Larry Ossei-Mensah
Larry Ossei-Mensah uses contemporary art as a vehicle to redefine how we see ourselves and the world around us. The Ghanaian-American curator and cultural critic has organized exhibitions and programs at commercial and nonprofit spaces around the globe from New York City to Rome featuring artists such as Firelei Baez, Allison Janae Hamilton, Brendan Fernades, Ebony G. Patterson, Modou Dieng, Glenn Kaino, Joiri Minaya and Stanley Whitney to name a few. Moreover, Ossei-Mensah has actively documented cultural happenings featuring the most dynamic visual artists working today such as Derrick Adams, Mickalene Thomas, Njideka Akunyili Crosby, Federico Solmi, and Kehinde Wiley.
A native of The Bronx, Ossei-Mensah is also the co-founder of ARTNOIR, a 501(c)(3) and global collective of culturalists who design multimodal experiences aimed to engage this generation’s dynamic and diverse creative class. ARTNOIR endeavors to celebrate the artistry and creativity of Black and Brown artists around the world via virtual and in-person experiences. Ossei-Mensah is a contributor to the first-ever Ghanaian Pavilion for the 2019 Venice Biennial with an essay on the work of visual artist Lynette Yiadom-Boakye.
Ossei-Mensah is the former Susanne Feld Hilberry Senior Curator at MOCAD in Detroit. Ossei-Mensah currently serves as Curator-at-Large at BAM, where he curated the NY Times heralded the exhibition Let Free Ring in January 2021.
Ossei-Mensah has had recent profiles in such publications as the NY Times, Artsy, and Cultured Magazine, and was recently named to Artnet’s 2020 Innovator List.
Larry's Links:
Larry's Workshops
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Open to All
Students of any skill and knowledge level.
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Critical Dialogue
Aug 2 - 3, 2021Past10AM - 12PM and 1- 2:30PM
Critical Dialog:
Labor, Environment, Place: An Artist’s Response
Hugo McCloud, Larry Ossei-Mensah
Tuition $500
Code A0902-21
Join Curator Larry Ossei-Mensah and artist Hugo McCloud on a journey through the impact of our surroundings on the artistic practice and the use of under-appreciated materials to elicit and investigate notions of beauty. Topics concerning the economics of labor, geopolitics and the environmental impact of the materials McCloud employs in his work will be explored, as well as the work of other artists who engage in this vital conversation. Participants will be led through interactive art-making exercises to explore some of these unconventional materials. Registration is required, please CLICK HERE to register.
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