Photography & New Media
Photography has always been a vital part of Anderson Ranch, one in which students explore visual storytelling through a variety of contexts and concepts. The program has uniquely evolved to focus on both traditional photography and new media— making it one of the only workshop settings of its kind. Three floors of the Fischer Photography Center house state-of-the-art equipment, including three photography studios, two Mac labs, a traditional darkroom, and a lighting studio with strobe and continuous lighting for photography and video.
All Photography workshops are rooted in the same idea—powerful art requires rigorous inquiry of techniques and ideas. We focus on technical skills, content and critical dialog. Students have access to color-managed media labs equipped with 24-inch iMacs, flatbed and film scanners, Epson printers, and cutting-edge software including Adobe Creative Cloud. When appropriate, students utilize strobe and tungsten lighting equipment, seamless backdrops, green screen, audio and video recording equipment and Epson large-format printers.
The Ranch Photography and New Media team creates an inspiring environment, allowing artists of all levels to explore lens-based media and the journey of artistic discovery in the unparalleled setting of the Colorado Rockies.
Anderson Ranch is happy to extend a tuition discount* in one- and two-week adult photography and new media summer workshops** for members of SPE and the Center for Fine Art Photography at the student membership level or above. Please email reg@

Esther Macy Nooner
Workshop Program Manager; Studio Coordinator, Photography and New Media
Esther Macy Nooner received her MFA in Studio Art from the University of Arkansas School of Art. She has participated in the artist-in-residence program in the National Park System, and most recently at the Burren College of Art in Ballyvaughan, Ireland. She has shown work nationally and internationally, and is currently the studio coordinator for Photography and New Media at Anderson Ranch Arts Center.

Andrea Jenkins Wallace
Vice President of Artistic Affairs, Artistic Director of Photography and New Media
Andrea Jenkins Wallace earned her M.F.A. from the University of Colorado Boulder after completing her undergraduate degree in Communications Media. Prior to joining Anderson Ranch, she spent over a decade in academia, holding tenure-track appointments at Lake Forest College and Willamette University. She continues to teach courses at Colorado College and the University of Denver. An accomplished speaker, Andrea has presented at institutions such as the Denver Art Museum and the Stonewall National Museum. Her documentary film, Rochell and Brian, which explores teenage pregnancy, premiered at the New York International Independent Film Festival. Andrea’s work has been exhibited nationally and internationally, with numerous shows across the Americas, Europe, China, and the Middle East. Preferred Pronouns: She/Her







Anderson Ranch Campus
Upcoming Workshops>

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II
Level II
Photography students have a basic understanding of photography principles and technology and are comfortable using an SLR camera in manual mode. New Media students have a basic understanding of video, multimedia or animation software. Students have basic computer skills and are comfortable using a Macintosh computer.
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III
Level III
Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.
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Level IV
Photography students have advanced skills and knowledge of photography and digital image processing. New Media students have advanced skills and knowledge of video, multimedia, coding or animation. Students are self-motivated and have multiple portfolios of their artwork.
Jul 28 - Aug 1, 2025
9AM-5PM
Impressions on Clay: Merging Photography, Painting, and Ceramics
Yana Payusova
Tuition $1,380
Code P0923-25
In a contemporary art world where "mixed media" is increasingly prominent, exploring the development of 2D imagery for 3D forms is a timely approach in ceramics. This immersive workshop delves into the intersection of photography, screen printing, and ceramics, encouraging students to merge and expand these mediums in innovative ways. With a focus on narrative development, participants work with personal, found, or generated images to create visual stories. Emphasizing the conceptual development of photographic imagery and pictorial illustrations, students design and produce screen-printed decals for transferring onto fired ceramic surfaces. During their studio experience, students are welcome to hand build day one and then focus on image preparation and design and transfer. This workshop provides artists with the tools to seamlessly integrate 2D and 3D elements in their work.

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Open to All
Students of any skill and knowledge level.
Aug 4 - 8, 2025
9AM-5PM
Alternative Processes Unleashed: Cyanotype and Gum Bichromate
Diana Bloomfield
Tuition $1,325
Code P1027-25
The deceptively simple cyanotype process is one of the oldest photographic printing methods, steeped in a rich history and offering a stunning array of exquisite and mysterious blues. In this workshop, students embark on an exploration of this timeless technique, experimenting on various papers to create both photograms and photographs while learning to produce digital negatives. While cyanotype stands alone as a popular choice for contemporary photographic artists, many practitioners continue to innovate by toning their prints with a variety of organic botanical toners, allowing for a remarkable range of colors and hues. This versatile process seamlessly integrates with other alternative techniques, including gum bichromate. Participants also explore the exciting possibilities of layering gum bichromate over their cyanotypes, engaging fully with the vibrant color aspects of this combined process. This hands-on experience not only deepens their understanding of cyanotype but connects them to its rich artistic heritage.

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I
Level I
Students are new to photography and new media and have no formal training in photography, video, multimedia or animation. Students have basic computer literacy.
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II
Level II
Photography students have a basic understanding of photography principles and technology and are comfortable using an SLR camera in manual mode. New Media students have a basic understanding of video, multimedia or animation software. Students have basic computer skills and are comfortable using a Macintosh computer.
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III
Level III
Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.
Aug 4 - 8, 2025
9AM-5PM
Family Stories
Betsy Schneider
Tuition $1,325
Code P1024-25
Explore ways to create art that draws from both past and present family experiences, whether inherited or chosen. We consider the stories of those in front of our cameras, as well as those we only know through photographs. How do we understand people and our lives through photography? How can we create meaningful work that captures the essence of those with us now, connects across time and distance, or reflects on the past? Participants are invited to bring ideas for future projects, works in progress, archival materials (such as negatives and prints), or simply their digital or film cameras. For those interested, we offer the opportunity to develop black-and-white film. Together, we explore how to create meaningful and resonant work from our family lives and immediate surroundings. The workshop begins by examining a range of artists from the past 50 years who have used personal family experiences as a foundation to address broader issues. Artists such as Larry Sultan, Emmett Gowin, Nan Goldin, Sally Mann, Tomiko Jones, Odette England, LaToya Ruby Frazier, Tommy Kha, and D'Angelo Lovell Williams will serve as inspirations as we consider when and how personal stories can resonate through art. Participants are encouraged to envision various approaches through studio work, presentations, discussions, one-on-one meetings, and critiques. Together, we explore how images can create layered meanings and how photography serves as a medium for personal reflection and intergenerational dialogue.