Sculpture

Code: S1010-23

    • O

      Open to All

      Students of any skill and knowledge level.

Abstracting Architecture: Techniques of Sculptural Construction

Aug 7 - 11, 2023

9AM-5PM

Concept

This small-scale sculpture course explores the intersections between architecture and sculpture. We reconsider and recreate the properties, sensations, and language surrounding familiar sites, major architectural works, and historical structures at tabletop scale using economical construction methods with basic wood, steel, foam, epoxy, and mixed-media assembly. We consider armatures and framing, achieving structural stability, modular units, color, light, and context. Tools and materials are stretched to their limits to achieve what may seem physically impossible, and methods taught in the course remain achievable long after its conclusion.

Media & Techniques

Cardboard, steel, wood, foam, mixed media, epoxy model making, finishing and coloration techniques

Supply List

Faculty

Sarah Tortora

Sarah Tortora is a visual artist and educator based in New York City. Through sculpture, writing, and digital photography, her work addresses Classical archetypes and museological display, accepting the premise that every equestrian monument is truly a Trojan horse. She received an MFA from the University of Pennsylvania and attended residencies at Skowhegan, MacDowell, and Ox-Bow School of Art, among others. She is represented by Ulterior Gallery in New York City.

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Sarah Tortora, Geode

Join Waitlist for Abstracting Architecture: Techniques of Sculptural Construction

Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.

Sculpture

Express your creativity and vision by exploring the limitless art of sculpture. At Anderson Ranch, our sculpture program offers a vibrant spectrum of workshops that reflect a variety of studio practices. At the confluence of tradition and technology, these programs are material and technique-rich, ranging from classical metal fabrication to experimental digital production.

Students work in communal and interactive studios designed for all levels of experience, supporting traditional and nontraditional methods. The sculpture studios are fully equipped with advanced machinery and offer additional outdoor covered workspace.

Our renowned sculpture faculty work closely with students through critical discussions, material demonstrations and individual assistance. Instructors encourage exploration and experimentation, emphasizing process and idea development. We complement this with a focus on process and sound construction. You leave with far more than finished pieces—you walk away with the tools and inspiration required to elevate your studio practice.

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Workshop Details

Workshop Supplies

For general information about studio access, shipping, and more, please visit our info page.

If you have any questions regarding your supplies for your workshop, please contact William Lanzillo, [email protected].

Lodging & Meals

Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations. 

NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.

We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.

 

Scholarships, College Credit & Discounts

Making Art Accessible

Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.

Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.

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You Might Also Be Interested In

  • I

    Level I

    Students are new to sculpture and have no formal training.

  • II

    Level II

    Students have a basic knowledge of 3­-D art making and sculpture concepts and are comfortable using a variety of hand and power tools. Students have taken one or two sculpture classes or workshops.

  • III

    Level III

    Students have experience with a variety of materials and fabrication techniques and know how to use hand and power tools competently and safely. Students are self­-starting with some formal training in critical aspects of sculpture and have completed a portfolio of work. Students have taken a minimum of three classes or workshops.

Sep 1 - 5, 2025
9AM-5PM

CNC Relief Sculpture in Coated Foam

Andrew Ross

Tuition $1,290
Code S1415-25

This versatile workshop combines high-tech processes with hands-on sculpting techniques to expand artists' toolboxes. Participants learn how to design polygonal forms in 3D software and strategies for digitally dissecting 3D forms into stackable reliefs. Students will cut these forms in foam using a CNC machine, and apply rigid coatings for a lightweight and durable sculpture.

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  • O

    Open to All

    Students of any skill and knowledge level.

Sep 1 - 12, 2025
9AM-5PM

Explorations in Kiln-Formed Glass and Ceramics
*New Section*

Kelly Witmer

Tuition $2,010
Code C1424-25

This two week workshop is a deep dive into ways of manipulating glass in the kiln, exploring techniques such as fusing, slumping, draping, and casting. Students use hand building techniques to create ceramic forms which are then combined with glass to create sculptural or functional work. Through experimentation, they learn the basic rules of kiln-formed glass, making discoveries along the way.

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  • III

    Level III

    Students have experience with a variety of materials and fabrication techniques and know how to use hand and power tools competently and safely. Students are self­-starting with some formal training in critical aspects of sculpture and have completed a portfolio of work. Students have taken a minimum of three classes or workshops.

  • IV

    Level IV

    Students have advanced skills and knowledge of sculpture. Students are highly motivated, have a minimum of five years experience in the field and have multiple portfolios of their artwork. Typical students are academics and professional artists.

  • P

    Level V

Sep 1 - 5, 2025
9AM-5PM

Summer Studio Session: Furniture Design and Sculpture, Week 1

William Lanzillo, Lane Preston

Tuition $1,250
Code W1417-25

Engage with two of Anderson Ranch’s exceptional studios—Furniture Design and Sculpture—in this interdisciplinary session. Participants will have access to both the metal and the Maloof Wood Barn machine shop, enabling the creation of mixed media furniture or sculptural objects. The session encourages the integration of diverse processes, including metal sand casting, inlay, welding, metal patination, lighting, and traditional wood joinery, fostering innovation across materials and techniques. Participants may also choose to work exclusively in the wood shop or the sculpture studio. Studio Sessions at Anderson Ranch Studio Sessions at Anderson Ranch provide artists with a unique opportunity to pursue independent projects while receiving personalized mentorship and critique from Anderson Ranch artistic staff and interns. Each participant is assigned a dedicated studio space and receives an orientation, access to specialized equipment, and opportunities for group demonstrations and/or critiques. Artists may choose to register for either a one-week or two-week session. This program reflects the experience of nationally and internationally recognized artists who work in our state-of-the-art facilities. Studio Sessions offer an ideal environment to expand your practice, explore new media, take creative risks, or complete work for exhibition. Studio Access and Hours Studios are open 24 hours a day; however, access to machines and equipment is limited due to safety requirements. Machine rooms are only available during monitored hours: weekdays from 9 AM to 5 PM, and evenings Monday through Thursday from 7 to 9 PM. IMPORTANT DETAILS: Participants are responsible for all material costs associated with their projects. Some materials with a limited supply will be available for purchase in the studios. Studio Sessions are available to artists with prior experience with tools and safety. All participants will be required to attend safety orientations for the facilities and specific tools they will use. Participants are expected to be self-directed in the development of their projects. Each participant can anticipate receiving approximately one hour per day of focused individual guidance and instruction from Anderson Ranch staff. TO APPLY: Applicants must submit project proposals and portfolios for approval. Applicants who wish to access either the woodshop, the metal sculpture facilities, or both must have prior machine operation experience in the respective studios. Portfolios will be accepted on a rolling basis. Instructions on how to submit your portfolio are as follows: • Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to Betsy Alwin, Artistic Director of Ceramics and Expanded Media at [email protected] • The single PDF must be less than 10 MB to be considered. • Please send a short paragraph of how you plan to use the studio session time listing your goals and techniques. • Include 3-8 images of your work with image identification that lists the title, media, dimensions and year of each image. • While not required, it is helpful to see an artist statement addressing the images you send. • Include “Advanced Portfolio Review” in the subject line of your email, as well as the studio session you are applying for. • Please provide a phone number where you can be reached and a link to your website. • Submissions that do not follow these guidelines will not be reviewed. Please address all questions to [email protected]

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