Digital Workflow: Capture, Print and Everything In-Between

Everyone has a story to tell. This workshop helps students bring their stories to life. Over the course of the week, students explore the essentials of short documentary filmmaking—from shaping a concept to crafting the final edit. Guided by an acclaimed filmmaker, students gain hands-on experience in filming, interviewing, scripting, and editing as they create a short profile of a local personality or visiting artist at the Ranch. Students learn techniques for framing and composition, working with natural light, and sequencing shots to build a compelling narrative. Whether using a professional camera, a DSLR, or even a phone, this workshop is designed to help students develop the skills and confidence to tell authentic, real-life stories. It immerses students in the power of visual storytelling within a supportive and inspiring creative environment. Who Is It For? This workshop is for anyone with a passion for storytelling. Professionals and hobbyists are welcome. The class adapts to all skill levels and includes extensive one-on-one guidance. Whether students are exploring video as a creative outlet or looking to tell meaningful, real-life stories in their personal or professional lives, this course supports them. No prior filmmaking experience is required—just curiosity and a desire to share authentic narratives.

Photographers with developed bodies of work dive deeply into the art of creating zines and photobooks, exploring how these formats function as powerful tools for structuring, refining, and sharing long-form photographic projects. The workshop includes in-depth demonstrations of essential techniques—such as hand-binding methods, cover construction, trimming, sequencing workflows, and layout planning—so participants can see each step of the bookmaking process in action before applying it to their own projects. Throughout the week, photographers receive guided instruction in editorial decision-making, narrative development, and conceptual cohesion. Structured activities include collaborative editing sessions, peer critiques, guided sequencing exercises, and hands-on design modules using both analog and digital tools. Participants experiment with dummy-book structures and materials, learning how choices in paper, binding, and format influence the reading experience. By the end of the workshop, each photographer leaves with a deeper understanding of visual storytelling, sequencing, and layout, as well as one or more tangible prototypes or mock-ups of their own publication. These drafts serve as concrete foundations they can continue refining into fully realized zines or photobooks beyond the course.

This workshop immerses students in the creative possibilities of mixed media by integrating photography with both traditional and experimental drawing and painting techniques. Participants work with watercolor, acrylic, India ink, graphite, and pastels to build layered, dynamic surfaces that merge photographic imagery with expressive mark-making. Through hands-on demonstrations and guided projects, students explore image-transfer methods, surface manipulation, and innovative approaches to combining materials. The workshop places strong emphasis on conceptual development, encouraging participants to transform personal, found, or generated photographs into evocative works that blur the line between representation and abstraction. By the end of the week, students create a cohesive series of artworks that demonstrate technical versatility and reflect their individual creative vision.