Printmaking

Anderson Ranch’s January Studio Sessions provide artists the opportunity to work on independent projects while receiving mentoring and critique sessions with Anderson Ranch artistic staff. Each participant receives an assigned studio space, orientation and access to equipment, as well as some morning group demonstrations and / or critiques. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. *Studios are open 24 hours a day with limited use of equipment due to safety requirements. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. Participants who register for multiple consecutive weeks will gain access to the studios on weekends (with the exception of the machine rooms due to safety constraints.) Private dorm rooms are available at Anderson Ranch for one, two or three weeks for an additional fee; click here to view January 2025 lodging options. TO APPLY: Applicants must submit project proposals or portfolios for approval. Contact Liz Ferrill to apply: [email protected]

Expand the possibilities of contemporary mokuhanga through experimental approaches to Japanese-style water-based woodblock printing. This workshop introduces alternative methods such as no-cut woodblock printing, white-line woodcut, printing with natural pigments, and other inventive processes. Participants are encouraged to explore unconventional materials and experimental image-building processes that can complement traditional mokuhanga. Through demonstrations, discussions, and studio experimentation, students investigate how this non-toxic and press-free process continues to evolve as a dynamic form of creative expression, connecting tradition and innovation while offering endless possibilities for artists.

In this experimental and playful printmaking class, students explore exciting chine collé techniques — affectionately dubbed the “potato chip” method — learning to inlay one printed image inside another, and experiment with dynamic collage techniques in combination with drypoint. Beginning with drypoint techniques on plexiglass, printmakers explore new ways to breathe life into their work through innovative methods. Students are also invited to experiment with plates, papers, and prints from previous projects. All print media work well with these techniques and skills learned in this class can be applied to your practice in a multitude of ways.