Printmaking

Designed for the monotype-curious, this workshop explores an alternative approach to making unique, one-of-a-kind prints using the vocabulary of drawing, hard edges, transparency, and layered passages of color. We create complex, engaging works that can stand on their own or initiate collages, mixed media works, and printstallation. Enjoy printing both by hand and on the press, working intuitively or intentionally, to develop a body of related works on Asian paper. Demonstrations include trace monotype, stencil printing, counter-proofing, ghost printing, ink modification, seamless flats, and smooth blend rolls.

This rigorous, engaging printmaking workshop focuses on monoprint and woodcut methods with an emphasis on layering color to produce luminous results. We begin with observational studies from the natural world, and explore trace, stencil, painterly, and multiple plate monotype methods. Woodcut techniques are then added to layer transparent and opaque color to create a radiant sense of space. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine printing using a woodcut matrix with a variety of monoprint methods.

This rigorous, engaging, printmaking workshop combines monoprint and woodcut processes with a digital component. We incorporate laser-cut stencils and wood blocks together with painterly and carved marks to create images. We begin with observational studies from the natural world and explore multiple plate monotype methods. Woodcut techniques including laser-cut blocks are then added to layer transparent and opaque color. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine multiple matrices in many ways.