Master Classes

Master Class This course is designed to improve our work through full immersion in the discourse of contemporary painting. We examine theory and critical dialogue as it pertains to individual practice, and explore the history and craft of paintings within a contemporary context. Through readings and discussion, artists have opportunities to broaden the scope of their practices and continue to hone their artistic voices. This course uses the term “painting” in the most expanded contemporary manner. We engage in individual critiques, group critiques, reading assignments, group discussions, and the creation of new work. Students should bring a digital portfolio of current studio work.

Master Class This workshop invites participants to rigorously re-imagine the experiences of migration, home, beauty, and work through innovative discourses on memory and desire. By engaging with a curated selection of films, artworks, and readings, participants are encouraged to take creative risks as they explore how to rethink the cultural dimensions of migration, narratives of work, and evolving concepts of beauty. We print original work and utilize archival images as valuable resources for inspiration and context. A commitment to dedication, mutual respect for peers, and a passion for artistic exploration are essential components of this transformative experience.

Master Class This master class and intensive seminar examines photography in the era of artificial intelligence. Each day combines morning theory sessions with afternoon practical workshops. In the mornings, participants engage in seminar-style discussions on the history, politics, and aesthetics of computer vision (CV) and AI, using readings from the instructor’s forthcoming book as a foundation for critical dialogue. Afternoons focus on hands-on practice, where students experiment with Python, OpenCV, and large language models to develop their own computer vision tools through “vibe coding.” No prior programming experience is required. The course emphasizes critical inquiry and rapid experimentation, preparing students to create original projects at the intersection of photography and AI.

Master Class In this master class workshop for advanced painters, students investigate their intentions and concerns within their painting practice, while working at a rigorous pace in the studio. Class consists of one-on-one and group critiques, discussion, and ample studio time to make new inquiries into their work. Participants are challenged to explore new avenues and dive deep into the content and methods behind their practice. Topics for discussion include source material, negative/positive space, zooming in on a painting and working from a crop, content, color and gesture, and symbolism. Students are asked to bring a digital portfolio of recent work to share with the class. * Please note: Hilary Pecis teaches daily from 9 am – 3 pm. Late afternoons are dedicated to independent studio time with Liz Ferrill present for feedback and dialogue.

Master Class This advanced painting workshop is for students working in any painting medium, and is designed to be a catalyst for making art within a broadly-defined painting language. Students work on individual projects while digging into experimental processes that boost the forward momentum of their work. Presentations, prompts, and critiques support purposeful discussions addressing how work is communicating. Questions and topics covered include,How can time be captured through color? What is tactile knowledge? Who are your art ancestors and what is their role in the building of your visual language? What and how does your work communicate within the context of contemporary art? Students are asked to bring a digital portfolio of current studio work.

Master Class In this master class workshop for advanced painters, students investigate their intentions and concerns within their painting practice while working at a rigorous pace in the studio. Class consists of one-on-one and group critiques, discussion, and ample studio time to make new inquiries into their work. Participants are challenged to explore new avenues and dive deep into the content and methods behind their practice. Topics for discussion include content, color and gesture, and symbolism. Students are asked to bring a digital portfolio of recent work to share with the class.

Master Class In this two-week workshop, advanced printmakers explore direct mark-making on ball-grained aluminum plates as well as photographic and hand-drawn imagery with film positives on pre-sensitized photo plates. Developing an understanding of efficient methods for processing and printing are the foundation to producing consistent lithographic editions. Prior background in lithography or extensive work in other printmaking media will serve as the basis for image preparation, plate processing and printing techniques. This workshop does not require that students be proficient in lithography, but they must have significant experience in the field of printmaking. Please feel free to submit portfolio images that aren’t lithographic prints. IMPORTANT DETAILS: In order to conduct the required portfolio review, we will need to see digital images of your work in one single PDF (as opposed to individual JPG attachments) sent directly to Anderson Ranch Studio Coordinator, Lindsey Yeager, via email at [email protected]. Please include 10 images of 10 works (they do not have to be lithos but they should be examples of print work). Additionally, please include an image identification list that includes: title, media, dimensions and year. These materials must be submitted as a single PDF (less than 10 MB) to be considered. Please include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop to which you are applying. Submissions that do not follow the requested directions will not be reviewed. Portfolios are currently being accepted. We will email you regarding your status by early February, and we will continue to accept portfolios on a rolling basis. If you are accepted, a deposit of $500 will be required within one week of notification of acceptance to hold your place. Housing will be assigned on a space-available basis upon enrollment. Please note, if we receive your materials after Feb. 5, you will be considered on a space-available basis.