Photography & New Media

Code: P1201-25

    • IV

      Level IV

      Photography students have advanced skills and knowledge of photography and digital image processing. New Media students have advanced skills and knowledge of video, multimedia, coding or animation. Students are self­-motivated and have multiple portfolios of their artwork.

Advanced Mentored Studies: Visual Storytelling and Documentary Photography Projects

Aug 18 - 22, 2025

9AM - 5PM

Concept

The digital age has given documentary photographers and photojournalists new ways to tell stories with greater authorship and control. This workshop focuses on how to create a personal documentary project and get it seen. The ultimate goal is to find a subject that speaks to a personal passion, document it in a unique visual style, then disseminate the work. Participants engage new technologies to become more effective storytellers, which include social media, transmedia, virtual reality, and digital video.

2025 is the third year of this three-year intensive program. There are openings if you would like to join for one year. For more information about our next session of this Advanced Mentored Studies program, please contact Andrea Jenkins Wallace, Vice President of Artistic Affairs and Artistic Director of Photography and New Media, at [email protected] with questions. 

TO APPLY: Applications for enrollment are accepted on a rolling basis. To apply, please fill out the 2025 Advanced Mentored Studies Online Application Form.

Media & Techniques

Presentations, discussions, critiques, and editing of work, this workshop is in year two of a three-year program.

Faculty

James Estrin

James Estrin is a staff photographer for The New York Times. He is a founder of Lens, The New York Times’s photography blog, and has been its co-editor since it launched in 2009. He has worked for The New York Times since 1992 and was part of a Pulitzer Prize-winning team in 2001. James is a co-producer of the HBO film “Under Fire: The Untold Story of Pfc. Tony Vaccaro”.

Learn More

Ed Kashi

Ed Kashi is a prolific photojournalist, filmmaker, speaker and educator. A member of VII Photo Agency, Kashi has produced 14 books, and his work has been published and exhibited worldwide.

Learn More

Ed Kashi, Siblings in their family tent, Mafraq, Jordan. 2013

Photography & New Media

Photography has always been a vital part of Anderson Ranch, one in which students explore visual storytelling through a variety of contexts and concepts. The program has uniquely evolved to focus on both traditional photography and new media— making it one of the only workshop settings of its kind. Three floors of the Fischer Photography Center house state-of-the-art equipment, including three photography studios, two Mac labs, a traditional darkroom, and a lighting studio with strobe and continuous lighting for photography and video.

All Photography workshops are rooted in the same idea—powerful art requires rigorous inquiry of techniques and ideas. We focus on technical skills, content and critical dialog. Students have access to color-managed media labs equipped with 24-inch iMacs, flatbed and film scanners, Epson printers, and cutting-edge software including Adobe Creative Cloud. When appropriate, students utilize strobe and tungsten lighting equipment, seamless backdrops, green screen, audio and video recording equipment and Epson large-format printers.

The Ranch Photography and New Media team creates an inspiring environment, allowing artists of all levels to explore lens-based media and the journey of artistic discovery in the unparalleled setting of the Colorado Rockies.

  Center for Fine Art Photography logo

Anderson Ranch is happy to extend a tuition discount* in one- and two-week adult photography and new media summer workshops** for members of SPE and the Center for Fine Art Photography at the student membership level or above. Please email reg@andersonranch.org upon registering with your SPE or CFAP membership information and we will apply the discount to your tuition. You are also welcome to call 970-924-5089 to register. *Since the welcome dinner and lunches are included in workshop tuition (at a cost of $130 per week), a 20% discount is applied after subtracting the cost of these meals.**Please note, this discount must be approved upon registering and cannot be applied retroactively. SPE and Center for Fine Art Photography discount does not apply to Advanced Mentored Studies programs or Destination Workshops, nor can it be combined with any other discount, scholarship or special offer.

Learn More

Workshop Details

Workshop Supplies

For general information about studio access, shipping, and more, please visit our info page.

If you have any questions regarding your supplies for your workshop, please contact Jack Fox, .

Provided by Anderson Ranch

What you need to bring

Required Tools and Supplies
Optional Tools and Supplies

* Available for purchase in the studio.
** Available to purchase at the Anderson Ranch ArtWorks Store for 10% off. The store aims to stock comparable items, though specific products from the supply list may vary based on inventory.
Learn more about shipping supplies and artwork to and from the Ranch in the Student Handbook.

Lodging & Meals

Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations. 

NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.

We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.

 

Scholarships, College Credit & Discounts

Making Art Accessible

Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.

Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.

Learn More

You Might Also Be Interested In

resident photo new media studio

    Jan 5 - 23, 2026
    Monday-Friday, 9AM-5PM
    Participants may register for one, two, or three weeks
    TUITION is $1,255 per week or $3,765 for three weeks

    January Studio Session: Photography & New Media

    Jack Fox

    Tuition $1,255
    Code ZSP0101-26

    Anderson Ranch’s January Studio Sessions provide artists the opportunity to work on independent projects while receiving mentoring and critique sessions with Anderson Ranch artistic staff. Each participant receives an assigned studio space, orientation, and access to equipment, as well as some morning group demonstrations and / or critiques. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. Private dorm rooms are available at Anderson Ranch for an additional fee; click here to view January 2025 lodging options. TO APPLY: Applicants must submit project proposals or portfolios for approval. Contact Esther Nooner with questions and to apply: [email protected]

    Learn More

    • O

      Open to All

      Students of any skill and knowledge level.

    Jan 5 - 16, 2026
    9AM - 5PM

    Painting and Photography: An Archaeological Approach to Text and Image

    Kate Leonard

    Tuition $2,440
    Code JANSTU2026P

    Two art forms collide in this fascinating look at the intersection of photography and painting. Join us for an engaging exploration of the artistic synthesis between these two distinct art forms. Discover new transfer techniques that integrate photographic images and text directly onto painted surfaces. Using traditional collage and photomontage, master new methods that allow for opaque and translucent layers. Reductive methods such as sanding and scraping reveal the history of earlier photographic layers and suggest an archaeological approach to image development. We begin each morning with a technical demonstration illustrated with visual examples from contemporary art. A range of integrated photographic painting approaches will be introduced on paper, canvas and panels in acrylic. By midweek, our investigations continue to larger artworks tailored to each student.

    Learn More

    • O

      Open to All

      Students of any skill and knowledge level.

    • Virtual Workshop

      Virtual Workshop, learn from the comfort of your own home.

    Feb 16 - 24, 2026
    Monday (2/16), Wednesday (2/18), Sunday (2/22), and Tuesday (2/24)
    3:00-4:30 PM MST

    Smartphone Storytelling Photography

    Ed Kashi

    Tuition $325
    Code VSP0801-26

    This four-session workshop focuses on the use of a mobile phone in taking photos, video, notes, sketches, and audio recordings to produce documentary work or just capture the memories of your daily life. This course is taught in a seminar format, with students engaging in discussion about the practical use and possibilities of the mobile phone to create personal memories, citizen journalism, photojournalism, and daily visual journaling. In addition, the workshop delves into the creative side of smartphone photography. Learn about vision, creative apps, and storytelling during talks and edit-and-critique sessions. Also included is sharing of work by Faculty, showing his wide range of work done with a smartphone since he did the New Yorker’s first “takeover” in 2012, along with reviewing the work in a group setting of each participant’s work.

    Learn More

    Thank you for subscribing to our newsletter.

    Tell us what you're interested in!