Digital Fabrication
Discover the exciting, cutting-edge tools available in our FabLab — Anderson Ranch’s impressive digital fabrication lab. These workshops provide powerful tools for self-expression in the hands of creative faculty, and present dynamic opportunities to merge the newest visual arts technologies with traditional processes.
A variety of workshops use the digital fabrication technology in the FabLab and throughout multiple studios on the Ranch campus. Explore the possibilities with our state-of-the-art equipment, including 4-axis CNC (computer-numerically-controlled) routers, Formlabs SLA Resin 3-D Printers, Prusa MK3S FDM 3-D printers, a Bambu Lab X-1 Carbon FDM 3-D printer, Epilog laser cutters, 3-D scanners, a Roland UV printer and vinyl cutter, and vacuum formers. Digital fabrication equipment is powered by Rhinoceros 3D, Adobe Creative Cloud, Autodesk Fusion 360 and Meshmixer, a variety of 3-D printing slicing softwares, and more.
Our expert faculty and staff help you to master progressive new skill sets and exciting new ways of creating.
Don’t know where to start? View the skill levels for digital fabrication workshops.
Anderson Ranch Arts Center is a historic, rustic campus that features gravel pathways and uneven terrain that may pose challenges for individuals using wheelchairs or other mobility devices. We strive to provide accommodations to ensure all guests can access and enjoy our programs and facilities. With advance notice, our staff can offer personalized assistance and coordinate access to studios and campus spaces. For questions or to request an accommodation, please contact us at (970) 923-3181 or [email protected].
Betsy Alwin
Artistic Director of Ceramics and Expanded Media
Betsy Alwin is the Artistic Director of Ceramics and Expanded Media at Anderson Ranch. She is a sculptor working in ceramics and mixed media. She attended the Skowhegan School of Painting and Sculpture and holds an MFA from Illinois State University. Her work has been exhibited nationally and internationally, including the Berkshire Botanical Gardens (Mass MoCA), the National Botanic Gardens in Washington D.C., AIR Gallery, New York, The Phipps Center, Hudson WI, Gallerie Lucida in Red Brick, NJ, and The Ceramic Art Avenue Art Gallery, Jingdezhen, China. Public commissions include sculptures at the Onoden Elementary School in Tokyo, Japan, Franconia Sculpture Park in Shafer, MN, and Silverwood Park in St. Anthony, MN. She is the recipient of numerous awards including a 2022 Artist Individual Support Grant from the Minnesota State Arts Board and is a 2025 Aspen Museum Artist Fellow. Alwin is represented by Rubine Red Gallery in Palm Springs, CA.











Anderson Ranch Campus
Upcoming Workshops>
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II
Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
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III
Level III
Students have significant experience in the print medium that is the subject of the workshop.
Jun 29 - Jul 3, 2026
9 AM - 5 PM
Monotype and Woodcut: Hand and Laser Cut Matrices
Jean Gumpper
Tuition $1,275
Code R0505-26
This rigorous, engaging, printmaking workshop explores color monoprint and woodcut processes using hand and laser-cut stencils and blocks to create one-of-a-kind and editioned prints. We begin with observational studies from the natural world and explore monotype with stencils and multiple plates. We then use the laser cutter to cut woodblocks and combine these puzzle block prints with hand carved marks, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine multiple matrices in many ways.
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II
Level II
Students have a basic understanding of forming techniques, such as throwing and hand building. Students have taken one or two ceramics classes or workshops.
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III
Level III
Students have significant experience with clay forming techniques, such as throwing, hand building and modeling. Students are comfortable with ceramics equipment, such as wheels, extruders and slab rollers. Students are self-starting with some formal training and have taken a minimum of three classes or workshops.
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IV
Level IV
Students have advanced skills and knowledge of the ceramics field. Students are highly motivated, have a minimum of five years experience in the field and have a portfolio of their artwork. Typical students are academics and professional artists.
Jul 20 - 31, 2026
9 AM - 5 PM
Parallel Play: Mixed Media and Clay
Matt Mitros
Tuition $1,795
Code C0809-26
This hybrid, two-part class explores the handbuilding methods an artist can use to compose dynamic sculptural and installation compositions with clay and mixed-media resources. Week one is spent in the ceramic studio exploring ways to build small objects and components for larger work, with emphasis on conceptual ideas and non-traditional methods of fabrication. Week two shifts to the sculpture studio to explore additional form-building methods using urethane and epoxy resins, sculptural adhesive putties, paint, pigments, and found objects. Students will have access to plastic printers to generate objects for finished assembly or for plaster mold making at a later date.
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P
Portfolio Review Required
Students have advanced skills and knowledge of the ceramics field. Students are highly motivated, have a minimum of five years experience in the field and have a portfolio of their artwork. Typical students are academics and professional artists.
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AMS
Advanced Mentored Studies
Aug 10 - 21, 2026
9AM - 5PM
Advanced Mentored Studies: Centering a Ceramic Studio Practice Through Material and Meaning
Audrey An, Shoji Satake
Tuition $3,000
Code C1112-26
This three-year mentorship program supports ceramic artists in deepening their practice and expanding their professional portfolios through guided mentorship within an immersive studio-research environment. Participants receive individualized support, dedicated studio time, and critical dialogue while working independently within a collaborative community of peers. The program emphasizes conceptual development, craftsmanship, experimentation, and interdisciplinary approaches. Over its course, artists refine their practice, develop innovative methods, and complete a capstone project that reflects their artistic growth while exploring clay's unique capacity to shape ideas, narratives, personal histories, and identities in transformative ways. In-Person Sessions at Anderson Ranch: August 10 - 21, 2026 August 9 - 20, 2027 August 7 - 18, 2028 Participants engage in a two-week in-person residency at Anderson Ranch (one each of the three consecutive summers), complemented by ongoing virtual engagement throughout the program. Each year includes two personalized one-on-one mentorship sessions via Zoom and a virtual group critique held in January. The program's final online Zoom meeting will be in April 2028, followed by the final on-campus two-week-long session in summer 2028. The final in-person session on campus culminates with a capstone exhibition in Anderson Ranch's Patton-Malott Gallery. Tuition is listed per year. Lodging and meals are additional. To Apply: Applications will be accepted on a rolling basis with a deadline of February 28, 2026. To apply, please complete the 2026 Advanced Mentored Studies Online Application. A non-refundable deposit of $650 per workshop is required to reserve a space for an adult. Questions? For more information about the next session of the Advanced Mentored Studies Program, please contact: Betsy Alwin, Artistic Director of Ceramics and Expanded Media, [email protected].