focuses on monoprint and woodcut methods with an emphasis on layering color to produce luminous results. We begin with observational studies from the natural world, and explore trace, stencil, painterly, and multiple plate monotype methods. Reduction woodcut techniques are then added to layer transparent and opaque color to create a radiant sense of space. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine printing using a woodcut matrix with a variety of monoprint methods.