Intimacy and the Photographic Portrait

Anderson Ranch’s January Studio Sessions provide artists the opportunity to work on independent projects while receiving mentoring and critique sessions with Anderson Ranch artistic staff. Each participant receives an assigned studio space, orientation, and access to equipment, as well as some morning group demonstrations and / or critiques. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. Private dorm rooms are available at Anderson Ranch for an additional fee; click here to view January 2025 lodging options. TO APPLY: Applicants must submit project proposals or portfolios for approval. Contact Esther Nooner with questions and to apply: [email protected]

Two art forms collide in this fascinating look at the intersection of photography and painting. Join us for an engaging exploration of the artistic synthesis between these two distinct art forms. Discover new transfer techniques that integrate photographic images and text directly onto painted surfaces. Using traditional collage and photomontage, master new methods that allow for opaque and translucent layers. Reductive methods such as sanding and scraping reveal the history of earlier photographic layers and suggest an archaeological approach to image development. We begin each morning with a technical demonstration illustrated with visual examples from contemporary art. A range of integrated photographic painting approaches will be introduced on paper, canvas and panels in acrylic. By midweek, our investigations continue to larger artworks tailored to each student.

This four-session workshop focuses on the use of a mobile phone in taking photos, video, notes, sketches, and audio recordings to produce documentary work or just capture the memories of your daily life. This course is taught in a seminar format, with students engaging in discussion about the practical use and possibilities of the mobile phone to create personal memories, citizen journalism, photojournalism, and daily visual journaling. In addition, the workshop delves into the creative side of smartphone photography. Learn about vision, creative apps, and storytelling during talks and edit-and-critique sessions. Also included is sharing of work by Faculty, showing his wide range of work done with a smartphone since he did the New Yorker’s first “takeover” in 2012, along with reviewing the work in a group setting of each participant’s work.