Printmaking
Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.
Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga and lithography. Students have access to individual work tables, wall space, palettes, rags, hand tools, power tools, computers with Adobe software, wi-fi, printing, scanning, and projection capabilities.
At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.
Anderson Ranch is happy to extend a 20% tuition discount* in summer one- or two-week adult workshops for SGC International members. Please register online and then email reg@andersonranch.org with your membership information and we will make the adjustment once you are in the system. You are also welcome to call 970-924-5089 to register. *Please note that the SGC discount cannot be combined with any other discount, scholarship or special offer.

Elizabeth Ferrill
Artistic Director of Painting, Drawing & Printmaking; Artists-in-Residence Program; Critical Dialogue Program
Elizabeth Ferrill received her MFA from the Rhode Island School of Design. She has had solo exhibitions nationally and internationally, including in: Aspen, CO; Nashville, TN; Omaha, NE; New York, NY; and Berlin, Germany. Liz is the Artistic Director of Painting, Drawing and Printmaking at Anderson Ranch Arts Center. Preferred Pronouns: She/Her

Brian Shure
Master Printer and Director, Anderson Ranch Editions
Brian Shure apprenticed to Tamarind Master Printer Ernest DeSoto while a student at Antioch College, and became a Master Printer at Editions Press, and then at Crown Point Press, where he also coordinated the China Woodblock Program. He has taught at the Rhode Island School of Design, Brown University, and Cornell University and conducted workshops in numerous studios in the U.S., China, Japan, Mexico, and Germany. Prior to becoming Director of Anderson Ranch Editions, he was production manager at Gemini GEL in Los Angeles. He is represented by Planthouse Gallery in New York, and his work is in many public and private collections worldwide. He lives at Anderson Ranch with his wife and two children.





