Sculpture

Sculpture Studio in Aspen / Snowmass

The Sculpture Studio at Anderson Ranch Arts Center, located in Snowmass Village near Aspen, Colorado, is a purpose-built professional sculpture facility designed to support large-scale fabrication, material experimentation, and immersive studio practice. The space accommodates a wide range of processes, including carving, welding, casting, kinetic systems, and mixed-media construction.

With indoor and outdoor work areas, specialized tools, and technical infrastructure for both traditional and contemporary approaches, the Sculpture Studio provides artists the freedom to work across scale and material with structural support and professional-grade equipment.

Interested in enrolling? Explore the full schedule of Sculpture workshops at Anderson Ranch.

Express your creativity and vision by exploring the limitless art of sculpture. At Anderson Ranch, our sculpture program offers a vibrant spectrum of workshops that reflect a variety of studio practices. At the confluence of tradition and technology, these programs are material and technique-rich, ranging from classical metal fabrication to experimental digital production.

Students work in communal and interactive studios designed for all levels of experience, supporting traditional and nontraditional methods. The sculpture studios are fully equipped with advanced machinery and offer additional outdoor covered workspace.

Our renowned sculpture faculty work closely with students through critical discussions, material demonstrations and individual assistance. Instructors encourage exploration and experimentation, emphasizing process and idea development. We complement this with a focus on process and sound construction. You leave with far more than finished pieces—you walk away with the tools and inspiration required to elevate your studio practice.

Don’t know where to start? View the skill levels for sculpture workshops.

Anderson Ranch Arts Center is a historic, rustic campus that features gravel pathways and uneven terrain that may pose challenges for individuals using wheelchairs or other mobility devices. We strive to provide accommodations to ensure all guests can access and enjoy our programs and facilities. With advance notice, our staff can offer personalized assistance and coordinate access to studios and campus spaces. For questions or to request an accommodation, please contact us at (970) 923-3181 or [email protected].

William Lanzillo

Studio Coordinator, Sculpture

William Lanzillo is the Studio Coordinator of Sculpture at Anderson Ranch. He is a sculptor whose work includes objects, performances, and interactive experiences. He recently earned an MFA in Sculpture from Cranbrook Academy of Art.

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Anderson Ranch Campus

Upcoming Workshops

small-scale furniture or design models displayed on a table in a woodworking and design studio at Anderson Ranch Arts Center
  • O

    Open to All

    Students of any skill and knowledge level.

Jul 6 - 10, 2026
9 AM - 5 PM

Delight in the Miniature: Model-Making

Sung Ho Kim

Tuition $1,200
Code W0606-26

Discover the power of the miniature to capture imagination in this unique introduction to architecture through model-making. Students explore making as a way of thinking while learning the woodworking and technical skills involved in creating a model. They learn how to visualize the organization of space and develop their own innovative techniques for representing the built world in miniature. We focus on woodcraft, technique, design, and ideas through the instructor’s visionary and transformative processes, grounded in the knowledge of historical and contemporary design practices. Students develop their own models for spaces—real or imagined—gaining confidence, curiosity, and insight into the development of our built environments.

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  • II

    Level II

    Students have a basic knowledge of 3­-D art making and sculpture concepts and are comfortable using a variety of hand and power tools. Students have taken one or two sculpture classes or workshops.

  • III

    Level III

    Students have experience with a variety of materials and fabrication techniques and know how to use hand and power tools competently and safely. Students are self­-starting with some formal training in critical aspects of sculpture and have a portfolio of artwork. Students have taken a minimum of three classes or workshops.

  • IV

    Level IV

    Students have advanced skills and knowledge of sculpture. Students are highly motivated, have a minimum of five years experience in the field and have multiple portfolios of their artwork. Typical students are academics and professional artists.

Jul 6 - 10, 2026
9 AM - 5 PM

What is on the Inside of the Outside: Seeing Through Material Exploration

Jilaine Jones

Tuition $1,250
Code S0606-26

Explore the intersection of perception, material, and personal expression in this immersive sculpture workshop. Students create sculptures in response to an installation of elements arranged by the instructor. The focus is not on replicating what is seen, but on translating impressions into a personal, expressive language that reveals the maker’s own perceptions and feelings. Using a variety of materials — clay, cardboard, linear steel, and plaster — participants explore different ways of thinking and feeling through each medium. Each material offers unique possibilities for interpreting the installation, allowing students to experiment with visual, physical, and emotional responses. Through the creation of multiple sculptural iterations, students discover how the behavior of each material can uncover new ideas, truths, and modes of expression, deepening their understanding of form, process, and personal vision.

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  • III

    Level III

    Students have formal training in critical issues of 2-­D art making, experience with public critiques and a solid portfolio of their artwork.

  • IV

    Level IV

    Students have advanced skill and knowledge of painting and drawing. Students are highly motivated and self­-directed, have a minimum of five years experience in their field and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.

Jul 13 - 17, 2026
Monday, Wednesday, Friday: July 13, 15, & 17, 9AM-12PM

Beyond Judgment: The Work of Critique

Paula Crown, Liz Ferrill

Tuition $150
Code D0734-26

In Against Interpretation, Susan Sontag writes, "What is important now is to recover our senses. We must learn to See more, to Hear more, to Feel more." This community focused, discussion and critique-based workshop encourages artists to investigate their artistic intentions within a supportive environment of critical thinking, looking, and responding. As a cohort of artists who are active participants in the act of observation and interpretation, the intention is to expand one's understanding of how to speak about the work of our peers without judgment or categorization. Though this is not a traditional critique class, we focus on building skills in how to guide a studio visit with questions, avoiding art world sound bytes but rather spotlighting authentic and unique feedback. This workshop is for serious artists who are searching for community, dialogue, and honesty within a cohort. Participants are encouraged to bring physical work as well as digital images to share and discuss, with emphasis on awareness and being present among the group. TO REGISTER: Please contact Lindsey Yeager, Studio Coordinator of Painting, Drawing & Printmaking, at [email protected] to inquire about attending this workshop.

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