Sculpture
Code: A03W01-21
-
O
Open to All
Students of any skill and knowledge level.
-
Virtual Workshop
Virtual Workshop, learn from the comfort of your own home.
VIRTUAL WORKSHOP
Fluid Sculpture: object making, installation and performance
Apr 19 - May 19, 2021
Monthly- Third Monday & Wednesday, 3PM-4PM MST
Concept
Anderson Ranch invites you to join our online community to participate in a stimulating and interactive Critical Dialog Program about the spacious world of contemporary sculpture, installation and performance. Through lectures, readings and discussions with leading contemporary artists, this monthly virtual course explores process, spacial considerations and community activations/engagements. Topics for discussion and exploration include maintaining inspiration within a studio practice, intentional materials choices and strategies for collaboration, participation and intervention. All are welcome to join us in this conversation.
January 18 & 20, 2021 – Arthur Simms – An Artist in a Time of Isolation
Arthur Simms tells his personal story of maintaining a studio practice while in isolation through using available resources and motivating himself to continue to develop a visual narrative through found objects. Arthur is best known for his found-object sculptures composed of everyday objects such as bicycle wheels, bottles, stones, chairs, rope and wire, his work connects the disparate elements of the diasporic experience.
February 15 & 17, 2021- Kalup Linzy – Crossing Boundaries and Merging Media
Kalup Linzy discusses how his work explores cultural identities, gender fluidity, and boundaries across various mediums—including video, performance, photography, collage, fashion, television, music, and film.
March 15 & 17, 2021 – Cesar Cornejo – Social Practice and the Studio
Cesar Cornejo addresses the relationship between the solitude of studio practice and the collaborative spirit of social based practice, focusing on how each feeds into the other and their particular challenges and possibilities when tackling larger problems like a global pandemic.
April 19 & 21, 2021 – Kelly Taylor Mitchell – Sensory Installation and its Potential for Creating an Immersive Experience
Kelly Taylor Mitchell discusses the elements of an installation that can entrench a participant in time, space, smell, texture and imagery to captivate both physically and emotionally.
May 17 & 19, 2021 – Gracelee Lawrence – Digital Erotics: The Biocyborg’s Dilemma
Gracelee Lawrence explores the notion of biocyborgism in the tensions between digital and physical materiality. Using the lens of the erotic, or being in relation to the unknown, the idea of biocyborgism is embodied in the fantasy or human evolution choosing soft rather than hard technology.
Media & Techniques
This workshop meets via Zoom Video Conferencing software (download free from Zoom.com). An Anderson Ranch staff member co-teaches the class and coordinates the online platform. Further details will be emailed to registrants.
Faculty

Arthur Simms
Jamaican by birth, Arthur Simms resides in Staten Island. His work has been presented at the Jamaica Pavilion at Venice Biennale, Venice Italy, as well as the Brooklyn Museum of Art., the Neuberger Museum, and the American Academy in Rome.

Kalup Linzy
Born in Stuckey, Florida, Kalup Linzy received his MFA from the University of South Florida and attended the Skowhegan School of Painting and Sculpture. He has been the recipient of numerous awards including the John Simon Guggenheim Memorial Foundation fellowship, Creative Capital Foundation grant, a Jerome Foundation Fellowship and is currently a Tulsa Artist Fellow.

Cesar Cornejo
Cesar is an interdisciplinary artist and activist, whose work deals with the relationship between art, architecture and society. He has been influenced by the experience of living and working in Peru, Japan, England and the U.S. He is the founder of Puno MoCA and is represented by gallery Ed Cross Fine Art, London.

Kelly Taylor Mitchell
Kelly Taylor Mitchell is an installation, paper, and book artist currently based in Atlanta, GA. Kelly earned her MFA from the Rhode Island School of Design. She is an Assistant Professor of Art and Visual Culture at Spelman College.

Join Waitlist for VIRTUAL WORKSHOP
Fluid Sculpture: object making, installation and performance
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Workshop Details>

Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In>

-
II
Level II
Students have a basic knowledge of 3-D art making and sculpture concepts and are comfortable using a variety of hand and power tools. Students have taken one or two sculpture classes or workshops.
-
III
Level III
Students have experience with a variety of materials and fabrication techniques and know how to use hand and power tools competently and safely. Students are self-starting with some formal training in critical aspects of sculpture and have completed a portfolio of work. Students have taken a minimum of three classes or workshops.
Jul 21 - 25, 2025
9AM-5PM
From Sketches to Creation: Tridimensional Volumes Through Metal Fabrication
Adrián Fernández
Tuition $1,290
Code S0808-25
This intermediate workshop is designed for artists and makers who are eager to explore the expressive potential of steel sheet through hands-on fabrication techniques. Participants learn how to transform flat steel sheets into dynamic, three-dimensional sculptures using welding and metalworking skills. The workshop covers key aspects of designing, cutting, bending, and welding steel to create both abstract and figurative forms. The workshop aims to blend technical skills with creative exploration, allowing each participant to develop their unique creative voice.

-
O
Open to All
Students of any skill and knowledge level.
Jul 21 - 25, 2025
9 AM - 5 PM
Papermaking Meets Cyanotype
Kate Aitchison
Tuition $1,250
Code P0833-25
This immersive workshop invites participants to delve into the art of handmade papermaking and the alternative photographic process of cyanotype. Participants explore the natural world as a source of both materials and inspiration, emphasizing the inherently place-based nature of these techniques. The first part of the workshop focuses on collecting and processing local plant materials, including invasive species, to create handmade paper. Participants learn essential papermaking techniques, such as fiber preparation, pulping, sheet formation, and drying, while discovering which plants are best suited for papermaking. In the second phase, participants investigate photographic imagery through the lens of place and connection. Using cyanotype—a historic photographic process known for its vivid blue tones—participants design image-based compositions that integrate seamlessly with their handmade paper. By merging organic materials with photographic imagery, the workshop creates a unique opportunity to explore the intersection of craft, nature, and storytelling. Ideal for artists and creatives interested in sustainable practices, alternative photography, and the expressive potential of handmade paper, this workshop fosters innovation and a deep appreciation for place-based artmaking.

-
III
Level III
Students have experience with a variety of materials and fabrication techniques and know how to use hand and power tools competently and safely. Students are self-starting with some formal training in critical aspects of sculpture and have completed a portfolio of work. Students have taken a minimum of three classes or workshops.
-
IV
Level IV
Students have advanced skills and knowledge of sculpture. Students are highly motivated, have a minimum of five years experience in the field and have multiple portfolios of their artwork. Typical students are academics and professional artists.
Jul 28 - Aug 1, 2025
9AM-5PM
Summer Studio Session: Sculpture
William Lanzillo
Tuition $1,190
Code S0918-25
The Studio Sessions at Anderson Ranch provide artists the opportunity to work on independent projects while receiving mentoring and critique sessions with Anderson Ranch artistic staff and interns. Each participant receives an assigned studio space, orientation, and access to equipment, as well as some group demonstrations and / or critiques. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. *Studios are open 24 hours a day with limited use of equipment due to safety requirements. The machine rooms are only available when monitored – weekdays 9 AM-5 PM. Evening monitoring hours are Mondays – Thursdays, 7 – 9 PM. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. TO APPLY: Applicants must submit project proposals or portfolios for approval. Contact Betsy Alwin, Artistic Director of Ceramics and Expanded Media, to apply: [email protected]