Printmaking
Printmaking Studio in Aspen / Snowmass
The Printmaking Studio at Anderson Ranch Arts Center, located in Snowmass Village near Aspen, Colorado, is a professional fine art print studio designed to support immersive studio practice across traditional and contemporary print processes. The facility offers dedicated press areas, specialized equipment, and technical infrastructure for artists working in intaglio, relief, monotype, lithography, and experimental printmaking techniques.
Interested in enrolling? Explore the full schedule of Printmaking workshops at Anderson Ranch.
Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.
Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga, and lithography. Students have access to individual work tables, wall space, rags, hand tools, computers with Adobe software, wifi, printing, scanning, and projection capabilities.
At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.
Don’t know where to start? View the skill levels for Printmaking workshops.
Anderson Ranch Arts Center is a historic, rustic campus that features gravel pathways and uneven terrain that may pose challenges for individuals using wheelchairs or other mobility devices. We strive to provide accommodations to ensure all guests can access and enjoy our programs and facilities. With advance notice, our staff can offer personalized assistance and coordinate access to studios and campus spaces. For questions or to request an accommodation, please contact us at (970) 923-3181 or [email protected].
Anderson Ranch is happy to extend a 20% tuition discount* for summer one- or two-week adult printmaking workshops for SGC International members at the advocate membership level or above. Please email [email protected] with your SGCI membership information prior to registering and we will send you a promo code to complete registration with your discount applied. You are also welcome to call 970-924-5089 to register after verifying your membership with us. **Please note this discount must be approved prior to registering and cannot be applied retroactively. SGCI discount does not apply to Advanced Mentored Studies programs or Destination Workshops, nor can it be combined with any other discount, scholarship or special offer.
Lindsey Yeager
Studio Coordinator, Paint and Printmaking
Lindsey Yeager paints and illustrates connections between society and nature, between human and animal, translating and reframing human contexts into fearful, raw, and feral allegories. Yeager received BFAs in New Studio Practice and Illustration from Milwaukee Institute of Art & Design. Her work has been shown at Var Gallery, Mana Contemporary, Soft Times Gallery, Museum of Wisconsin Art, and Society of Illustrators, among others. Lindsey is represented by Var Gallery in Milwaukee, WI and works as the Studio Coordinator of Painting, Drawing, and Printmaking at Anderson Ranch.
Liz Ferrill
Senior Artistic Director of Painting, Drawing & Printmaking; Artists-in-Residence Program; Critical Dialogue Program
Liz Ferrill is the Senior Artistic Director of Painting, Drawing, and Printmaking at Anderson Ranch. She received her MFA from the Rhode Island School of Design. She has had solo exhibitions nationally and internationally, including in Aspen, Nashville, Omaha, New York City, and Berlin, Germany.
Anderson Ranch Campus
Upcoming Workshops
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Open to All
Students of any skill and knowledge level.
Jul 20 - 24, 2026
9 AM - 5 PM
Print Demo City!
Alternative Screen Printing Methods
John Hitchcock
Tuition $1,250
Code R0808-26
Students investigate the current trends of print media in contemporary culture and get the tools they need to make artistic statements using screen printing. This workshop focuses on water-based, photo screen printing techniques as well as low-tech stencil printing methods. Technical demonstrations cover beginning photo screen printing processes, one- and two-color registration, hand dyeing, draw back into, manipulation of the surface, water-soluble markers, and hand-cut and photo stencil methods. Each student creates experimental, unique prints and comes away from this workshop with a toolbox of new printmaking techniques.
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O
Open to All
Students of any skill and knowledge level.
Jul 27 - 31, 2026
9 AM - 5 PM
Woodblock: Carving and Printing at a Large Scale
Yashua Klos
Tuition $1,250
Code R0909-26
Explore the process of translating imagery into the dynamic mark-making intrinsic to the medium of woodblock printmaking and collage. We embark on combining elements of woodblock printmaking, drawing, cut paper, and other collage materials to produce complex and compelling imagery. Students add to their practice with a whole new toolbox of methods as well as new conceptual approaches to the woodblock medium. While the primary tenets of traditional block printing are covered, printmaking operates as a means to facilitate the student’s concept. Students gain knowledge of the fundamentals of woodblock printmaking: carving, reproduction, registration, inking, etc. and various collage applications to produce a multilayered surface.
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Open to All
Students of any skill and knowledge level.
Aug 3 - 7, 2026
9 AM - 5 PM
Storyboard Intaglio: Shaped Plates
Juana Estrada Hernández
Tuition $1,250
Code R1010-26
Explore the exciting process of copper plate intaglio through the creation of small-scale matrices to depict a narrative. Students are introduced to various etching processes, chine colle, jewelry techniques to shape plates, and hand painting methods. Printing techniques specific to shaped plate copper are practiced, introducing new formats for considering the borders of images. Participants produce a small suite of unique prints from plates that emboss the paper in dynamic ways, and tell a story.