Sarah Tortora
Sarah Tortora is a visual artist and educator based in New York City. Through sculpture, writing, and digital photography, her work addresses Classical archetypes and museological display, accepting the premise that every equestrian monument is truly a Trojan horse. She received an MFA from the University of Pennsylvania and attended residencies at Skowhegan, MacDowell, and Ox-Bow School of Art, among others. She is represented by Ulterior Gallery in New York City.
Sarah's Links:
Sarah's Workshops
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II
Level II
Students have a basic knowledge of 3-D art making and sculpture concepts and are comfortable using a variety of hand and power tools. Students have taken one or two sculpture classes or workshops.
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III
Level III
Students have experience with a variety of materials and fabrication techniques and know how to use hand and power tools competently and safely. Students are self-starting with some formal training in critical aspects of sculpture and have a portfolio of artwork. Students have taken a minimum of three classes or workshops.
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IV
Level IV
Students have advanced skills and knowledge of sculpture. Students are highly motivated, have a minimum of five years experience in the field and have multiple portfolios of their artwork. Typical students are academics and professional artists.
Aug 31 - Sep 4, 2026Past9 AM - 5 PM
Built to Last: Making Durable Sculpture
Sarah Tortora
Tuition $1,250
Code S1412-26
Learn how to make sculptures that can withstand the test of time in this experimental workshop that joins steel, substrate, concrete, paper, and other coatings. Participants bend and weld steel armatures and structures–the bones of a sculpture–that can support surface materials that are textured, colorful, and durable. We concentrate on basic metalworking skills, covering techniques for problem-solving toward specialized forms. Students learn basic metal forming, bending, welding, and how to mix and apply various surface materials. The workshop integrates technical proficiency with experimental approaches that introduce unique textures and exciting new possibilities for durable and tactile sculpture.
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O
Open to All
Students of any skill and knowledge level.
Aug 18 - 22, 2025Past9AM-5PM
Rock Solid: Concrete & Mixed Media Sculpture
Sarah Tortora
Tuition $1,290
Code S1213-25
In this workshop, Tortora demonstrates various ways to incorporate concrete in mixed media sculpture using constructive, modeling, and basic casting approaches. We discuss how to use concrete to redistribute weight and visually defy gravity; anchoring into concrete for stable joinery; techniques for modeling concrete onto wood, foam, or other substrates; and using everyday materials like clay, cardboard, or plywood to create basic intuitive molds to generate forms. Students experiment with different cement mixes for more lightweight or eco-friendly blends. Participants leave the workshop with a basic working knowledge and skill set that can be easily replicated with economical materials and workspace.
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O
Open to All
Students of any skill and knowledge level.
Aug 7 - 11, 2023Past9AM-5PM
Abstracting Architecture: Techniques of Sculptural Construction
Sarah Tortora
Tuition $1,150
Code S1010-23
This small-scale sculpture course explores the intersections between architecture and sculpture. We reconsider and recreate the properties, sensations, and language surrounding familiar sites, major architectural works, and historical structures at tabletop scale using economical construction methods with basic wood, steel, foam, epoxy, and mixed-media assembly. We consider armatures and framing, achieving structural stability, modular units, color, light, and context. Tools and materials are stretched to their limits to achieve what may seem physically impossible, and methods taught in the course remain achievable long after its conclusion.
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O
Open to All
Students of any skill and knowledge level.
Jun 13 - 17, 2022Past9AM-5PM
Sculpture, Architecture and Abstraction
Sarah Tortora
Tuition $1,095
Code S0202-22
This small-scale sculpture course explores the intersections between architectural model and tabletop sculpture. Students reconsider and recreate the properties, sensations and language surrounding monuments, sites and structures at a domestic scale. Students also use economical construction methods with basic wood, foam, resin and mixed-media assembly. Modular units, structural stability, color, light and context are investigated. Tools and materials are stretched to their limits and methods practiced in the course remain achievable long after the workshop’s conclusion.
No workshops to show.