Ceramics
Code: C1113-26
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III
Level III
Students have significant experience with clay forming techniques, such as throwing, hand building and modeling. Students are comfortable with ceramics equipment, such as wheels, extruders and slab rollers. Students are self-starting with some formal training and have taken a minimum of three classes or workshops.
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IV
Level IV
Students have advanced skills and knowledge of the ceramics field. Students are highly motivated, have a minimum of five years experience in the field and have a portfolio of their artwork. Typical students are academics and professional artists.
Piecing it Together: Slab Building with Clay Fabric
Aug 10 - 21, 2026
9 AM - 5 PM
Tuition: $1,795.00
Course Fee: $500.00
Registration Fee: $45.00
Concept
Learn innovative slab surface treatment techniques in this dynamic workshop that combines hand-building, textured decoration, underglaze screen-printing, and particularly the process of building textured slab-molds using fabric and plaster. Students design and create their own cast textured clay slabs, transforming them into sculptures or functional wares, and explore a technique for applying underglaze color patterns with EZ screens—a technique that can be done easily in a home studio. We learn the art of creating templates and stencils for printing onto clay slab surfaces, and come away from the workshop with plaster texture molds, screenprinted stencils, and several finished works. The workshop is ideal for students who are skilled in slab building functional pottery and want to invigorate their practices with new surface techniques.
Media & Techniques
Ceramics, plaster casting, screenprinting, mono-printing, slab building, handle making, slab throwing, template making
Faculty
Samantha Briegel
Sam Briegel is from Knoxville, TN, and lives outside of Baltimore, MD. She received her MFA from Ohio University and shows her work nationally. Briegel has taught virtual and in-person workshops across the country and is a part-time instructor at the Maryland Institute College of Art.
Sam Briegel, Skirted Mug
Tuition: $1,795.00
Course Fee: $500.00
Registration Fee: $45.00
Workshop Details>
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact Joanne Seongweon Lee, [email protected].
Provided by Anderson Ranch
Equipment
- Banding wheel
- Blender
- Digital Scale
- Electric Kilns
- Fabric scissors
- Plaster bucket
- Plaster rasps
- Rolling pin
- Scraper
- Slab roller
- Wheel
- X-acto Knife
Supplies
- 2 gallon trash bags
- Blank Rice paper form San Bao
- Box Cutter
- Commercial Glaze
- Duct Tape**
- Insulation foam
- Mason stains
- Nitrile gloves
- Plaster
- The clay allowance is 125 pounds for this two-week workshop. Only the clays and glazes chosen for the workshop will be available for use, which are predetermined by the instructor. Please do not bring additional clay from your studio.
- Undergalze
What you need to bring
Required Tools and Supplies
- 11" x 17" sheets of craft foam
- 8" x 10" adhesive backed craft foam
- Apron and/or towel**
- Basic pottery tools for plaster**
- EZ screen stencil
- Fabric textures
- Favorite pottery tools from your home studio
- P-100 Respirator/N-99 dust mask**
- Rubber ribs**
- Sketchbook/Notebook**
- Variety of brushes**
- Basic pottery tools**
Optional Tools and Supplies
- Light colored T-shirt for screen printing**
- Mason stains. Anderson Ranch will provide limited amount of mason stains. Students are welcome to bring their own.
- Packing materials**
- Underglazes. Anderson Ranch will provide a limited amount of underglazes. Students are welcome to bring their own.
* Available for purchase in the studio.
** Available to purchase at the Anderson Ranch ArtWorks Store for 10% off. The store aims to stock comparable items, though specific products from the supply list may vary based on inventory.
Learn more about shipping supplies and artwork to and from the Ranch in the Student Handbook.
