Printmaking

Code: R0101-25

    • O

      Open to All

      Students of any skill and knowledge level.

Experimental Screen Printing

Jun 2 - 6, 2025

9AM-5PM

Concept

In this 5-day exploratory workshop, we start from the basics of water-based screen printing, then work our way up to more advanced and increasingly experimental techniques. Exciting methods—such as analog processes including reduction with screen filler, and digital processes using photo emulsion—are introduced and demonstrated with plenty of studio time to print. Students also experiment with watercolor monoprinting and even graphite prints. Throughout the week, we discuss tips and techniques that students can use to keep printing at home with minimal setup and equipment.

Media & Techniques

Water-based screen printing, silkscreen, reduction screen printing, photo emulsion screen printing, watercolor monoprinting, graphite screen printing

Faculty

J. Leigh Garcia

J. Leigh Garcia was born and raised in Dallas, TX. Garcia received her MFA from the University of Wisconsin-Madison and BFA from the University of North Texas. Garcia currently lives in Knoxville, TN where she is an associate professor of Printmaking at the University of Tennessee.

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J. Leigh Garcia, Vigilantes

Join Waitlist for Experimental Screen Printing

Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.

Printmaking

Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.

Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga, and lithography. Students have access to individual work tables, wall space, rags, hand tools, computers with Adobe software, wifi, printing, scanning, and projection capabilities.

At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.

Anderson Ranch is happy to extend a tuition discount* in summer one- or two-week adult printmaking workshops** for SGC International members at the advocate membership level or above. Please email reg@andersonranch.org upon registering with your SGCI membership information and we will apply the discount to your tuition. You are also welcome to call 970-924-5089 to register. *Since the welcome dinner and lunches are included in workshop tuition (at a cost of $130 per week), a 20% discount is applied after subtracting the cost of these meals. **Please note this discount must be approved upon registering and cannot be applied retroactively. SGCI discount does not apply to Advanced Mentored Studies programs or Destination Workshops, nor can it be combined with any other discount, scholarship or special offer.

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Workshop Details

Workshop Supplies

For general information about studio access, shipping, and more, please visit our info page.

If you have any questions regarding your supplies for your workshop, please contact Lindsey Yeager, [email protected].

Provided by Anderson Ranch

Equipment
Supplies

What you need to bring

Required Tools and Supplies
Optional Tools and Supplies

* Available for purchase in the studio.
** Available to purchase at the Anderson Ranch ArtWorks Store for 10% off.
Learn more about shipping supplies and artwork to and from the Ranch in the Student Handbook.

Lodging & Meals

Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations. 

NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.

We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.

 

Scholarships, College Credit & Discounts

Making Art Accessible

Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.

Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.

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  • II

    Level II

    Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.

  • III

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Jun 23 - 27, 2025
9AM-5PM

Layering Color and Light: Woodcut and Monoprint

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This rigorous, engaging printmaking workshop focuses on monoprint and woodcut methods with an emphasis on layering color to produce luminous results. We begin with observational studies from the natural world, and explore trace, stencil, painterly, and multiple plate monotype methods. Woodcut techniques are then added to layer transparent and opaque color to create a radiant sense of space. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine printing using a woodcut matrix with a variety of monoprint methods.

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  • II

    Level II

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  • III

    Level III

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Woodcut and Monoprint with Digital Applications

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Code R0505-25

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  • III

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  • IV

    Level IV

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Master Class: Innovations in Lithography

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In this workshop, advanced printmakers explore photographic and hand-drawn imagery with film positives on pre-sensitized photo plates as well as direct mark making on ball-grained aluminum plates. Prior background in lithography or extensive work in other printmaking media is the foundation for exploration of image preparation, plate processing, and printing techniques to develop an understanding of efficient methods for production of consistent lithographic editions. *This workshop does not require that students be proficient in lithography, but they must have significant experience in the field of printmaking.

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