Sculpture
Code: S48W02-21
-
O
Open to All
Students of any skill and knowledge level, but have some computer skills.
-
Virtual Workshop
Virtual Workshop, learn from the comfort of your own home.
VIRTUAL WORKSHOP: Introduction to Projection Mapping
Nov 30 - Dec 9, 2021
Tuesdays & Thursdays, 3PM - 5PM
Concept
In this course we explore how projected image can be mapped to a variety of surfaces and materials to embellish, enhance, enliven, and/or activate them. Each student explores how projection mapping may be used as a way of creating active and time-based surfaces in their works. Demonstrations cover the three main aspects of this process: digital video and image manipulation, creating a 3D volume out of materials such as foamcore, cardboard, and fabric, and mapping digital media to constructed forms via computer and projector. All students should have access to a cheap projector for the duration of the workshop.
Media & Techniques
Basic foam core, cardboard, and fabric construction, digital video and image manipulation, projection mapping software, mapping to 3D surfaces via computer and projector.
This virtual class meets Tuesdays and Thursdays from 3 – 5PM MST via Zoom Video Conferencing software (download free from Zoom.us). An Anderson Ranch staff member coordinates the class via the online platform.
Supply ListFaculty
Ryan Rasmussen
Ryan Rasmussen is a multi-disciplinary artist and educator whose work spans practices in sculpture, installation, kinetic/electronic works, and video. Ryan currently resides in North Carolina where he is Assistant Professor of Intermedia at Elon University. Ryan’s work has been shown in places such as New York, Chicago, Doha, Seoul, Minsk, and Istanbul.
Ryan Rasmussen, Wassaic Map
Join Waitlist for VIRTUAL WORKSHOP: Introduction to Projection Mapping
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Workshop Details
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact William Lanzillo, [email protected].
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In
-
II
Level II
Students have a basic knowledge of 3-D art making and sculpture concepts and are comfortable using a variety of hand and power tools. Students have taken one or two sculpture classes or workshops.
-
III
Level III
Students have experience with a variety of materials and fabrication techniques and know how to use hand and power tools competently and safely. Students are self-starting with some formal training in critical aspects of sculpture and have completed a portfolio of work. Students have taken a minimum of three classes or workshops.
-
IV
Level IV
Students have advanced skills and knowledge of sculpture. Students are highly motivated, have a minimum of five years experience in the field and have multiple portfolios of their artwork. Typical students are academics and professional artists.
Jun 2 - 13, 2025
9AM-5PM
Building With Clay and Steel
Trey Hill
Tuition $2,010
Code S0101-25
Investigate new materials and approaches to building sculpture in this two-week exploratory workshop. Students discover innovative ways to combine different materials, creating dynamic mixed-media sculptures. This workshop experiments with adding different materials to students’ work—such as clay, steel, and found objects—while considering how each adds formal information and intensified content. This rigorous studio environment gives access to a variety of new materials and fresh ways of approaching students’ studio practice. The workshop is open to students working in any media who are looking to try something different and add new skills to their toolbox.
-
I
Level I
Students are new to sculpture and have no formal training.
-
II
Level II
Students have a basic knowledge of 3-D art making and sculpture concepts and are comfortable using a variety of hand and power tools. Students have taken one or two sculpture classes or workshops.
Jun 2 - 6, 2025
9AM-5PM
The Brutal and the Delicate: Steel Combined with Soft Materials
Carl Reed
Tuition $1,290
Code S0102-25
Throughout art history, steel has been associated with industry, violence, and strength. This workshop challenges such connections by investigating ways steel can become visually delicate, and by inventing new meanings and visual relationships through combining steel with materials with opposite characteristics. Exercises address technical and creative inquiries regarding how steel is cut, shaped, and physically joined, and how to challenge material assumptions if steel becomes a secondary, rather than primary, compositional element. We explore the aesthetic and technical consequences of combining steel with soft, vulnerable, contradictory, and unexpected materials.
-
II
Level II
Students have a basic knowledge of 3-D art making and sculpture concepts and are comfortable using a variety of hand and power tools. Students have taken one or two sculpture classes or workshops.
-
III
Level III
Students have experience with a variety of materials and fabrication techniques and know how to use hand and power tools competently and safely. Students are self-starting with some formal training in critical aspects of sculpture and have completed a portfolio of work. Students have taken a minimum of three classes or workshops.
Jun 16 - 20, 2025
9AM-5PM
Material Mimicry: The Question of the Reproduced Form
Aaron T Stephan, Betsy Alwin
Tuition $1,290
Code S0303-25
Enhance mold-making knowledge and skills in this fast-paced casting workshop. We focus on the physical and conceptual implications of casting multiples, sharing and discussing strategies many artists use to shape space and create meaning with the cast form. Students refine their skills, learning how to cast a variety of materials- including silicone, plaster, and foam. Along with demonstrations of different mold-making techniques, students learn best studio practices for economical and efficient casting processes. Participants leave with new skills and a broader understanding of the role of the cast form in contemporary art. Watch Betsy Alwin give a foam casting demo.