Trevor Paglen

Master Class This master class and intensive seminar examines photography in the era of artificial intelligence. Each day combines morning theory sessions with afternoon practical workshops. In the mornings, participants engage in seminar-style discussions on the history, politics, and aesthetics of computer vision (CV) and AI, using readings from the instructor’s forthcoming book as a foundation for critical dialogue. Afternoons focus on hands-on practice, where students experiment with Python, OpenCV, and large language models to develop their own computer vision tools through “vibe coding.” No prior programming experience is required. The course emphasizes critical inquiry and rapid experimentation, preparing students to create original projects at the intersection of photography and AI.

This intensive workshop delves into the profound impact of new imaging technologies such as computer vision and AI on photography and contemporary visual culture. Emphasizing theoretical inquiry, the course examines how machines perceive, process, and interpret the world, interrogating the broader social, political, and philosophical implications of algorithmic vision. Students critically engage with the historical evolution of photography while grappling with contemporary debates surrounding surveillance, automation, and creative practices. Students are provided with an extensive reading list to fuel in-depth discussions, critiques, and both individual and collaborative experimentation with emerging technologies. This course is designed for those seeking a deep, critical understanding of the intersection between technology and visual media in the 21st century.