Digital Fabrication

Discover the exciting, cutting-edge tools available in our FabLab — Anderson Ranch’s impressive digital fabrication lab. These workshops provide powerful tools for self-expression in the hands of creative faculty, and present dynamic opportunities to merge the newest visual arts technologies with traditional processes.

A variety of workshops use the digital fabrication technology in the FabLab and throughout multiple studios on the Ranch campus. Explore the possibilities with our state-of-the-art equipment, including 4-axis CNC (computer-numerically-controlled) routers, Formlabs SLA Resin 3-D Printers, Prusa MK3S FDM 3-D printers, Epilog laser cutters, 3-D scanners, a Roland UV printer and vinyl cutter, and vacuum formers. Digital fabrication equipment is powered by Rhinoceros 3D, Adobe Creative Cloud, Autodesk Fusion 360 and Meshmixer, a variety of 3-D printing slicing softwares, and more.

Our expert faculty help you to master progressive new skill sets and exciting new ways of creating.

Emil Gorman

Studio Coordinator, Digital Fabrication

Emil Gorman is the Studio Coordinator for Digital Fabrication. He is an artist and designer with a passion for furniture and the implementation of sustainable materials. He received a BFA with a concentration in Human-Centered Design at Northern Michigan University. Preferred Pronouns: He/Him

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Anderson Ranch Campus

Upcoming Workshops

  • O

    Open to All

    Students of any skill and knowledge level.

Jun 3 - 14, 2024
9AM - 5PM

In the Round: CNC Carving

Jomo Tariku

Tuition $1,390
Code W0101-24

Delve into the world of computer numerically controlled (CNC) furniture part making in this introductory fabrication workshop. Technology has propelled contemporary design in countless unexpected ways throughout history, and this class considers the modernization of traditional furniture design across cultures, Participants are encouraged to explore their unique artistic voice as they design furniture parts such as legs, backrests, stretchers, and decorative elements on paper and then translate it into Rhinoceros 3D through basic 2D CAD (computer-aided design) followed by 3D modeling. Students delve into best practices in material preparation, CNC hold down methods, tools and supply, etc. Final projects are cut as double sided 3D parts on the CNC routers and then finished by hand.

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  • O

    Open to All

    Students of any skill and knowledge level.

Jun 17 - 21, 2024
9AM - 5PM

Photographic Collage and Combined Digital Techniques

K Cesark

Tuition $1,295
Code P0307-24

Participants in this class expand their collage techniques with digital and traditional processes to create simple and layered composite images and constructions, combining painting, drawing, printmaking, photography, wood, paper, and found or fabricated imagery to tell their stories. Students use the laser cutter to cut or engrave paper or other materials and push their imagery further by utilizing the capabilities of the UV printer. Demonstrations include collage, non-toxic resin, laser engraved imagery and cutting, and transfer techniques.

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  • O

    Open to All

    Students of any skill and knowledge level.

Jun 17 - 21, 2024
9AM - 5PM

Adventures in Dimensional Paper

Simon Arizpe

Tuition $1,150
Code S0314-24

Workshop participants explore the medium of paper as they create moveable works of art using pop-up books and paper engineering as a starting point. Using simple cardstock, scissors, tape, and glue, participants learn the elements of paper mechanics and then apply them to books, collapsible structures, and interactive kinetic designs. As we move through the course, students will start to apply these techniques into narrative concepts, ultimately creating a finished pop-up book. Students are encouraged to bring their own imagery and photographs to work from. All levels are welcome.

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