Painting & Drawing
Code: D11W03-21
-
O
Open to All
Students of any skill and knowledge level.
-
Virtual Workshop
Virtual Workshop, learn from the comfort of your own home.
VIRTUAL WORKSHOP
Automatic/Expressive Drawing
Mar 15 - 26, 2021
Every Monday, Wednesday & Friday, 1-4PM MST
Concept
This virtual workshop explores automatic drawing as a process whereby one enters into an altered state of consciousness to explore the worldview of an artist through the medium of the hands. Gesture drawing is one example. Using automatic drawing, an individual can connect with and channel the sensibilities of artists such as Picasso or Cézanne. Each class begins with a lecture and demonstration (facilitated via video conferencing) on artists and techniques to be explored. Students learn the automatic drawing process and how to merge it with a multitude of media.
This workshop meets via Zoom Video Conferencing software (download free from Zoom.com). An Anderson Ranch staff member co-teaches the class and coordinates the online platform. Further details will be emailed to registrants.
Media & Techniques
Mixed media: charcoal and ink wash, conté and chalk crayon, oil and acrylic paint on paper
Faculty
William Downs
William Downs is an award-winning contemporary American artist residing in Atlanta, GA. He received his MFA from the Maryland Institute College of Art. He is represented by Sandler Hudson Gallery in Atlanta and was chosen by Artadia as their 2018 Atlanta awardee and by MOCA GA WAP (Working Artist Project) for 2020.
William Downs, A Soft Place to Lay
Workshop Details>
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In>
-
P
Portfolio Review Required
Students have advanced skill and knowledge of furniture design and know how to use machine and hand tools competently and safely. Students are highly motivated and have multiple portfolios of their artwork and are professionals in the field.
Jan 5 - 23, 2026
Monday-Friday, 9AM-5PM
Participants can only register for three weeks
TUITION is $3,765
January Studio Sessions: Painting & Drawing
Lindsey Yeager
Tuition $3,765
Code ZSD0101-26
Anderson Ranch’s January Studio Sessions provide artists the opportunity to work on independent projects while receiving mentoring and critique sessions with Anderson Ranch artistic staff. Each participant receives an assigned studio space, orientation and access to equipment, as well as some morning group demonstrations and / or critiques. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. *Studios are open 24 hours a day with limited use of equipment due to safety requirements. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. Participants who register for multiple consecutive weeks will gain access to the studios on weekends (with the exception of the machine rooms due to safety constraints.) Private dorm rooms are available at Anderson Ranch for one, two or three weeks for an additional fee; click here to view January 2025 lodging options. TO APPLY: Applicants must submit project proposals or portfolios for approval. Contact Liz Ferrill to apply: [email protected]
-
O
Open to All
Students of any skill and knowledge level.
Jan 5 - 16, 2026
9AM - 5PM
Painting and Photography: An Archaeological Approach to Text and Image
Kate Leonard
Tuition $2,440
Code JANSTU2026P
Two art forms collide in this fascinating look at the intersection of photography and painting. Join us for an engaging exploration of the artistic synthesis between these two distinct art forms. Discover new transfer techniques that integrate photographic images and text directly onto painted surfaces. Using traditional collage and photomontage, master new methods that allow for opaque and translucent layers. Reductive methods such as sanding and scraping reveal the history of earlier photographic layers and suggest an archaeological approach to image development. We begin each morning with a technical demonstration illustrated with visual examples from contemporary art. A range of integrated photographic painting approaches will be introduced on paper, canvas and panels in acrylic. By midweek, our investigations continue to larger artworks tailored to each student.
-
IV
Level IV
Students have advanced skill and knowledge of painting and drawing. Students are highly motivated and self-directed, have a minimum of five years experience in their field and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.
-
P
Portfolio Review Required
Students have advanced skill and knowledge of furniture design and know how to use machine and hand tools competently and safely. Students are highly motivated and have multiple portfolios of their artwork and are professionals in the field.
Aug 10 - 14, 2026
9AM - 5PM
Advanced Mentored Studies: Topics in Painting: Studio Practice and Critique
Holly Hughes, Stephen Westfall
Tuition $2,600
Code D1122-26
The second year of this three-year advanced mentorship program encourages each student to push their studio practice. Working at a rigorous pace, engaging in critical dialogue with the group and with the instructors in individual critique, artists refine and expand their investigations. Wide-ranging topics include concept and approach to contemporary art practice as well as technical and material explorations. Students are expected to work independently with the support of their class peers and instructors, raising the ambition of their own studio goals. Although primarily a painting workshop, participation by installation artists and other artists working across media is encouraged. The goal of the series is for students to gain community, develop insight into their work and, through discussion, challenge themselves to reflect on their artistic intentions.