Ceramics

Code: C0709-25

    • III

      Level III

      Students have significant experience with clay forming techniques, such as throwing, hand building and modeling. Students are comfortable with ceramics equipment, such as wheels, extruders and slab rollers. Students are self­-starting with some formal training and have taken a minimum of three classes or workshops.

    • IV

      Level IV

      Students have advanced skills and knowledge of the ceramics field. Students are highly motivated, have a minimum of five years experience in the field and have a portfolio of their artwork. Typical students are academics and professional artists.

Korean Onggi: Coil, Paddle, Form, Ferment

Jul 14 - 25, 2025

9AM-5PM

Tuition: $2,010.00
Studio Fee: $260.00
Registration Fee: $45.00

Only 1 space left, register soon!

NEW: Tuition includes the welcome dinner and daily lunch
Registration Information

Concept

Adam Field shares the traditional Korean Onggi coil and paddle pottery techniques he learned during his Onggi apprenticeship with Onggi Master Kim Ill Maan. Participants learn and practice all steps of this ancient process including rolling and paddling large coils, wheel throwing and forming traditional Onggi vessels, glazing, firing, and even fermenting with guest fermentation professionals. Participants gain a historical perspective through the creation of the oldest continuously practiced pottery tradition. Generous discussions about aesthetics, materials, ceramic history, and studio workflow are certain to encourage individual discovery, growth, and development of fresh ideas. Participants gain skills, knowledge, and confidence to create and decorate historically informed functional pots in their own voice.

Media & Techniques

Clay, slips, glazes, potter’s wheel, paddles, clay tools, wheel-throwing, hand-building, cone 8 reduction, wood firing, gas firing, fermentation

Faculty

Adam Field

Adam Field is a studio potter in Helena, MT. He began his studio practice in San Francisco in 2000. In 2008 he apprenticed under sixth generation Onggi master Kim Ill Maan in South Korea, and was a long-term resident artist at the Archie Bray Foundation in 2013.

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Adam Field, Onggi

Tuition: $2,010.00
Studio Fee: $260.00
Registration Fee: $45.00

Only 1 space left, register soon!

NEW: Tuition includes the welcome dinner and daily lunch
Registration Information

Ceramics

In 1966, American ceramicist Paul Soldner selected the site for what is now Anderson Ranch Arts Center, forming the foundation for a thriving ceramics program. Then and now, Anderson Ranch is a place where students exchange ideas and examine ceramic art and pottery techniques. It has always been a place where seminal moments of growth happen in an artist’s creative and critical thinking. Here, both beginning and emerging artists gain strong fundamental support, while established artists achieve new perspectives and advance their techniques.

The Ranch Ceramics team provides support, feedback and technical problem-solving, giving each artist the freedom to experiment and grow. Our primary focus is on personal advancement through a process of creative discovery.

The Soldner Ceramics Center makes up more than 10,000 square feet in three buildings with 3 studio spaces and 1 kiln yard; Soldner Studio, Long Studio, Sorenson Studio and Lyeth/Lyon Kiln Building. Soldner and Long studios are used for wheel-throwing, hand-building, or general ceramics creativity. Sorenson studio is equipped with five PotterBot 3d clay printers. The Lyeth/Lyon kiln building is equipped with gas, electric, soda and wood kilns for both oxidation and reduction firing at all temperature ranges. The Ranch offers three wood kilns including a gas/wood hybrid kiln, three gas reduction kilns, one soda kiln and eleven high-temperature electric kilns.

Anderson Ranch is happy to extend a tuition discount* in summer one- or two-week adult ceramics workshops** for NCECA members at the student membership level or above. Please email reg@andersonranch.org with your NCECA membership information upon registering and we will apply the discount to your tuition. You are also welcome to call 970-924-5089 to register. *Since the welcome dinner and lunches are included in workshop tuition (at a cost of $130 per week), a 20% discount is applied after subtracting the cost of these meals. **Please note, this discount must be approved upon registering and cannot be applied retroactively. NCECA discount does not apply to Advanced Mentored Studies programs or Destination Workshops, nor can it be combined with any other discount, scholarship or special offer. 

