Printmaking
Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.
Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga, and lithography. Students have access to individual work tables, wall space, rags, hand tools, computers with Adobe software, wifi, printing, scanning, and projection capabilities.
At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.
Lindsey Yeager
Studio Coordinator, Paint and Printmaking
Fueled by a need to find closure in a deteriorating world, Wisconsin-born Lindsey Yeager paints and illustrates connections between society and nature, between human and animal, translating and reframing human contexts into fearful, raw, and feral allegories. Lindsey received a BFA in New Studio Practice and Illustration from Milwaukee Institute of Art & Design in 2021 and she went on to win two Society of Illustrators awards and participate in the 2021-22 cycle of Plum Blossom Initiative’s Bridge Work residency. Her work has been shown at Var Gallery, Mana Contemporary, Soft Times Gallery, Museum of Wisconsin Art, and Society of Illustrators, among others. Lindsey is represented by Var Gallery in Milwaukee.
Liz Ferrill
Artistic Director of Painting, Drawing & Printmaking; Artists-in-Residence Program; Critical Dialogue Program
Liz Ferrill is the Artistic Director of Painting, Drawing and Printmaking at Anderson Ranch. She received her MFA from the Rhode Island School of Design. She has had solo exhibitions nationally and internationally, including in Aspen, Nashville, Omaha, New York City, and Berlin, Germany.
Andrew Betancourt
Printmaking Studio Technician
Andrew Betancourt is the Printmaking Shop Technician at Anderson Ranch. He is a Printmaker and Ceramics artist born and raised in El Paso, TX. He earned his BFA in Printmaking with a minor in Ceramics from The University of Texas at El Paso. During his academic career, Andrew was the recipient of The Manuel Acosta Memorial Art Scholarship and The Carl and Margaret Jackson Fellowship. He worked as a studio assistant for Printmaking during his time at UTEP and now works as an assistant to Master Printer Brian Shure at Anderson Ranch. Preferred Pronouns (He/They)
Brian Shure
Master Printer-in-Residence
Brian Shure is the Master Printer-in-Residence of Anderson Ranch Editions. Brian Shure is represented by Planthouse Gallery in New York, where he curated the 2018 show Bathing. He has taught at RISD, Brown, and Cornell and conducted classes in China, Japan, Mexico, and Germany.
Anderson Ranch Campus
Upcoming Workshops
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Open to All
Students of any skill and knowledge level.
Jul 28 - Aug 1, 2025
9AM-5PM
Building Layers in Monoprint
Laura Berman
Tuition $1,345
Code R0908-25
Taking an exploratory approach to image making, this workshop combines a variety of collage and printmaking techniques. Monoprint techniques are taught in combination with archival collage techniques, with an emphasis on color and printed layers. Students are encouraged to work beyond the first layer of printed imagery to create a new body of work that extends in size and has no technical limitations. With a focus on color, shape, line, and pattern, the goal of this workshop is to further each student’s image vocabulary using printmaking and collage.
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Open to All
Students of any skill and knowledge level.
Aug 4 - 8, 2025
9AM-5PM
Large-Scale Woodblock with Mixed Media
Yashua Klos
Tuition $1,345
Code R1009-25
Explore the process of translating imagery into the dynamic mark-making intrinsic to the medium of woodblock printmaking and collage. We embark on combining elements of woodblock printmaking, drawing, cut paper, and other collage materials to produce complex and compelling imagery. Students add to their practice with a whole new toolbox of methods as well as new conceptual approaches to the woodblock medium. While the primary tenets of traditional block printing are covered, printmaking operates as a means to facilitate the student’s concept. Students gain knowledge of the fundamentals of woodblock printmaking: carving, reproduction, registration, and inking, as well as various collage applications to produce a multilayered surface.
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Open to All
Students of any skill and knowledge level.
Aug 11 - 15, 2025
9AM-5PM
Water-Washed Mokuhanga & Stencil
Keiko Hara
Tuition $1,345
Code R1110-25
In this multifaceted printmaking workshop, students discover that the water-washed mokuhanga and stencil printing processes on washi paper have the exciting possibility of expanding the surface and dimensional quality of image making. In the mokuhanga printing process, the water-washed pigments on the carved woodblock are pressed down into the washi paper. The water-washed pigments are applied to the washi paper directly through the stencil, which prints the raised surface. Students learn this process including carving and hand printing to create and experience the result: a beautiful, multilayered, and luminous print.