Painting & Drawing
Make, reflect, consider, engage—these are all critical elements of the Painting and Drawing workshops at Anderson Ranch. Our exceptional workshops combine focused, hands-on art making with critical feedback for artists of all levels. Painting and Drawing guest faculty are phenomenal artists and educators with experience supporting students by offering technical knowledge and encouragement.
The bright, natural light of the Wyly Painting and Drawing Building provides an inspiring environment where students can explore and expand their artistic practice. Our facilities are equipped with individual worktables, wall space, easels, rolling palettes, odorless solvents, a wide range of hand tools, computer access with Adobe software, wifi, printing, scanning, and projection capabilities. Spend a week here— or several—and engage in a variety of activities that will fuel your practice throughout the year.
Lindsey Yeager
Studio Coordinator, Paint and Printmaking
Fueled by a need to find closure in a deteriorating world, Wisconsin-born Lindsey Yeager paints and illustrates connections between society and nature, between human and animal, translating and reframing human contexts into fearful, raw, and feral allegories. Lindsey received a BFA in New Studio Practice and Illustration from Milwaukee Institute of Art & Design in 2021 and she went on to win two Society of Illustrators awards and participate in the 2021-22 cycle of Plum Blossom Initiative’s Bridge Work residency. Her work has been shown at Var Gallery, Mana Contemporary, Soft Times Gallery, Museum of Wisconsin Art, and Society of Illustrators, among others. Lindsey is represented by Var Gallery in Milwaukee.
Liz Ferrill
Artistic Director of Painting, Drawing & Printmaking; Artists-in-Residence Program; Critical Dialogue Program
Liz Ferrill is the Artistic Director of Painting, Drawing and Printmaking at Anderson Ranch. She received her MFA from the Rhode Island School of Design. She has had solo exhibitions nationally and internationally, including in Aspen, Nashville, Omaha, New York City, and Berlin, Germany.
Anderson Ranch Campus
Upcoming Workshops
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II
Level II
Photography students have a basic understanding of photography principles and technology and are comfortable using an SLR camera in manual mode. New Media students have a basic understanding of video, multimedia or animation software. Students have basic computer skills and are comfortable using a Macintosh computer.
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III
Level III
Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.
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IV
Level IV
Photography students have advanced skills and knowledge of photography and digital image processing. New Media students have advanced skills and knowledge of video, multimedia, coding or animation. Students are self-motivated and have multiple portfolios of their artwork.
Jul 28 - Aug 1, 2025
9AM-5PM
Impressions on Clay: Merging Photography, Painting, and Ceramics
Yana Payusova
Tuition $1,380
Code P0923-25
In a contemporary art world where "mixed media" is increasingly prominent, exploring the development of 2D imagery for 3D forms is a timely approach in ceramics. This immersive workshop delves into the intersection of photography, screen printing, and ceramics, encouraging students to merge and expand these mediums in innovative ways. With a focus on narrative development, participants work with personal, found, or generated images to create visual stories. Emphasizing the conceptual development of photographic imagery and pictorial illustrations, students design and produce screen-printed decals for transferring onto fired ceramic surfaces. During their studio experience, students are welcome to hand build day one and then focus on image preparation and design and transfer. This workshop provides artists with the tools to seamlessly integrate 2D and 3D elements in their work.
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O
Open to All
Students of any skill and knowledge level.
Jul 28 - Aug 1, 2025
9AM-5PM
The Indifferent Landscape
Brad Kahlhamer
Tuition $1,415
Code D0918-25
This mixed media workshop focuses on landscape with an emphasis on incorporating the figure into the landscape narrative using ink, paint, drawing materials, and sketchbooks. The class heads outdoors for at least two of the workshop days, then returns to the classroom to continue to work and discuss the figure, composition, and landscape in depth, striving to create an artistic discourse that is clear, authentic, and earnest. Students engage as a group and in one-on-one conversations and are encouraged to explore the historical and cultural context from which their work emerges. Emphasis is on creating with the confidence to make the work that compels students to take possession of their ideas and follow their obsessions.
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III
Level III
Students have formal training in critical issues of 2-D art making, experience with public critiques and a solid portfolio of their artwork.
Jul 28 - Aug 1, 2025
9AM-5PM
Abstracting Reality
Rico Gatson
Tuition $1,415
Code D0917-25
In this acrylic painting workshop, the mysterious and powerful realm of abstraction—and how it can be used as a visual tool when merged with representationalism—becomes accessible. We delve into the basic visual elements of abstraction through the exploration of pattern, color, composition, and fragmentation. Advanced students are encouraged to experiment with surface texture and alternative painting materials as well, and to incorporate representational elements such as photographs and figurative painting. These dynamic combinations result in bold and exciting images that use abstraction as a device to interrupt reality and present it in unique and surprising ways.