Photography & New Media
Code: P0511-24
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II
Level II
Photography students have a basic understanding of photography principles and technology and are comfortable using an SLR camera in manual mode. New Media students have a basic understanding of video, multimedia or animation software. Students have basic computer skills and are comfortable using a Macintosh computer.
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III
Level III
Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.
Alternative Digital Printing
Jul 1 - 5, 2024
9AM - 5PM
Concept
Prepare for a major paradigm shift and uncover the possibilities of alternative digital printing. This workshop debunks the suspicion that digital printmaking lacks the flexibility of its predecessors and expands on the notions of what digital printmaking can be. Participants examine new possibilities to create custom printable substrates, such as coating a rag fine art paper with Ink Aid or Golden Digital Grounds, creating digital skins that can be attached to a variety of surfaces. Print onto film and transfer the images to paper, metal, and plexiglass. The result of the week’s work is an expanded idea of what digital prints can be and uncovering an almost limitless range of possibilities of what individual imagery can become.
Media
Digital photography, digital printing, digital collage, inkjet transfers on varying substrates, collage methods, Adobe Photoshop
Supply ListFaculty
Craig Stevens
Craig Stevens is a photographer, printmaker and educator. He has taught, written, and lectured extensively on the subjects of art and education and is in his 27th year as a professor of photography at the Savannah College of Art & Design. Craig was the first winner of the American Society of Media Photographers’ Annual Susan Carr Educator of the Year Award.
Join Waitlist for Alternative Digital Printing
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Photography & New Media
Photography has always been a vital part of Anderson Ranch, one in which students explore visual storytelling through a variety of contexts and concepts. The program has uniquely evolved to focus on both traditional photography and new media— making it one of the only workshop settings of its kind. Three floors of the Fischer Photography Center house state-of-the-art equipment, including three photography studios, two Mac labs, a traditional darkroom, and a lighting studio with strobe and continuous lighting for photography and video.
All Photography workshops are rooted in the same idea—powerful art requires rigorous inquiry of techniques and ideas. We focus on technical skills, content and critical dialog. Students have access to color-managed media labs equipped with 24-inch iMacs, flatbed and film scanners, Epson printers, and cutting-edge software including Adobe Creative Cloud. When appropriate, students utilize strobe and tungsten lighting equipment, seamless backdrops, green screen, audio and video recording equipment and Epson large-format printers.
The Ranch Photography and New Media team creates an inspiring environment, allowing artists of all levels to explore lens-based media and the journey of artistic discovery in the unparalleled setting of the Colorado Rockies.
Anderson Ranch is happy to extend a 20% tuition discount* in one- and two-week adult Summer Workshops for SPE members and Center for Fine Art Photography members. Please email reg@
Workshop Details>
Supply List
Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
The Ranch Café meal plan that is included with Room and Board fees strives to provide healthy, creative meals that will nourish your artistic creativity. The meal plan includes 5 days of continental breakfasts that will include a hot offering, 5 lunches with a selection of offerings, and 5 dinners.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
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Jan 6 - 24, 2025
Monday-Friday, 9AM-5PM
Participants may register for one, two, or three weeks
TUITION is $1,110 per week or $3,300 for three weeks
January Studio Sessions: Photography & New Media
Esther Macy Nooner
Tuition $1,110
Code ZSP0101-25
Anderson Ranch’s January Studio Sessions provide artists the opportunity to work on independent projects while receiving mentoring and critique sessions with Anderson Ranch artistic staff. Each participant receives an assigned studio space, orientation, and access to equipment, as well as some morning group demonstrations and / or critiques. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. Participants who register for multiple consecutive weeks will gain access to the studios on weekends (with the exception of the machine rooms due to safety constraints.) Private dorm rooms are available at Anderson Ranch for one, two or three weeks for an additional fee; click here to view January 2025 lodging options. TO APPLY: Applicants must submit project proposals or portfolios for approval. Contact Esther Nooner with questions and to apply: [email protected]
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I
Level I
Students have very limited experience or none at all. Classes usually start with a full day of basic instruction.
Jan 6 - 17, 2025
9AM - 5PM
Painting and Photography: An Archaeological Approach to Text and Image
Kate Leonard
Tuition $2,150
Code JANSTU2025P
Two art forms collide in this fascinating look at the intersection of photography and painting. Join us for an engaging exploration of the artistic synthesis between these two distinct art forms. Discover new transfer techniques that integrate photographic images and text directly onto painted surfaces. Using traditional collage and photomontage, master new methods that allow for opaque and translucent layers. Reductive methods such as sanding and scraping reveal the history of earlier photographic layers and suggest an archaeological approach to image development. We begin each morning with a technical demonstration illustrated with visual examples from contemporary art. A range of integrated photographic painting approaches will be introduced on paper, canvas and panels in acrylic. By midweek, our investigations continue to larger artworks tailored to each student.
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IV
Level IV
Photography students have advanced skills and knowledge of photography and digital image processing. New Media students have advanced skills and knowledge of video, multimedia, coding or animation. Students are self-motivated and have multiple portfolios of their artwork.
Aug 18 - 22, 2025
9AM - 5PM
The Center: Visual Storytelling and Documentary Photography Projects
Ed Kashi, James Estrin
Tuition $1,850
Code P1201-25
The digital age has given documentary photographers and photojournalists new ways to tell stories with greater authorship and control. This workshop focuses on how to create a personal documentary project and get it seen. The ultimate goal is to find a subject that speaks to a personal passion, document it in a unique visual style, then disseminate the work. Participants engage new technologies to become more effective storytellers, which include social media, transmedia, virtual reality, and digital video. 2025 is the third year of this three-year intensive program. For more information about our next session of The Center, which begins in 2026, please contact Andrea Jenkins Wallace, Vice President of Artistic Affairs and Artistic Director of Photography and New Media, at [email protected].