Jean Gumpper

This rigorous, engaging, printmaking workshop explores color monoprint and woodcut processes using hand and laser-cut stencils and blocks to create one-of-a-kind and editioned prints. We begin with observational studies from the natural world and explore monotype with stencils and multiple plates. We then use the laser cutter to cut woodblocks and combine these puzzle block prints with hand carved marks, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine multiple matrices in many ways.

This rigorous, engaging, printmaking workshop focuses on monoprint and woodcut methods with an emphasis on layering color to produce luminous results. We begin with observational studies from the natural world, and explore trace, stencil, painterly, and multiple plate monotype methods. Reduction woodcut techniques are then added to layer transparent and opaque color to create a radiant sense of space. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine printing using a woodcut matrix with a variety of monoprint methods.

This rigorous, engaging, printmaking workshop combines monoprint and woodcut processes with a digital component. We incorporate laser-cut stencils and wood blocks together with painterly and carved marks to create images. We begin with observational studies from the natural world and explore multiple plate monotype methods. Woodcut techniques including laser-cut blocks are then added to layer transparent and opaque color. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine multiple matrices in many ways.

This rigorous, engaging printmaking workshop focuses on monoprint and woodcut methods with an emphasis on layering color to produce luminous results. We begin with observational studies from the natural world, and explore trace, stencil, painterly, and multiple plate monotype methods. Woodcut techniques are then added to layer transparent and opaque color to create a radiant sense of space. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine printing using a woodcut matrix with a variety of monoprint methods.

This rigorous, engaging printmaking workshop combines monoprint and woodcut processes with a digital component. Students incorporate laser-cut stencils and wood blocks with painterly and carved marks to create images. The class begins with observational studies from the natural world and explores multiple plate monotype methods. Woodcut techniques, including laser cut blocks, are then added to layer transparent and opaque colors. Students make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course, combining multiple matrices in many ways.

This rigorous, engaging printmaking workshop focuses on monoprint and woodcut methods with an emphasis on layering color to produce luminous results. It begins with observational studies from the natural world, and explores trace, stencil, painterly, and multiple plate monotype methods. Woodcut techniques are then added to layer transparent and opaque colors to create a radiant sense of space. Students make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course, combining printing using a woodcut matrix with a variety of monoprint methods.

This rigorous, engaging printmaking workshop focuses on monoprint and woodcut methods with an emphasis on layering color to produce luminous results. We begin with observational studies from the natural world and explore trace, stencil, painterly, and multiple plate monotype methods. Woodcut techniques are then added to layer transparent and opaque color, creating a radiant sense of space. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine printing using a woodcut matrix with a variety of monoprint methods.

This rigorous, engaging printmaking workshop focuses on monoprint and woodcut methods with an emphasis on layering color to produce luminous results. Students begin with observational studies from the natural world and then explore trace, stencil, painterly and multiple-plate monotype methods. Woodcut techniques are then added to layer transparent and opaque color to create a radiant sense of space. Participants make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as one combines printing using a woodcut matrix with a variety of monoprint methods.