Diana Bloomfield

Discover the exquisite beauty and timeless allure of hand-crafted platinum/palladium printing in this immersive workshop. The combination of platinum and palladium yields prints with remarkable tonal depth, subtlety, and unmatched permanence. Participants will learn to create digital negatives from their own images, brush-coat light-sensitive emulsions onto watercolor paper, and expose their prints to UV light. No prior experience is necessary.

Discover the exquisite beauty and timeless allure of hand-crafted platinum/palladium printing in this immersive workshop. The combination of platinum and palladium yields prints with remarkable tonal depth, subtlety, and unmatched permanence. Participants will learn to create digital negatives from their own images, brush-coat light-sensitive emulsions onto watercolor paper, and expose their prints to UV light. No prior experience is necessary.

The deceptively simple cyanotype process—one of the oldest photographic printing methods—offers a stunning range of exquisite and mysterious blues. Students embark on an exploration of this timeless technique, experimenting on various papers to create both photograms and photographs while learning to produce digital negatives. While cyanotype stands alone as a beloved process for contemporary photographic artists, many practitioners push its boundaries by toning their prints with organic botanical toners, unlocking a remarkable spectrum of colors and hues. This versatile method also pairs beautifully with other alternative techniques, including gum bichromate. Participants delve into the vibrant possibilities of layering gum bichromate over their cyanotypes, engaging deeply with color and process while connecting to the medium’s rich artistic heritage.

The deceptively simple cyanotype process is one of the oldest photographic printing methods, steeped in a rich history and offering a stunning array of exquisite and mysterious blues. In this workshop, students embark on an exploration of this timeless technique, experimenting on various papers to create both photograms and photographs while learning to produce digital negatives. While cyanotype stands alone as a popular choice for contemporary photographic artists, many practitioners continue to innovate by toning their prints with a variety of organic botanical toners, allowing for a remarkable range of colors and hues. This versatile process seamlessly integrates with other alternative techniques, including gum bichromate. Participants also explore the exciting possibilities of layering gum bichromate over their cyanotypes, engaging fully with the vibrant color aspects of this combined process. This hands-on experience not only deepens their understanding of cyanotype but connects them to its rich artistic heritage.

The deceptively simple cyanotype process is one of the original and oldest photographic printing methods, offering an array of rich, exquisite, and mysterious blues. In this workshop, students experiment on various papers, creating both photograms and photographs, learning to create digital negatives. While cyanotype is a stand-alone process of choice for contemporary photographic artists, many continue to evolve their final prints by toning with varying organic botanical toners, altering a print to almost any color and hue. This versatile process works amazingly well with other alternative processes including gum bichromate. Students also experiment with adding layers of gum bichromate over their blue prints to engage the full color aspects of combining processes.