Photography & New Media
Code: P1024-25
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I
Level I
Students are new to photography and new media and have no formal training in photography, video, multimedia or animation. Students have basic computer literacy.
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II
Level II
Photography students have a basic understanding of photography principles and technology and are comfortable using an SLR camera in manual mode. New Media students have a basic understanding of video, multimedia or animation software. Students have basic computer skills and are comfortable using a Macintosh computer.
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III
Level III
Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.
Family Stories
Aug 4 - 8, 2025
9AM-5PM
Concept
Explore ways to create art that draws from both past and present family experiences, whether inherited or chosen. We consider the stories of those in front of our cameras, as well as those we only know through photographs. How do we understand people and our lives through photography? How can we create meaningful work that captures the essence of those with us now, connects across time and distance, or reflects on the past? Participants are invited to bring ideas for future projects, works in progress, archival materials (such as negatives and prints), or simply their digital or film cameras. For those interested, we offer the opportunity to develop black-and-white film. Together, we explore how to create meaningful and resonant work from our family lives and immediate surroundings.
The workshop begins by examining a range of artists from the past 50 years who have used personal family experiences as a foundation to address broader issues. Artists such as Larry Sultan, Emmett Gowin, Nan Goldin, Sally Mann, Tomiko Jones, Odette England, LaToya Ruby Frazier, Tommy Kha, and D’Angelo Lovell Williams will serve as inspirations as we consider when and how personal stories can resonate through art. Participants are encouraged to envision various approaches through studio work, presentations, discussions, one-on-one meetings, and critiques. Together, we explore how images can create layered meanings and how photography serves as a medium for personal reflection and intergenerational dialogue.
Media & Techniques
Digital photography, workflow, digital printing, Adobe Photoshop, lectures, presentations, group discussions and feedback
Faculty
Betsy Schneider
Betsy Schneider’s photography and video work has been exhibited nationally and internationally and is part of many notable collections. She was named a Guggenheim Fellow in 2011, and her book To Be Thirteen—a result of that fellowship—was published by Radius in 2017. Her current project The Best Girl on the Team consists of 50 interviews and portraits with people who have been the only girl on a sports team.
Betsy Schneider, Watermelon
Photography & New Media
Photography has always been a vital part of Anderson Ranch, one in which students explore visual storytelling through a variety of contexts and concepts. The program has uniquely evolved to focus on both traditional photography and new media— making it one of the only workshop settings of its kind. Three floors of the Fischer Photography Center house state-of-the-art equipment, including three photography studios, two Mac labs, a traditional darkroom, and a lighting studio with strobe and continuous lighting for photography and video.
All Photography workshops are rooted in the same idea—powerful art requires rigorous inquiry of techniques and ideas. We focus on technical skills, content and critical dialog. Students have access to color-managed media labs equipped with 24-inch iMacs, flatbed and film scanners, Epson printers, and cutting-edge software including Adobe Creative Cloud. When appropriate, students utilize strobe and tungsten lighting equipment, seamless backdrops, green screen, audio and video recording equipment and Epson large-format printers.
The Ranch Photography and New Media team creates an inspiring environment, allowing artists of all levels to explore lens-based media and the journey of artistic discovery in the unparalleled setting of the Colorado Rockies.

Anderson Ranch is happy to extend a tuition discount* in one- and two-week adult photography and new media summer workshops** for members of SPE and the Center for Fine Art Photography at the student membership level or above. Please email reg@
Workshop Details>
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact Jack Fox, .
Provided by Anderson Ranch
Equipment
- 24" iMac
- Adobe Suite
- Epson Flatbed Scanner
- Epson P800 SureColor Printer
Supplies
- Allotted paper and ink (for inkjet printing)
What you need to bring
Required Tools and Supplies
- Digital Camera and accessories
- Digital or physical archive of family photographs and other memorabilia
- External hard drive or access to cloud storage to save digital works made
- Presentation of personal work for first day of class, 15-20 images
Optional Tools and Supplies
- Personal items for field trips, i.e layers, sturdy shoes, water bottle
- Sketchbook/Journal**
- White (or light colored) T-shirt for screen printing**
* Available for purchase in the studio.
** Available to purchase at the Anderson Ranch ArtWorks Store for 10% off. The store aims to stock comparable items, though specific products from the supply list may vary based on inventory.
Learn more about shipping supplies and artwork to and from the Ranch in the Student Handbook.
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
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Jan 5 - 23, 2026
Monday-Friday, 9AM-5PM
Participants may register for one, two, or three weeks
TUITION is $1,255 per week or $3,765 for three weeks
January Studio Session: Photography & New Media
Jack Fox
Tuition $1,255
Code ZSP0101-26
Anderson Ranch’s January Studio Sessions provide artists the opportunity to work on independent projects while receiving mentoring and critique sessions with Anderson Ranch artistic staff. Each participant receives an assigned studio space, orientation, and access to equipment, as well as some morning group demonstrations and / or critiques. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. Private dorm rooms are available at Anderson Ranch for an additional fee; click here to view January 2025 lodging options. TO APPLY: Applicants must submit project proposals or portfolios for approval. Contact Esther Nooner with questions and to apply: [email protected]
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O
Open to All
Students of any skill and knowledge level.
Jan 5 - 16, 2026
9AM - 5PM
Painting and Photography: An Archaeological Approach to Text and Image
Kate Leonard
Tuition $2,440
Code JANSTU2026P
Two art forms collide in this fascinating look at the intersection of photography and painting. Join us for an engaging exploration of the artistic synthesis between these two distinct art forms. Discover new transfer techniques that integrate photographic images and text directly onto painted surfaces. Using traditional collage and photomontage, master new methods that allow for opaque and translucent layers. Reductive methods such as sanding and scraping reveal the history of earlier photographic layers and suggest an archaeological approach to image development. We begin each morning with a technical demonstration illustrated with visual examples from contemporary art. A range of integrated photographic painting approaches will be introduced on paper, canvas and panels in acrylic. By midweek, our investigations continue to larger artworks tailored to each student.
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O
Open to All
Students of any skill and knowledge level.
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Virtual Workshop
Virtual Workshop, learn from the comfort of your own home.
Feb 16 - 24, 2026
Monday (2/16), Wednesday (2/18), Sunday (2/22), and Tuesday (2/24)
3:00-4:30 PM MST
Smartphone Storytelling Photography
Ed Kashi
Tuition $325
Code VSP0801-26
This four-session workshop focuses on the use of a mobile phone in taking photos, video, notes, sketches, and audio recordings to produce documentary work or just capture the memories of your daily life. This course is taught in a seminar format, with students engaging in discussion about the practical use and possibilities of the mobile phone to create personal memories, citizen journalism, photojournalism, and daily visual journaling. In addition, the workshop delves into the creative side of smartphone photography. Learn about vision, creative apps, and storytelling during talks and edit-and-critique sessions. Also included is sharing of work by Faculty, showing his wide range of work done with a smartphone since he did the New Yorker’s first “takeover” in 2012, along with reviewing the work in a group setting of each participant’s work.






