Photography & New Media
Code: P0510-23
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Open to All
Students of any skill and knowledge level.
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Ages 13-17
Teen Digital Storytelling with Motion Capture and Illustration
Jul 3 - 7, 2023
9 AM - 3 PM
Concept
In this one-week workshop, students explore storytelling and character design techniques to create a three- to five-minute animated short. Students start the week learning the basics of character design and story development and then jump into Adobe Illustrator or Photoshop to create characters, scenery, and props. In the later half of the week, students use Adobe Character Animator to rig their characters and use motion capture technology to bring characters to life, recording scenes with animation and sound to create a memorable animated short.
View All Photography & New Media Workshops
Media & Techniques
Adobe Illustrator, Adobe Photoshop, Adobe Character Animator, digital Illustration, storytelling, animation techniques, character development
Supply ListFaculty
Sarah Kuehnle
Sarah Kuehnle is a designer, artist and creative technologist exploring the relationship between systems thinking and character design. Her work blends intricate combinations of character, color and form to make complexity approachable and fun. Sarah works across digital and physical media, from digital illustration and generative art to sculptures made from paper, wood and acrylic. Sarah is currently a staff designer at Adobe working on Illustrator, the company’s flagship vector graphics tool.
Sarah Kuehnle, Her Mystery
Workshop Details>
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact Jack Fox, .
Child & Teen Scholarships
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, both individuals and foundations, either through endowed funds or special gifts.
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II
Level II
Photography students have a basic understanding of photography principles and technology and are comfortable using an SLR camera in manual mode. New Media students have a basic understanding of video, multimedia or animation software. Students have basic computer skills and are comfortable using a Macintosh computer.
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III
Level III
Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.
Sep 7 - 11, 2026
9 AM - 5 PM
From Landscape to Book: Handmade Photographic Narratives
Barbara Bosworth, Emily Sheffer
Tuition $1,200
Code P1534-26
In this workshop, participants explore the landscape through photography and transform their images into handmade books. Through field trips, discussions, and editing sessions, students develop a personal visual narrative rooted in place. Back in the studio, we introduce simple book structures, such as the pamphlet and accordion book, that allow images to unfold and connect in new ways. Combining photographic vision with tactile craft, this class offers a complete process from making photographs in the field to creating an artist's book that tells a story of landscape.
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O
Open to All
Students of any skill and knowledge level.
Oct 19 - 22, 2026
9 AM - 2 PM
Windwalkers & Anderson Ranch
Liz Ferrill, Sheri Gaynor, Andrea Jenkins Wallace
Tuition $800
Code P4301-26
This immersive four-day workshop invites participants to discover the powerful intersection of equine-assisted exploration, personal experience, and interdisciplinary art-making through a unique collaboration between WindWalkers and Anderson Ranch Arts Center. A key component of the workshop introduces participants to digital fabrication tools, transforming 2D drawings into 3D forms. Students will create sculptural interpretations of horses, hybrid animals, or imagined creatures—extending their emotional and symbolic responses into new dimensions. The workshop emphasizes themes of connection, embodiment, transformation, and the human–animal relationship, encouraging experimentation, play, and personal expression. Through guided demonstrations and hands-on exploration, students will learn how to move fluidly between image-making, material exploration, and object-based practices, expanding their understanding of what their work can become. Days 1–2: WindWalkers — Equine Experience Participants begin their journey at WindWalkers through engagement with the natural environment and guided equine-assisted experiences. Through simple bookmaking, expressive sketching, and close interaction with horses, students explore presence, trust, emotional awareness, and nonverbal communication. These sessions are designed to foster reflection and personal insight, creating a strong foundation for their creative work. Days 3–4: Anderson Ranch Arts Center — Art Making Participants transition into the studios at Anderson Ranch Arts Center, where they translate their experiences into visual and sculptural form. Working from photographs, sketches, and memories developed during their time with the horses, students will explore both intuitive and structured approaches to art-making. This workshop is perfect for artists, creatives, and seekers of all kinds who are ready to go beyond the canvas — exploring nature, presence, and the wisdom of the herd as a source of creative inspiration.
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Open to All
Students of any skill and knowledge level.
Jan 4 - 15, 2027
9 AM - 5 PM
Photographic Collage: An Exploration of Photography and Painting
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Tuition $2,150
Code JANSTU2027P
Join an engaging exploration of the synthesis between two distinct art forms: photography and painting. Students discover transfer techniques that integrate photographic images and text directly onto painted surfaces, resulting in intriguingly layered works. Participants explore traditional collage and photomontage, and master new methods that allow for opaque and translucent layers. Reductive methods, such as sanding and scraping, reveal the history of earlier photographic layers and suggest an archaeological approach to image development. The workshop emphasizes experimentation and exploratory approaches. Students produce a portfolio of physical examples of all techniques.