Printmaking
Code: R1312-25
-
O
Open to All
Students of any skill and knowledge level.
Print Demo City!: Alternative Screen Printing Methods
Aug 25 - 29, 2025
9AM-5PM
Tuition: $1,345.00
Studio Fee: $150.00
Registration Fee: $45.00
NEW: Tuition includes the welcome dinner and daily lunch
Registration Information
Concept
Investigate the current trends of print media in contemporary culture and get the tools to make a personal artistic statement using screen printing. This workshop focuses on water-based photo screen printing techniques as well as low-tech stencil printing methods. Technical demonstrations cover beginning photo screen printing processes, one- and two-color registration, a combination of hand dyeing, draw back into, manipulation of the surface, water-soluble markers, and hand-cut and photo stencil methods. Each student creates experimental, unique prints and comes away from this workshop with a toolbox of new printmaking techniques.
Media & Techniques
Acrylic screen printing, variety of papers, wood, fabric, drawings, computer-generated graphics
Faculty
John Hitchcock
John Hitchcock is a Distinguished Achievement Professor at the University of Wisconsin-Madison. Awards include the Robert Rauschenberg Foundation Grant, Jerome Foundation Grant, and artist-in-residence at The American Culture Center, Shanghai, China; Frans Masereel Centrum, Kasterlee, Belgium; Proyecto’ace, Buenos Aires, Argentina; and the Venice Printmaking Studio, Venice, Italy.
John Hitchcock, Sonic Boom!
Tuition: $1,345.00
Studio Fee: $150.00
Registration Fee: $45.00
NEW: Tuition includes the welcome dinner and daily lunch
Registration Information
Printmaking
Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.
Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga, and lithography. Students have access to individual work tables, wall space, rags, hand tools, computers with Adobe software, wifi, printing, scanning, and projection capabilities.
At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.
Workshop Details
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact Lindsey Yeager, [email protected].
Provided by Anderson Ranch
Equipment
- Brayers**
- Computer
- Containers
- Cutting mats**
- Drills
- Emulsion remover
- Gamsol**
- Glass top surfaces
- Gloves
- Hair dryers
- Hot plates
- Ink knives
- Irons
- Large-format transparency printer
- Laser printer
- Newsprint**
- Paper cutter
- Paper towels
- Push pins
- Rags
- Razor scrapers
- Rubbing alcohol
- Rulers**
- Scissors
- Soaking trays
- Soysolv
- Sponges**
- Squeegees
- Vegetable oil
- Work tables
Supplies
- Assorted acrylic screen inks
- Assorted brushes**
- Assorted RIT dyes
- Drawing fluid
- Extender base
- Gloss overprint varnish
- Magic erasers**
- Mylar, 22" x 30"
- Retarder
- Rubylith
- Screen filler
- Sponges**
- Spoons
- Tracing paper
What you need to bring
Required Tools and Supplies
- 1 sheet of 2 ply black Strathmore museum board
- 2 sheets of BFK Rives (white) 22” x 30”**
- 2 sheets of Legion Lenox, 22” x 30”
- 2 sheets of Stonehenge (white), 22” x 30”**
- 2-3 rolls blue tape**
- 3-5 sheets of French Paper (80# or higher - construction, muscletone, speckletone)
- Black acrylic paint pens - Decocolor recommended
- Fabric
- Ideas for multicolor images - drawings, photographs, reference images
- Micron pen set**
- Sketchbook**
- Tombow Dual Brush pens, watercolors, and/or watercolor pencils
- X-acto #1 knife**
- Prohibited supplies: power tools, torches, spray paint, encaustic, turpentine, resin, plastisol, any solvent that isn’t low VOC
Optional Tools and Supplies
- Apron**
- Prismacolor pencils
- White (or light colored) t-shirt for screen printing**
- Wood scraps, flat sheets
* Available for purchase in the studio.
** Available to purchase at the Anderson Ranch ArtWorks Store for 10% off.
Learn more about shipping supplies and artwork to and from the Ranch in the Student Handbook.
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Related Events
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In
-
III
Level III
Students have significant experience in the print medium that is the subject of the workshop.
-
IV
Level IV
Students have advanced skill and knowledge of the printmaking fields. Students are highly motivated and self-directed, have a minimum of five years experience in their field, and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.
Jul 14 - 18, 2025
9AM-5PM
Master Class: Innovations in Lithography
Brian Shure, Valpuri Remling
Tuition $1,345
Code R0706-25
In this workshop, advanced printmakers explore photographic and hand-drawn imagery with film positives on pre-sensitized photo plates as well as direct mark making on ball-grained aluminum plates. Prior background in lithography or extensive work in other printmaking media is the foundation for exploration of image preparation, plate processing, and printing techniques to develop an understanding of efficient methods for production of consistent lithographic editions. *This workshop does not require that students be proficient in lithography, but they must have significant experience in the field of printmaking.
-
Ages 13-17
Jul 21 - 25, 2025
9AM-3PM
Screen Printing for Teens
Andrew Betancourt
Tuition $650
Code R0807-25
In this exciting workshop designed specifically for teens, students learn to use the screen printing process to transform original imagery into unique works of art. We design and print our own t-shirts, posters, and original works on paper using a variety of screen printing techniques, including multiple-color registration and split fountain printing. Students become young screen printing experts and learn how to make screen prints at home, as well as create a series of prints for a developing portfolio.
-
O
Open to All
Students of any skill and knowledge level.
Jul 28 - Aug 1, 2025
9AM-5PM
Building Layers in Monoprint
Laura Berman
Tuition $1,345
Code R0908-25
Taking an exploratory approach to image making, this workshop combines a variety of collage and printmaking techniques. Monoprint techniques are taught in combination with archival collage techniques, with an emphasis on color and printed layers. Students are encouraged to work beyond the first layer of printed imagery to create a new body of work that extends in size and has no technical limitations. With a focus on color, shape, line, and pattern, the goal of this workshop is to further each student’s image vocabulary using printmaking and collage.