Master Class: Where are we going?: The Photograph in Contemporary Art

The deceptively simple cyanotype process is one of the oldest photographic printing methods, steeped in a rich history and offering a stunning array of exquisite and mysterious blues. In this workshop, students embark on an exploration of this timeless technique, experimenting on various papers to create both photograms and photographs while learning to produce digital negatives. While cyanotype stands alone as a popular choice for contemporary photographic artists, many practitioners continue to innovate by toning their prints with a variety of organic botanical toners, allowing for a remarkable range of colors and hues. This versatile process seamlessly integrates with other alternative techniques, including gum bichromate. Participants also explore the exciting possibilities of layering gum bichromate over their cyanotypes, engaging fully with the vibrant color aspects of this combined process. This hands-on experience not only deepens their understanding of cyanotype but connects them to its rich artistic heritage.

Explore ways to create art that draws from both past and present family experiences, whether inherited or chosen. We consider the stories of those in front of our cameras, as well as those we only know through photographs. How do we understand people and our lives through photography? How can we create meaningful work that captures the essence of those with us now, connects across time and distance, or reflects on the past? Participants are invited to bring ideas for future projects, works in progress, archival materials (such as negatives and prints), or simply their digital or film cameras. For those interested, we offer the opportunity to develop black-and-white film. Together, we explore how to create meaningful and resonant work from our family lives and immediate surroundings. The workshop begins by examining a range of artists from the past 50 years who have used personal family experiences as a foundation to address broader issues. Artists such as Larry Sultan, Emmett Gowin, Nan Goldin, Sally Mann, Tomiko Jones, Odette England, LaToya Ruby Frazier, Tommy Kha, and D'Angelo Lovell Williams will serve as inspirations as we consider when and how personal stories can resonate through art. Participants are encouraged to envision various approaches through studio work, presentations, discussions, one-on-one meetings, and critiques. Together, we explore how images can create layered meanings and how photography serves as a medium for personal reflection and intergenerational dialogue.

How does an artist articulate their work, and do words enhance their photographs? Many strive to develop both visual and written language skills but find themselves excelling in one while struggling to achieve the perfect balance between the two. In this focused workshop, Ed and Julie draw on their decades of experience as a collaborative writer/photographer/filmmaking team to offer participants a comprehensive exploration of effective storytelling. The workshop not only covers best practices for producing long-term photographic projects and multiplatform narratives but also provides expert guidance on writing for and about these projects. Participants engage in hands-on exercises designed to refine their skills in articulating their vision and intent, ensuring that their words complement and deepen the impact of their images. This immersive experience equips individuals with the tools needed to enhance their creative expression and effectively communicate their artistic narratives.