Diana Bloomfield

The deceptively simple cyanotype process—one of the oldest photographic printing methods—offers a stunning range of exquisite and mysterious blues. Students embark on an exploration of this timeless technique, experimenting on various papers to create both photograms and photographs while learning to produce digital negatives. While cyanotype stands alone as a beloved process for contemporary photographic artists, many practitioners push its boundaries by toning their prints with organic botanical toners, unlocking a remarkable spectrum of colors and hues. This versatile method also pairs beautifully with other alternative techniques, including gum bichromate. Participants delve into the vibrant possibilities of layering gum bichromate over their cyanotypes, engaging deeply with color and process while connecting to the medium’s rich artistic heritage.

Discover the exquisite beauty and timeless allure of hand-crafted platinum/palladium printing in this immersive workshop. The combination of platinum and palladium yields prints with remarkable tonal depth, subtlety, and unmatched permanence. Participants will learn to create digital negatives from their own images, brush-coat light-sensitive emulsions onto watercolor paper, and expose their prints to UV light. No prior experience is necessary.