Photography & New Media
Code: P0819-25
-
II
Level II
Photography students have a basic understanding of photography principles and technology and are comfortable using an SLR camera in manual mode. New Media students have a basic understanding of video, multimedia or animation software. Students have basic computer skills and are comfortable using a Macintosh computer.
-
III
Level III
Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.
The Intimate Portrait
Jul 21 - 25, 2025
9AM-5PM
Concept
Making a photographic portrait is an intimate endeavor, requiring both photographer and subject to work together to create a compelling image. In this workshop, participants investigate their motivations for making portraits, strengthen their skills working with people, and engage deeply with issues in contemporary photography through lectures, demonstrations, and critique. While we address some technical aspects of photography, this workshop focuses primarily on the emotional and conceptual elements of portraiture.
Media & Techniques
Digital photography, workflow, digital printing, Adobe Photoshop, Adobe Lightroom, photographic lighting techniques, field trips, group discussions
Faculty

Jess T. Dugan
Jess T. Dugan is an artist and writer whose work explores the complexities of personhood, relationships, desire, love, and family. Their work has been widely exhibited and is in the permanent collections of over 60 museums throughout the United States.

Jess T. Dugan, Austin Lying in the Grass
Join Waitlist for The Intimate Portrait
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Photography & New Media
Photography has always been a vital part of Anderson Ranch, one in which students explore visual storytelling through a variety of contexts and concepts. The program has uniquely evolved to focus on both traditional photography and new media— making it one of the only workshop settings of its kind. Three floors of the Fischer Photography Center house state-of-the-art equipment, including three photography studios, two Mac labs, a traditional darkroom, and a lighting studio with strobe and continuous lighting for photography and video.
All Photography workshops are rooted in the same idea—powerful art requires rigorous inquiry of techniques and ideas. We focus on technical skills, content and critical dialog. Students have access to color-managed media labs equipped with 24-inch iMacs, flatbed and film scanners, Epson printers, and cutting-edge software including Adobe Creative Cloud. When appropriate, students utilize strobe and tungsten lighting equipment, seamless backdrops, green screen, audio and video recording equipment and Epson large-format printers.
The Ranch Photography and New Media team creates an inspiring environment, allowing artists of all levels to explore lens-based media and the journey of artistic discovery in the unparalleled setting of the Colorado Rockies.
Anderson Ranch is happy to extend a tuition discount* in one- and two-week adult photography and new media summer workshops** for members of SPE and the Center for Fine Art Photography at the student membership level or above. Please email reg@
Workshop Details>
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact Jack Fox, .
Provided by Anderson Ranch
Equipment
- 24" iMac
- Adobe Suite
- Epson P800 SureColor Printer
Supplies
- Allotted paper and ink
What you need to bring
Required Tools and Supplies
- Digital Camera and accessories
- External hard drive or access to cloud storage to save digital works made
- Presentation of personal work for first day of class, 15-20 images
Optional Tools and Supplies
- Personal items for field trips, i.e layers, sturdy shoes, water bottle
- Sketchbook/Journal**
- Tripod
- White (or light colored) T-shirt for screen printing**
* Available for purchase in the studio.
** Available to purchase at the Anderson Ranch ArtWorks Store for 10% off. The store aims to stock comparable items, though specific products from the supply list may vary based on inventory.
Learn more about shipping supplies and artwork to and from the Ranch in the Student Handbook.
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.

Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In>

Jan 5 - 23, 2026
Monday-Friday, 9AM-5PM
Participants may register for one, two, or three weeks
TUITION is $1,255 per week or $3,765 for three weeks
January Studio Session: Photography & New Media
Jack Fox
Tuition $1,255
Code ZSP0101-26
Anderson Ranch’s January Studio Sessions provide artists the opportunity to work on independent projects while receiving mentoring and critique sessions with Anderson Ranch artistic staff. Each participant receives an assigned studio space, orientation, and access to equipment, as well as some morning group demonstrations and / or critiques. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. Private dorm rooms are available at Anderson Ranch for an additional fee; click here to view January 2025 lodging options. TO APPLY: Applicants must submit project proposals or portfolios for approval. Contact Esther Nooner with questions and to apply: [email protected]

-
O
Open to All
Students of any skill and knowledge level.
Jan 5 - 16, 2026
9AM - 5PM
Painting and Photography: An Archaeological Approach to Text and Image
Kate Leonard
Tuition $2,440
Code JANSTU2026P
Two art forms collide in this fascinating look at the intersection of photography and painting. Join us for an engaging exploration of the artistic synthesis between these two distinct art forms. Discover new transfer techniques that integrate photographic images and text directly onto painted surfaces. Using traditional collage and photomontage, master new methods that allow for opaque and translucent layers. Reductive methods such as sanding and scraping reveal the history of earlier photographic layers and suggest an archaeological approach to image development. We begin each morning with a technical demonstration illustrated with visual examples from contemporary art. A range of integrated photographic painting approaches will be introduced on paper, canvas and panels in acrylic. By midweek, our investigations continue to larger artworks tailored to each student.

-
IV
Level IV
Photography students have advanced skills and knowledge of photography and digital image processing. New Media students have advanced skills and knowledge of video, multimedia, coding or animation. Students are self-motivated and have multiple portfolios of their artwork.
Aug 17 - 21, 2026
9AM - 5PM
Advanced Mentored Studies: Visual Storytelling and Documentary Photography Projects
James Estrin, Ed Kashi
Tuition $2,050
Code P1201-26
The digital age has opened new possibilities for visual storytellers of all kinds—from documentary photographers and photojournalists to conceptual artists—offering greater authorship, control, and reach. This workshop guides participants through the process of developing and sustaining a long-term personal project, with a focus on narrative development, creative vision, and strategies for sharing work with the world. Participants will learn how to: Identify and pursue a subject driven by personal passion. Build a compelling visual narrative with a distinct style. Sustain long-term projects with intention and discipline. Navigate the industry, make professional connections, and find opportunities for dissemination. The workshop embraces a wide range of visual languages and technologies, from still photography and digital video to transmedia and social media storytelling. Through hands-on guidance, participants will explore how to harness these tools to become more effective, impactful storytellers. The program is led by Ed Kashi, with over 45 years of freelance experience, and James Estrin, senior staff photographer at The New York Times and co-founder of the NYT Lens blog. Together, they bring a wealth of knowledge, insight, and mentorship to help participants push their work to new levels. Program Dates: May 1, 2026 – April 15, 2028 In-Person Sessions at Anderson Ranch: Aug 17 - Aug 21, 2026 Aug 16 - Aug 20, 2027 This two-year immersive program is designed for dedicated artists seeking individualized mentorship, critical feedback, and a supportive cohort experience. Participants engage in two week-long, in-person residencies at Anderson Ranch (one each year), complemented by ongoing virtual engagement throughout the program. Each year includes personalized one-on-one mentorship sessions via Zoom and a virtual group critique held in December. The program concludes with a final Zoom meeting in April 2028. Tuition is listed per year. Lodging and meals are additional. To Apply: Applications will be accepted on a rolling basis with a deadline of January 15, 2026. To apply, please complete the 2026 Advanced Mentored Studies Online Application. A non-refundable deposit of $650 per workshop is required to reserve a space for an adult. Questions? For more information about the next session of the Advanced Mentored Studies Program, please contact: Andrea Jenkins Wallace. Vice President of Artistic Affairs and Artistic Director of Photography and New Media [email protected]