Digital Fabrication

Anderson Ranch’s January Studio Sessions provide artists the opportunity to work on independent projects while receiving mentoring and critique sessions with Anderson Ranch artistic staff and interns. Each participant receives an assigned studio space, orientation, and access to equipment, as well as some morning group demonstrations and / or critiques. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. *Studios are open 24 hours a day and on weekends for students enrolled in multiple weeks, with limited use of equipment due to safety requirements. The machine rooms are only available when monitored – weekdays 9 AM-5 PM. Evening monitoring hours are Mondays - Thursdays, 7 – 9 PM. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. Participants who register for multiple consecutive weeks will gain access to the studios on weekends (with the exception of the machine rooms due to safety constraints.) Private dorm rooms are available at Anderson Ranch for one, two or three weeks for an additional fee; click here to view January 2025 lodging options. TO APPLY: Applicants must submit project proposals or portfolios for approval. Contact Betsy Alwin to apply: [email protected]

Delve into the world of computer numerically controlled (CNC) furniture part making in this introductory fabrication workshop. Technology has propelled contemporary design in countless unexpected ways throughout history, and this class considers the modernization of traditional furniture design across cultures. Participants are encouraged to explore their unique artistic voice as they design furniture parts such as legs, backrests, stretchers, and decorative elements on paper. We then translate them into Rhinoceros 3D through basic 2D computer-aided design and further modeling. Students are introduced to best practices in material preparation, CNC hold-down methods, tools, and supplies. Final parts are cut as double sided 3D elements on the CNC.

This rigorous, engaging, printmaking workshop explores color monoprint and woodcut processes using hand and laser-cut stencils and blocks to create one-of-a-kind and editioned prints. We begin with observational studies from the natural world and explore monotype with stencils and multiple plates. We then use the laser cutter to cut woodblocks and combine these puzzle block prints with hand carved marks, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine multiple matrices in many ways.