Sculpture
Code: S1513-24
-
O
Open to All
Students of any skill and knowledge level.
Green Sand Casting Bronze and Aluminum
Sep 9 - 20, 2024
9AM - 5PM
Concept
The course is a hands-on exploration of the methods of green sand casting, leading students in the process of using sand as a recyclable mold material to cast hot metal. We explore the techniques of creating a simple rigid pattern in wood, plaster, or a PLA 3D print. A wooden box, called a flask, is created to hold the sand mold and molten metal is then poured into the sand to take the shape of the pattern. This process can be repeated from scratch rapidly and allows for the sand to be recycled and used again, making it an economical and ecological method for working through ideas quickly. Class time consists of in-depth demonstrations balanced with plenty of studio work time for exploration, experimentation, and finishing.
Must be 18 years old to participate.
Media
Hot metal casting, green sand, wooden flask-making, wood patterns, plaster patterns, 3D printing, mold-making, patina, metal finishing
Supply ListFaculty
![20230531_STAFF_Alwin_Betsy-1](https://assets.andersonranch.org/uploads/2023/06/20230531_STAFF_Alwin_Betsy-1-960x1440.jpg)
Betsy Alwin
Visiting Director of Ceramics and Expanded Media
Betsy Alwin is a sculptor working across mediums. She has two decades of teaching and curriculum experience including serving as the Dean of Skowhegan School of Painting & Drawing for several years. She attended Skowhegan, holds an MFA from Illinois State University, a BFA in Sculpture and a BA in Spanish language from Minnesota State University. Her work has been exhibited widely, including the Berkshire Botanical Gardens (Mass MoCA), the National Botanic Gardens in Washington D.C., AIR Gallery, New York, The Phipps Center, Hudson WI, the Waiting Room Gallery, Edina, MN, Burnet Fine Art Advisory, Wayzata, MN and Rubine Red Gallery in Palm Springs, CA. Public commissions include sculptures at the Onoden Elementary School in Tokyo, Japan, Franconia Sculpture Park in Shafer, MN and Silverwood Park in St. Anthony, MN. She is the recipient of numerous awards including a 2022 Artist Individual Support Grant from the Minnesota State Arts Board. Alwin recently served as co-curator with Steve Locke for the exhibition Distance: Works on Paper at Dorsky Gallery in Long Island City, NY. Her work will be featured in the Clio Art Fair in New York City this May. Alwin is a member of the Minneapolis collective Rosalux Gallery and exhibits her work at Rubine Red in Palm Springs, CA
![20220823_WS_SCULPT-11](https://assets.andersonranch.org/uploads/2023/12/20220823_WS_SCULPT-11-1440x960.jpg)
Tuition: $1,600.00
Studio Fee: $225.00
Registration Fee: $45.00
Sculpture
Express your creativity and vision by exploring the limitless art of sculpture. At Anderson Ranch, our sculpture program offers a vibrant spectrum of workshops that reflect a variety of studio practices. At the confluence of tradition and technology, these programs are material and technique-rich, ranging from classical metal fabrication to experimental digital production.
Students work in communal and interactive studios designed for all levels of experience, supporting traditional and nontraditional methods. The sculpture studios are fully equipped with advanced machinery and offer additional outdoor covered workspace.
Our renowned sculpture faculty work closely with students through critical discussions, material demonstrations and individual assistance. Instructors encourage exploration and experimentation, emphasizing process and idea development. We complement this with a focus on process and sound construction. You leave with far more than finished pieces—you walk away with the tools and inspiration required to elevate your studio practice.
Workshop Details>
Supply List
Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
The Ranch Café meal plan that is included with Room and Board fees strives to provide healthy, creative meals that will nourish your artistic creativity. The meal plan includes 5 days of continental breakfasts that will include a hot offering, 5 lunches with a selection of offerings, and 5 dinners.
Related Events>
![_MG_9595](https://assets.andersonranch.org/uploads/2020/11/MG_9595-scaled.jpeg)
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In>
![Jean.Shin.courseimage](https://assets.andersonranch.org/uploads/2023/11/Jean.Shin_.courseimage-1440x1080.jpg)
-
O
Open to All
Students of any skill and knowledge level.
Jul 29 - Aug 2, 2024
9AM - 5PM
Creative Reuse
Jean Shin
Tuition $1,250
Code S0907-24
By adopting creative reuse strategies in art-making practices, artists will transform everyday objects and discards into assemblages, sculptures, and installations. When researching a common object’s history, its use, circulation, and disposal, we see the devastating consequences of extractive practices and overconsumption on our planetary health. How can artists instead, use our junk and leftover scraps to hold memory, tell stories, and evoke regenerative possibilities? While salvaging and repurposing materials, artists explore innovative ways to infuse personal meaning, cultural significance, and ecological urgency in their artwork. This workshop is structured around group critiques, individual feedback, and studio time.
![Anna.Tsouhlarakis.courseimage](https://assets.andersonranch.org/uploads/2023/11/Anna.Tsouhlarakis.courseimage-1-1440x960.jpg)
-
O
Open to All
Students of any skill and knowledge level.
Aug 5 - 9, 2024
9AM - 5PM
Sculpture: Object, Movement, and Installation
Anna Tsouhlarakis
Tuition $1,160
Code S1008-24
Sculpture encompasses a wide range of media that can be light, hurried, heavy, or immobile. Performance can embody a scope of experiences and can be thoughtful, improvisational, and ritualistic. Throughout the week, participants create connections between object, self, and location to explore the possibilities of different combinations of interactions. Participants produce work in varying scales using various materials, including found objects and plaster casts. Connections and experiments between the object and maker are then explored through performance and/or site-specific installation. Finding the balance between object, movement, documentation, and presentation is central to the workshop.
-
O
Open to All
Students of any skill and knowledge level.
Aug 12 - 16, 2024
9AM - 5PM
Pattern-Formed Enameled Copper Vessels
Nash Quinn
Tuition $1,160
Code S1109-24
In this workshop, we celebrate the limitless potential of the jeweler's saw by exploring the ways that this versatile tool can create an intricate, precise pattern in flat sheet metal. This pattern-forming process allows the metal to be folded into a volumetric, symmetrical 3D shape. Once the vessels are formed, we can begin to play with color by fusing powdered glass onto the surface of the metal, a technique known as enameling. This workshop is a great introduction to the world of small-scale precision metalworking. Must be 18 years old to participate.