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Course fees includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of course fees for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Ceramics>
In 1966, American ceramicist Paul Soldner selected the site for what is now Anderson Ranch Arts Center, forming the foundation for a thriving ceramics program. Then and now, Anderson Ranch is a place where students exchange ideas and examine ceramic art and pottery techniques. It has always been a place where seminal moments of growth happen in an artist’s creative and critical thinking. Here, both beginning and emerging artists gain strong fundamental support, while established artists achieve new perspectives and advance their techniques.
The Ranch Ceramics team provides support, feedback and technical problem-solving, giving each artist the freedom to experiment and grow. Our primary focus is on personal advancement through a process of creative discovery.
The Soldner Ceramics Center makes up more than 10,000 square feet in three buildings with 3 studio spaces and 1 kiln yard; Soldner Studio, Long Studio, Sorenson Studio and Lyeth/Lyon Kiln Building. Soldner and Long studios are used for wheel-throwing, hand-building, or general ceramics creativity. Sorenson studio is equipped with five PotterBot 3d clay printers. The Lyeth/Lyon kiln building is equipped with gas, electric, soda and wood kilns for both oxidation and reduction firing at all temperature ranges. The Ranch offers three wood kilns including a gas/wood hybrid kiln, three gas reduction kilns, one soda kiln and eleven high-temperature electric kilns.
Don’t know where to start? View the skill levels for ceramics workshops.
Anderson Ranch Arts Center is a historic, rustic campus that features gravel pathways and uneven terrain that may pose challenges for individuals using wheelchairs or other mobility devices. We strive to provide accommodations to ensure all guests can access and enjoy our programs and facilities. With advance notice, our staff can offer personalized assistance and coordinate access to studios and campus spaces. For questions or to request an accommodation, please contact us at (970) 923-3181 or [email protected].

Anderson Ranch is happy to extend a 20% tuition discount for summer one- or two-week adult ceramics workshops for NCECA members at the student membership level or above. Please email [email protected] with your NCECA membership information prior to registering and we will send you a promo code to complete registration with your discount applied. You are also welcome to call 970-924-5089 to register after verifying your membership with us. **Please note, this discount must be approved prior to registering and cannot be applied retroactively. NCECA discount does not apply to Advanced Mentored Studies programs or Destination Workshops, nor can it be combined with any other discount, scholarship or special offer.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
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P
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S
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Code ZSC0101-26
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III
Level III
Students have experience with a variety of materials and fabrication techniques and know how to use hand and power tools competently and safely. Students are self-starting with some formal training in critical aspects of sculpture and have a portfolio of artwork. Students have taken a minimum of three classes or workshops.
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IV
Level IV
Students have advanced skills and knowledge of sculpture. Students are highly motivated, have a minimum of five years experience in the field and have multiple portfolios of their artwork. Typical students are academics and professional artists.
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Trey Hill
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Code S0102-26
Investigate new materials and approaches to building sculpture in this two-week exploratory workshop. Students discover innovative ways to combine different materials, creating dynamic mixed-media sculptures. This workshop experiments with adding different materials to students’ work — such as clay, steel, and found objects — while considering how each adds formal information and intensified content. A rigorous studio environment gives access to a variety of new materials and fresh ways of approaching students’ studio practice. The workshop is open to students working in any media who are looking to try something different and add new skills to their toolbox.
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I
Level I
Students are new to ceramics and have no formal training.
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II
Level II
Students have a basic understanding of forming techniques, such as throwing and hand building. Students have taken one or two ceramics classes or workshops.
Jun 1 - 12, 2026
9 AM - 5 PM
Hand Turned Ceramics
Paul Briggs
Tuition $1,795
Code C0101-26
This class teaches unique pinch forming methods that resemble how clay is pulled up on the wheel. Through patience and practice, students learn how to achieve scale and bold form, and move beyond the usual 3" pinch-formed pot to pinch up to 5lbs of clay, growing a pot from one ball without adding or subtracting material. Creating both functional and sculptural objects, we engage in the merging of ideas and form, of merging inside and outside, and of subtle metaphor. Glazing and firing will be mid-range oxidation.