Printmaking
Code: R0303-21
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Open to All
Students of any skill and knowledge level.
Experimental Etching on Copper: texture & surface
Jun 21 - 25, 2021
9AM-5PM
Concept
Embark upon an exploration of textures, surface treatments and resists for etching on copper. Discover experimental pattern, mark-making and effects that can only be achieved through the material process of etching. During this exciting intaglio workshop students examine the possibilities and limitations of aquatint techniques, chine collé and other traditional printmaking techniques. Students also find ways to manipulate the surface of their prints through non-traditional methods and processes, coming away with innovative new ideas and imagery.
Media & Techniques
Etching on copper, aquatint, chine collé, experimental processes
Supply ListFaculty
Ben Beres
Ben Beres works in sculpture, glass art, street performance, public art and printmaking. One-third of SuttonBeresCuller—a collaborative trio fabricating experimental guerrilla art to high-end commercial work—Ben likes to play with what art is and can be. He is a professor of printmaking at Cornish College of the Arts.
Ben Beres, My Ship is Sailing
Join Waitlist for Experimental Etching on Copper: texture & surface
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Printmaking
Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.
Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga, and lithography. Students have access to individual work tables, wall space, rags, hand tools, computers with Adobe software, wifi, printing, scanning, and projection capabilities.
At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.
Workshop Details
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact Lindsey Yeager, [email protected].
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
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Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
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Students have significant experience in the print medium that is the subject of the workshop.
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This rigorous, engaging printmaking workshop focuses on monoprint and woodcut methods with an emphasis on layering color to produce luminous results. We begin with observational studies from the natural world, and explore trace, stencil, painterly, and multiple plate monotype methods. Woodcut techniques are then added to layer transparent and opaque color to create a radiant sense of space. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine printing using a woodcut matrix with a variety of monoprint methods.
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Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
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Level III
Students have significant experience in the print medium that is the subject of the workshop.
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Woodcut and Monoprint with Digital Applications
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Tuition $1,345
Code R0505-25
This rigorous, engaging, printmaking workshop combines monoprint and woodcut processes with a digital component. We incorporate laser-cut stencils and wood blocks together with painterly and carved marks to create images. We begin with observational studies from the natural world and explore multiple plate monotype methods. Woodcut techniques including laser-cut blocks are then added to layer transparent and opaque color. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine multiple matrices in many ways.
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III
Level III
Students have significant experience in the print medium that is the subject of the workshop.
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IV
Level IV
Students have advanced skill and knowledge of the printmaking fields. Students are highly motivated and self-directed, have a minimum of five years experience in their field, and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.
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Master Class: Innovations in Lithography
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Code R0706-25
In this workshop, advanced printmakers explore photographic and hand-drawn imagery with film positives on pre-sensitized photo plates as well as direct mark making on ball-grained aluminum plates. Prior background in lithography or extensive work in other printmaking media is the foundation for exploration of image preparation, plate processing, and printing techniques to develop an understanding of efficient methods for production of consistent lithographic editions. *This workshop does not require that students be proficient in lithography, but they must have significant experience in the field of printmaking.