Photography & New Media
Code: P0833-25
-
O
Open to All
Students of any skill and knowledge level.
Papermaking Meets Cyanotype
Jul 21 - 25, 2025
9 AM - 5 PM
Tuition: $1,250.00
Studio Fee: $150.00
Registration Fee: $45.00
NEW: Tuition includes the welcome dinner and daily lunch
Registration Information
Concept
This immersive workshop invites participants to delve into the art of handmade papermaking and the alternative photographic process of cyanotype. Participants explore the natural world as a source of both materials and inspiration, emphasizing the inherently place-based nature of these techniques.
The first part of the workshop focuses on collecting and processing local plant materials, including invasive species, to create handmade paper. Participants learn essential papermaking techniques, such as fiber preparation, pulping, sheet formation, and drying, while discovering which plants are best suited for papermaking.
In the second phase, participants investigate photographic imagery through the lens of place and connection. Using cyanotype—a historic photographic process known for its vivid blue tones—participants design image-based compositions that integrate seamlessly with their handmade paper. By merging organic materials with photographic imagery, the workshop creates a unique opportunity to explore the intersection of craft, nature, and storytelling.
Ideal for artists and creatives interested in sustainable practices, alternative photography, and the expressive potential of handmade paper, this workshop fosters innovation and a deep appreciation for place-based artmaking.
Media & Techniques
Cyanotype, digital printing, Adobe Photoshop, digital negative processes, contact printing
Faculty
Kate Aitchison
Kate Aitchison’s artwork focuses on human interventions in the natural landscape—and her own emotive connection to place. She earned her BA in 2010 from Colorado College in Studio Art with a minor in Environmental Studies, and an MFA in 2016 from the Rhode Island School of Design. Recent exhibitions include a solo exhibition at Lyon College in Batesville, AR, at Bountiful Davis Art Center in Bountiful, UT and an upcoming solo exhibition at Ft. Lewis College in Durango, CO in early 2025.
Kate Aitchison, Glen Canyon Returning, 2024
Tuition: $1,250.00
Studio Fee: $150.00
Registration Fee: $45.00
NEW: Tuition includes the welcome dinner and daily lunch
Registration Information
Photography & New Media
Photography has always been a vital part of Anderson Ranch, one in which students explore visual storytelling through a variety of contexts and concepts. The program has uniquely evolved to focus on both traditional photography and new media— making it one of the only workshop settings of its kind. Three floors of the Fischer Photography Center house state-of-the-art equipment, including three photography studios, two Mac labs, a traditional darkroom, and a lighting studio with strobe and continuous lighting for photography and video.
All Photography workshops are rooted in the same idea—powerful art requires rigorous inquiry of techniques and ideas. We focus on technical skills, content and critical dialog. Students have access to color-managed media labs equipped with 24-inch iMacs, flatbed and film scanners, Epson printers, and cutting-edge software including Adobe Creative Cloud. When appropriate, students utilize strobe and tungsten lighting equipment, seamless backdrops, green screen, audio and video recording equipment and Epson large-format printers.
The Ranch Photography and New Media team creates an inspiring environment, allowing artists of all levels to explore lens-based media and the journey of artistic discovery in the unparalleled setting of the Colorado Rockies.
Anderson Ranch is happy to extend a tuition discount* in one- and two-week adult photography and new media summer workshops** for members of SPE and the Center for Fine Art Photography at the student membership level or above. Please email reg@
Workshop Details
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact Esther Macy Nooner, [email protected].
Provided by Anderson Ranch
Equipment
- 24" iMac
- Adobe Suite
- Epson P800 SureColor Printer
Supplies
- Painters tape, rulers, cutting mat, paper towels, blades, scissors
- Adobe Suite
What you need to bring
Required Tools and Supplies
- Archive of images, digital or physical
- External hard drive or access to cloud storage to save digital works made
Optional Tools and Supplies
- Sketchbook/Journal
- White (or light colored) T-shirt for screen printing
* Available for purchase in the studio.
** Available to purchase at the Anderson Ranch ArtWorks Store for 10% off.
Learn more about shipping supplies and artwork to and from the Ranch in the Student Handbook.
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Related Events
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In
-
I
Level I
Students are new to photography and new media and have no formal training in photography, video, multimedia or animation. Students have basic computer literacy.
-
II
Level II
Photography students have a basic understanding of photography principles and technology and are comfortable using an SLR camera in manual mode. New Media students have a basic understanding of video, multimedia or animation software. Students have basic computer skills and are comfortable using a Macintosh computer.
-
III
Level III
Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.
Jun 23 - 27, 2025
9AM-5PM
Alternative Process: Platinum Palladium with Layered Color
Morgan Post
Tuition $1,325
Code P0409-25
Explore a historic and captivating method of printmaking through the platinum and palladium process, which dates back to the late 19th century. Students bring their image archives to delve into this exquisite printing technique renowned for its extended tonal range and deep, rich blacks that can be adjusted from warm to cool. While working with digital files, participants create color layers and generate digital negatives. This approach blends inkjet and platinum/palladium printmaking techniques on various paper types, including thin vellum, producing both monochromatic and full-color prints. The unique feature of this method is that platinum and palladium form the blacks and grays, while the inkjet adds the color.
-
I
Level I
Students are new to photography and new media and have no formal training in photography, video, multimedia or animation. Students have basic computer literacy.
-
II
Level II
Photography students have a basic understanding of photography principles and technology and are comfortable using an SLR camera in manual mode. New Media students have a basic understanding of video, multimedia or animation software. Students have basic computer skills and are comfortable using a Macintosh computer.
-
III
Level III
Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.
Jun 23 - 27, 2025
9AM-5PM
Expanding the Image: Digital Fabrication for 2D Artists
Joe Farbrook
Tuition $1,425
Code P0412-25
This workshop is designed to expand creative possibilities with new tools of digital fabrication. Using their personal archive of photographs or drawings, students explore new ways of image-making using various digital fabrication tools, from a laser cutter for precise cutting and engraving to UV printing on various layered substrates such as plexi, wood, and papers. No previous experience is necessary, as all tools and software are taught during the workshop. This is an opportunity to experiment, play, and push the limits of the creative process.
-
Ages 13-17
Jun 23 - 27, 2025
9AM-3PM
Immersive Stories: Creating 360 VR Documentary
Chelly Jin
Tuition $750
Code P0410-25
Get ready for an epic tech adventure! In this workshop, we dive into the coolest techniques for sculpting digital objects, painting mind-blowing virtual environments, and shooting 360° video for virtual reality (VR). Students kick things off with fun VR painting sessions in Open Brush, where they learn the basics of crafting in 3D space while getting hands-on with VR headsets. From there, we explore photogrammetry (yep, turning real objects into digital models!), experiment with 360° cameras, and piece everything together in Premiere Pro or After Effects. Along the way, we check out some awesome VR work from today’s leading artists and documentarians to spark creativity. By the end, students have the skills and confidence to turn their wildest ideas into fully immersive VR experiences.