Digital Fabrication
Discover the exciting, cutting-edge tools available in our FabLab — Anderson Ranch’s impressive digital fabrication lab. These workshops provide powerful tools for self-expression in the hands of creative faculty, and present dynamic opportunities to merge the newest visual arts technologies with traditional processes.
A variety of workshops use the digital fabrication technology in the FabLab and throughout multiple studios on the Ranch campus. Explore the possibilities with our state-of-the-art equipment, including 4-axis CNC (computer-numerically-controlled) routers, Formlabs SLA Resin 3-D Printers, Prusa MK3S FDM 3-D printers, a Bambu Lab X-1 Carbon FDM 3-D printer, Epilog laser cutters, 3-D scanners, a Roland UV printer and vinyl cutter, and vacuum formers. Digital fabrication equipment is powered by Rhinoceros 3D, Adobe Creative Cloud, Autodesk Fusion 360 and Meshmixer, a variety of 3-D printing slicing softwares, and more.
Our expert faculty and staff help you to master progressive new skill sets and exciting new ways of creating.

Emil Gorman
Studio Coordinator, Digital Fabrication
Emil Gorman is the Studio Coordinator for Digital Fabrication. He is an artist and designer with a passion for furniture and the implementation of sustainable materials. He received a BFA with a concentration in Human-Centered Design at Northern Michigan University. Preferred Pronouns: He/Him











Anderson Ranch Campus
Upcoming Workshops>

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IV
Level IV
Students have advanced skills and knowledge of the ceramics field. Students are highly motivated, have a minimum of five years experience in the field and have a portfolio of their artwork. Typical students are academics and professional artists.
Aug 4 - 15, 2025
9AM - 5PM
Advanced Mentored Studies: The Mold and Matrix: Ceramic Process and Narrative Form
Ebitenyefa Baralaye, Del Harrow
Tuition $2,510
Code C1001-25
This three-year mentorship program is intended for ceramic artists interested in critical feedback and immersion in a creative community and who are at a point of transition in their lives, careers, or artistic practices. Emphasis is placed on seeking connections, metaphors, and symmetries between processes for forming clay and developing ways of generating meaning. The objects we make tell stories and propose worlds; a coil and a mold are both techniques for forming clay and also propositions about the meaningful interface of material, body, mind, economy, and culture. We focus on ways stories emerge from physical objects and how narratives give structure to physical form. We welcome participants from many different backgrounds and experiences, centering on work in clay but with the potential for different outcomes, including work in other materials, writing, sculpture, and design. 2025 is the third year of this three-year intensive program. For more information about our next session of this Advanced Mentored Studies program, which begins in 2026, please contact Betsy Alwin, Visiting Director of Ceramics and Expanded Media at [email protected].

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III
Level III
Students have some formal training in digital fabrication, experience with a variety of materials and fabrication processes, and know how to use CNC, 3-D printers, or laser cutters competently and safely. Students have a portfolio of their work.
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IV
Level IV
Students have advanced skill and knowledge of digital fabrication. Students are highly motivated and have multiple portfolios of their artwork.
Aug 11 - 15, 2025
9AM-5PM
Master Class: Career Momentum: Professional Practices for Artists
Jasmine Wahi
Tuition $1,630
Code D1122-25
Artists at all stages of their careers often wish they could have more guidance when approaching galleries, making sales, navigating and choosing exhibitions in which to participate, and even writing off sales and donations. This nuts-and-bolts workshop gets to the core of these questions, while at the same time mentoring artists to consider their goals within the art world and find the tools to achieve them. Every artist has a different trajectory, but there are many common struggles and questions along the way, several of which form the content of this course designed to inform, energize, and empower. This workshop takes place in the painting building but invites artists of all disciplines to apply.

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O
Open to All
Students of any skill and knowledge level.
Aug 11 - 15, 2025
9AM-5PM
Sculpture in Motion: Motors and Kinetic Forms
Ivana Dama
Tuition $1,290
Code S1112-25
This hands-on workshop invites students to explore the possibilities of kinetic sculpture by experimenting with motion and understanding the techniques necessary to make sculptures move. This workshop aims to simplify and demystify the process, breaking down the different types of motors and their potential applications. Participants engage in guided experiments and creative problem-solving, working with timers and controllers that don’t require coding knowledge. Students gain foundational knowledge of motor types, control systems, and kinetic mechanisms and have time to apply this learning to create their own projects.