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Workshop Details

Workshop Supplies

For general information about studio access, shipping, and more, please visit our info page.

If you have any questions regarding your supplies for your workshop, please contact Joanne Seongweon Lee, [email protected].

Provided by Anderson Ranch

Equipment
Supplies

What you need to bring

Required Tools and Supplies
Optional Tools and Supplies

* Available for purchase in the studio.
** Available to purchase at the Anderson Ranch ArtWorks Store for 10% off.
Learn more about shipping supplies and artwork to and from the Ranch in the Student Handbook.

Lodging & Meals

Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations. 

NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.

We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.

 

Related Events

Scholarships, College Credit & Discounts

Making Art Accessible

Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.

Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.

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  • II

    Level II

    Students have a basic understanding of forming techniques, such as throwing and hand building. Students have taken one or two ceramics classes or workshops.

  • III

    Level III

    Students have significant experience with clay forming techniques, such as throwing, hand building and modeling. Students are comfortable with ceramics equipment, such as wheels, extruders and slab rollers. Students are self­-starting with some formal training and have taken a minimum of three classes or workshops.

Jul 14 - 25, 2025
9AM-5PM

Clay in Color: Handbuilding with Pigmented Porcelain

Linda Lopez

Tuition $2,010
Code C0710-25

Dive into the possibilities of colored clay bodies in this fun and experimental hand building workshop. Students create harmonious blends of color by mixing stains in clay and then use these to create dynamic sculptures. Through a process of experimenting and testing, students explore abstraction, texture, and color. Demonstrations focus on construction techniques and different methods for using colored clay. Students share and compare our work, discussing visual perception, color, and abstract ceramics. Students build their own catalog of color clay tests and a series of sculptures.

Learn More

  • I

    Level I

    Students are new to ceramics and have no formal training.

  • II

    Level II

    Students have a basic understanding of forming techniques, such as throwing and hand building. Students have taken one or two ceramics classes or workshops.

Jul 14 - 25, 2025
9AM-5PM

Illuminated: Introduction to Clay 3D Printing and Digital Tools

Jolie Ngo

Tuition $2,010
Code C0711-25

This introductory course to 3D clay printing and digital tools prompts students to investigate the synergy between the handmade arts and technology with the goal of creating a table lamp design. The workshop goes through every step of the process, from preparing clay for successful prints, to designing forms in Rhinoceros 3D, to exploring best practices for operating clay and plastic printers. Students learn different ways of finishing surfaces including airbrush techniques, ultimately completing and wiring a clay printed table lamp that they can take home.

Learn More

  • II

    Level II

    Photography students have a basic understanding of photography principles and technology and are comfortable using an SLR camera in manual mode. New Media students have a basic understanding of video, multimedia or animation software. Students have basic computer skills and are comfortable using a Macintosh computer.

  • III

    Level III

    Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.

  • IV

    Level IV

    Photography students have advanced skills and knowledge of photography and digital image processing. New Media students have advanced skills and knowledge of video, multimedia, coding or animation. Students are self­-motivated and have multiple portfolios of their artwork.

Jul 28 - Aug 1, 2025
9AM-5PM

Impressions on Clay: Merging Photography, Painting, and Ceramics

Yana Payusova

Tuition $1,380
Code P0923-25

In a contemporary art world where "mixed media" is increasingly prominent, exploring the development of 2D imagery for 3D forms is a timely approach in ceramics. This immersive workshop delves into the intersection of photography, screen printing, and ceramics, encouraging students to merge and expand these mediums in innovative ways. With a focus on narrative development, participants work with personal, found, or generated images to create visual stories. Emphasizing the conceptual development of photographic imagery and pictorial illustrations, students design and produce screen-printed decals for transferring onto fired ceramic surfaces. During their studio experience, students are welcome to hand build day one and then focus on image preparation and design and transfer. This workshop provides artists with the tools to seamlessly integrate 2D and 3D elements in their work.

Learn More

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