Photography & New Media
Code: P1436-25
-
O
Open to All
Students of any skill and knowledge level.
Paint and Photography: the Perfect Marriage
Sep 1 - 5, 2025
9AM-5PM
Tuition: $1,480.00
Studio Fee: $150.00
Registration Fee: $45.00
NEW: Tuition includes the welcome dinner and daily lunch
Registration Information
Concept
This workshop introduces students to expressive painting techniques, using abstraction as a foundation for collage. Emphasizing spontaneity, students will learn to relinquish preconceptions about paint application, allowing the medium to guide the creative process and reveal unexpected surfaces and textures.
Once their abstract paintings are complete, students will explore various collage techniques, incorporating personal photographs, found materials, prints, drawings, and other adherable elements. The abstract paintings will serve as the foundation, influencing the composition and direction of the collages.
Techniques covered in this workshop include polymer transfers, water-based paint applications, proper adhesion methods, contact paper transfers, the integration of joint compound, and strategies for composing and constructing layered images.
SPECIAL OFFER: Consider also attending Holly’s From Ordinary to Extraordinary: Experimental Collage workshop the week after this one and save 20% off that second tuition. (This offer cannot be combined with any other offers, promotions or scholarships.)
Media & Techniques
Physical collage, digital printing, image-transfer techniques including polymer, contact, and parchment paper, painting methods including washes and peels, scanning, gluing techniques
Faculty

Holly Roberts
Holly Roberts has exhibited nationally and internationally and published three monographs of her work: Holly Roberts, Holly Roberts: Works 1989-1999, and Holly Roberts: Works 2000-2009.

Tuition: $1,480.00
Studio Fee: $150.00
Registration Fee: $45.00
NEW: Tuition includes the welcome dinner and daily lunch
Registration Information
Photography & New Media
Photography has always been a vital part of Anderson Ranch, one in which students explore visual storytelling through a variety of contexts and concepts. The program has uniquely evolved to focus on both traditional photography and new media— making it one of the only workshop settings of its kind. Three floors of the Fischer Photography Center house state-of-the-art equipment, including three photography studios, two Mac labs, a traditional darkroom, and a lighting studio with strobe and continuous lighting for photography and video.
All Photography workshops are rooted in the same idea—powerful art requires rigorous inquiry of techniques and ideas. We focus on technical skills, content and critical dialog. Students have access to color-managed media labs equipped with 24-inch iMacs, flatbed and film scanners, Epson printers, and cutting-edge software including Adobe Creative Cloud. When appropriate, students utilize strobe and tungsten lighting equipment, seamless backdrops, green screen, audio and video recording equipment and Epson large-format printers.
The Ranch Photography and New Media team creates an inspiring environment, allowing artists of all levels to explore lens-based media and the journey of artistic discovery in the unparalleled setting of the Colorado Rockies.
Anderson Ranch is happy to extend a tuition discount* in one- and two-week adult photography and new media summer workshops** for members of SPE and the Center for Fine Art Photography at the student membership level or above. Please email reg@
Workshop Details>
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact Esther Macy Nooner, [email protected].
Provided by Anderson Ranch
Equipment
- 24" iMac
- Adobe Suite
- Epson Flatbed Scanner
- Epson P800 SureColor Printer
Supplies
- 3 - 8x10 Masonite panels
- Acrylic medium
- Allotted paper and ink (for inkjet printing)
- Painters tape, rulers, cutting mat, paper towels, blades, scissors
- Round and flat paint brushes
- Transfer sheets (allotted amount per student)
What you need to bring
Required Tools and Supplies
- Collage materials from personal archive: photographs, drawings, found images
- Digital images, varying quality and size for experimentation
- Acrylic paints, a variety of colors
- Additional craddled panels, additional 3-5 reccommended
- Collage materials from personal archive: postcards, famliy photos, magazines, etc.
- Digital images, varying quality and size for experimentation
- External hard drive or access to cloud storage to save digital works made
- Presentation of personal work for first day of class, 15-20 images
Optional Tools and Supplies
- Apron
- Digital Camera and accessories
- Materials to ship artworks
- Sketchbook/Journal
- White (or light colored) T-shirt for screen printing
* Available for purchase in the studio.
** Available to purchase at the Anderson Ranch ArtWorks Store for 10% off.
Learn more about shipping supplies and artwork to and from the Ranch in the Student Handbook.
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Related Events>

Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In>

-
O
Open to All
Students of any skill and knowledge level.
Aug 4 - 8, 2025
9AM-5PM
Alternative Processes Unleashed: Cyanotype and Gum Bichromate
Diana Bloomfield
Tuition $1,325
Code P1027-25
The deceptively simple cyanotype process is one of the oldest photographic printing methods, steeped in a rich history and offering a stunning array of exquisite and mysterious blues. In this workshop, students embark on an exploration of this timeless technique, experimenting on various papers to create both photograms and photographs while learning to produce digital negatives. While cyanotype stands alone as a popular choice for contemporary photographic artists, many practitioners continue to innovate by toning their prints with a variety of organic botanical toners, allowing for a remarkable range of colors and hues. This versatile process seamlessly integrates with other alternative techniques, including gum bichromate. Participants also explore the exciting possibilities of layering gum bichromate over their cyanotypes, engaging fully with the vibrant color aspects of this combined process. This hands-on experience not only deepens their understanding of cyanotype but connects them to its rich artistic heritage.

-
I
Level I
Students are new to photography and new media and have no formal training in photography, video, multimedia or animation. Students have basic computer literacy.
-
II
Level II
Photography students have a basic understanding of photography principles and technology and are comfortable using an SLR camera in manual mode. New Media students have a basic understanding of video, multimedia or animation software. Students have basic computer skills and are comfortable using a Macintosh computer.
-
III
Level III
Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.
Aug 4 - 8, 2025
9AM-5PM
Family Stories
Betsy Schneider
Tuition $1,325
Code P1024-25
Explore ways to create art that draws from both past and present family experiences, whether inherited or chosen. We consider the stories of those in front of our cameras, as well as those we only know through photographs. How do we understand people and our lives through photography? How can we create meaningful work that captures the essence of those with us now, connects across time and distance, or reflects on the past? Participants are invited to bring ideas for future projects, works in progress, archival materials (such as negatives and prints), or simply their digital or film cameras. For those interested, we offer the opportunity to develop black-and-white film. Together, we explore how to create meaningful and resonant work from our family lives and immediate surroundings. The workshop begins by examining a range of artists from the past 50 years who have used personal family experiences as a foundation to address broader issues. Artists such as Larry Sultan, Emmett Gowin, Nan Goldin, Sally Mann, Tomiko Jones, Odette England, LaToya Ruby Frazier, Tommy Kha, and D'Angelo Lovell Williams will serve as inspirations as we consider when and how personal stories can resonate through art. Participants are encouraged to envision various approaches through studio work, presentations, discussions, one-on-one meetings, and critiques. Together, we explore how images can create layered meanings and how photography serves as a medium for personal reflection and intergenerational dialogue.

-
II
Level II
Photography students have a basic understanding of photography principles and technology and are comfortable using an SLR camera in manual mode. New Media students have a basic understanding of video, multimedia or animation software. Students have basic computer skills and are comfortable using a Macintosh computer.
-
III
Level III
Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.
Aug 11 - 15, 2025
9AM-5PM
Visual Truths: The Intersection of Images and Words in Documentary Work
Ed Kashi, Julie Winokur
Tuition $1,325
Code P1126-25
How does an artist articulate their work, and do words enhance their photographs? Many strive to develop both visual and written language skills but find themselves excelling in one while struggling to achieve the perfect balance between the two. In this focused workshop, Ed and Julie draw on their decades of experience as a collaborative writer/photographer/filmmaking team to offer participants a comprehensive exploration of effective storytelling. The workshop not only covers best practices for producing long-term photographic projects and multiplatform narratives but also provides expert guidance on writing for and about these projects. Participants engage in hands-on exercises designed to refine their skills in articulating their vision and intent, ensuring that their words complement and deepen the impact of their images. This immersive experience equips individuals with the tools needed to enhance their creative expression and effectively communicate their artistic narratives.