Ceramics

Code: C1314-26

    • II

      Level II

      Students have a basic understanding of forming techniques, such as throwing and hand building. Students have taken one or two ceramics classes or workshops.

    • III

      Level III

      Students have significant experience with clay forming techniques, such as throwing, hand building and modeling. Students are comfortable with ceramics equipment, such as wheels, extruders and slab rollers. Students are self­-starting with some formal training and have taken a minimum of three classes or workshops.

    • IV

      Level IV

      Students have advanced skills and knowledge of the ceramics field. Students are highly motivated, have a minimum of five years experience in the field and have a portfolio of their artwork. Typical students are academics and professional artists.

Find Your Fire: An Introduction to Saggar Firing

Aug 24 - Sep 4, 2026

9 AM - 5 PM

Tuition: $1,795.00
Course Fee: $550.00
Registration Fee: $45.00

NEW: Course fees include the welcome dinner, daily lunch, and studio fees. View registration details.

Concept

Be immersed in the experimental and unique characteristics of saggar firing. A saggar allows for multiple miniature atmospheric environments to develop in a gas kiln. We explore all the facets of saggar firing, from making saggars, producing the work to be fired, preparing the combustibles, and firing the finished pieces. The aim of this workshop is for students to learn about firing different combustibles and how they affect each outcome, and to leave with the knowledge to create their own firing vocabulary and keep on experimenting.

View All Ceramics Workshops

Media & Techniques

Wheel throwing, hand-building, saggar box making, gas firing

Faculty

Suzanne Hill

Suzanne Hill has been working in clay for over 50 years, and earned an MFA at Alfred College of Ceramics. She has taught in New York City and at the Corcoran Museum in Washington, DC, and now divides her time between The University of Notre Dame and The Umbrella Art Center in Concord, MA. She is a working artist, showing in galleries nationally.

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atmospheric surface effects on saggar-fired ceramic forms

Suzanne Hill, Cloud of Change

Tuition: $1,795.00
Course Fee: $550.00
Registration Fee: $45.00

NEW: Course fees include the welcome dinner, daily lunch, and studio fees. View registration details.

Workshop Details

Workshop Supplies

For general information about studio access, shipping, and more, please visit our info page.

If you have any questions regarding your supplies for your workshop, please contact Joanne Seongweon Lee, [email protected].

Provided by Anderson Ranch

Equipment
Supplies

What you need to bring

Required Tools and Supplies
Optional Tools and Supplies

* Available for purchase in the studio.
** Available to purchase at the Anderson Ranch ArtWorks Store for 10% off. The store aims to stock comparable items, though specific products from the supply list may vary based on inventory.
Learn more about shipping supplies and artwork to and from the Ranch in the Student Handbook.

Lodging & Meals

Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations. 

NEW: Course fees includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of course fees for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.

We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.

 

Ceramics

Ceramics Studio at Anderson Ranch, Aspen / Snowmass

The ceramics studio at Anderson Ranch Arts Center, located in Snowmass Village near Aspen, Colorado, is a fully equipped professional ceramics studio designed to support immersive workshops and advanced studio practice. The facility offers dedicated workspaces, high-quality kilns, glazing areas, and technical infrastructure for artists working in clay across a range of processes and firing methods.

Interested in enrolling? Explore the full schedule of Ceramics Workshops at Anderson Ranch.

In 1966, American ceramicist Paul Soldner selected the site for what is now Anderson Ranch Arts Center, forming the foundation for a thriving ceramics program. Then and now, Anderson Ranch is a place where students exchange ideas and examine ceramic art and pottery techniques. It has always been a place where seminal moments of growth happen in an artist’s creative and critical thinking. Here, both beginning and emerging artists gain strong fundamental support, while established artists achieve new perspectives and advance their techniques.

The Ranch Ceramics team provides support, feedback and technical problem-solving, giving each artist the freedom to experiment and grow. Our primary focus is on personal advancement through a process of creative discovery.

The Soldner Ceramics Center makes up more than 10,000 square feet in three buildings with 3 studio spaces and 1 kiln yard; Soldner Studio, Long Studio, Sorenson Studio and Lyeth/Lyon Kiln Building. Soldner and Long studios are used for wheel-throwing, hand-building, or general ceramics creativity. Sorenson studio is equipped with five PotterBot 3d clay printers. The Lyeth/Lyon kiln building is equipped with gas, electric, soda and wood kilns for both oxidation and reduction firing at all temperature ranges. The Ranch offers three wood kilns including a gas/wood hybrid kiln, three gas reduction kilns, one soda kiln and eleven high-temperature electric kilns.

Don’t know where to start? View the skill levels for ceramics workshops.

Anderson Ranch Arts Center is a historic, rustic campus that features gravel pathways and uneven terrain that may pose challenges for individuals using wheelchairs or other mobility devices. We strive to provide accommodations to ensure all guests can access and enjoy our programs and facilities. With advance notice, our staff can offer personalized assistance and coordinate access to studios and campus spaces. For questions or to request an accommodation, please contact us at (970) 923-3181 or [email protected].

Anderson Ranch is happy to extend a 20% tuition discount for summer one- or two-week adult ceramics workshops for NCECA members at the student membership level or above. Please email [email protected] with your NCECA membership information prior to registering and we will send you a promo code to complete registration with your discount applied. You are also welcome to call 970-924-5089 to register after verifying your membership with us. **Please note, this discount must be approved prior to registering and cannot be applied retroactively. NCECA discount does not apply to Advanced Mentored Studies programs or Destination Workshops, nor can it be combined with any other discount, scholarship or special offer. 

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Related Events

Scholarships, College Credit & Discounts

Making Art Accessible

Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.

Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.

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Code C0707-26

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  • III

    Level III

    Students have formal training in critical issues of 2-­D art making, experience with public critiques and a solid portfolio of their artwork.

  • IV

    Level IV

    Students have advanced skill and knowledge of painting and drawing. Students are highly motivated and self­-directed, have a minimum of five years experience in their field and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.

Jul 13 - 17, 2026
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Beyond Judgment: The Work of Critique

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Code D0734-26

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  • II

    Level II

    Photography students have a basic understanding of photography principles and technology and are comfortable using an SLR camera in manual mode. New Media students have a basic understanding of video, multimedia or animation software. Students have basic computer skills and are comfortable using a Macintosh computer.

  • III

    Level III

    Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.

  • IV

    Level IV

    Photography students have advanced skills and knowledge of photography and digital image processing. New Media students have advanced skills and knowledge of video, multimedia, coding or animation. Students are self­-motivated and have multiple portfolios of their artwork.

Jul 20 - 31, 2026
9 AM - 5 PM

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Code P0818-26

In today’s contemporary art landscape, where mixed media is increasingly prominent, exploring the development of 2D imagery for 3D forms offers a timely approach in ceramics. This two-week immersive workshop investigates the intersection of photography, digital processes, and ceramics, encouraging students to combine and expand these media in innovative ways.Focusing on narrative development, participants work with personal, found, or generated images to create compelling visual stories on clay surfaces. The workshop emphasizes the conceptual potential of photographic imagery and pictorial illustration, guiding students in designing and producing photographic decals for transfer onto fired ceramic forms. Students will handbuild forms, then move into image preparation, design, and transfer techniques. By the end of the workshop, participants will have gained both technical skills and conceptual strategies to integrate 2D and 3D elements seamlessly, opening new possibilities for contemporary ceramic practice.

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