Wayne Lawrence
Wayne Lawrence is a St. Kitts-born visual artist who uses photography to navigate ideas of community and purpose through nuanced storytelling. His book Orchard Beach: The Bronx Riviera (Prestel 2014), is the result of a six-year journey photographing the colorful character of the only beach in New York’s Bronx community. Lawrence’s work has been commissioned by The New York Times Magazine, National Geographic, and New York Magazine, among others, and exhibited by numerous galleries and museums.
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Wayne's Upcoming Workshops
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I
Level I
Students are new to photography and new media and have no formal training in photography, video, multimedia or animation. Students have basic computer literacy.
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II
Level II
Photography students have a basic understanding of photography principles and technology and are comfortable using an SLR camera in manual mode. New Media students have a basic understanding of video, multimedia or animation software. Students have basic computer skills and are comfortable using a Macintosh computer.
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III
Level III
Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.
Jul 14 - 18, 2025
9AM-5PM
The Art of Visual Storytelling
Wayne Lawrence
Tuition $1,225
Code P0716-25
In-depth storytelling has never been more essential, and this workshop offers intermediate and advanced photographers a focused yet supportive environment for mastering the skills and techniques required to create a compelling image series. Designed for socially and culturally conscious storytellers, the course emphasizes documenting the human experience with the goal of informing or challenging perceptions through creative and thoughtful imagery. Through a combination of lectures, assignments, critique sessions, and class discussions, participants explore the ethical, social, and visual dimensions of environmental portraiture. The workshop delves into methodologies practiced by leading artists in the field, providing participants with the tools to develop their own long-term documentary projects. This comprehensive approach encourages participants to push their creative boundaries while deepening their understanding of the genre.