Photography & New Media
Photography students have advanced skills and knowledge of photography and digital image processing. New Media students have advanced skills and knowledge of video, multimedia, coding or animation. Students are self-motivated and have multiple portfolios of their artwork.
The Center: Visual Storytelling and Documentary Photography Projects
Aug 22 - 26, 2022
The digital age has given documentary photographers and photojournalists new ways to tell stories with greater authorship and control. This workshop focuses on how to create a personal documentary project and get it seen. The ultimate goal is to find a subject that speaks to a personal passion, document it in a unique visual style, then disseminate the work. Participants engage new technologies to become more effective storytellers, which include social media, transmedia, virtual reality and digital video.
This class is in its third year of a 3-year program. Please contact Andrea Jenkins Wallace for more information about a new section in 2023. email@example.com
Presentations, discussions, critiques and editing of work
Ed Kashi is a photojournalist, filmmaker and educator whose sensitive eye and intimate relationship to his subjects are signatures of his work. He is a member of the VII Photo Agency. Through his photography, filmmaking and work as a mentor, teacher and lecturer, Ed is a leading voice in the photojournalism and visual storytelling community.
James Estrin is a staff photographer for The New York Times. He is a founder of Lens, The New York Times’s photography blog, and has been its co-editor since it launched in 2009. He has worked for The New York Times since 1992 and was part of a Pulitzer Prize-winning team in 2001. James is a co-producer of the HBO film “Under Fire: The Untold Story of Pfc. Tony Vaccaro”.
Join Waitlist for The Center: Visual Storytelling and Documentary Photography Projects
Photography & New Media
Photography has always been a vital part of Anderson Ranch, one in which students explore visual storytelling through a variety of contexts and concepts. The program has uniquely evolved to focus on both traditional photography and new media— making it one of the only workshop settings of its kind. Three floors of the Fischer Photography Center house state-of-the-art equipment, including three photography studios, two Mac labs, a traditional darkroom, and a lighting studio with strobe and continuous lighting for photography and video.
All Photography workshops are rooted in the same idea—powerful art requires rigorous inquiry of techniques and ideas. We focus on technical skills, content and critical dialog. Students have access to color-managed media labs equipped with 24-inch iMacs, flatbed and film scanners, Epson printers, and cutting-edge software including Adobe Creative Cloud. When appropriate, students utilize strobe and tungsten lighting equipment, seamless backdrops, green screen, audio and video recording equipment and Epson large-format printers.
The Ranch Photography and New Media team creates an inspiring environment, allowing artists of all levels to explore lens-based media and the journey of artistic discovery in the unparalleled setting of the Colorado Rockies.
Anderson Ranch is happy to extend a 20% Summer Workshop tuition discount for SPE members. Please register online and then email firstname.lastname@example.org with your membership information and we will make the adjustment once you are in the system. You are also welcome to call 970-924-5089 to register.
Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.
Lodging & Meals
Anderson Ranch closely follows guidance released by the Centers for Disease Control and Prevention, the State of Colorado and the Pitkin County Health Department. In order to operate safely during the ongoing COVID-19 pandemic, Anderson Ranch has made significant modifications to our housing and meal offerings.
Summer 2022 workshop participants ages 13 and up will be required to show proof of Covid-19 vaccination. Studio program participants are required to show proof that they have received the complete Covid-19 vaccine (i.e., two weeks have passed after receiving the second dose of either the Moderna or Pfizer MRNA vaccines or the single-dose Johnson & Johnson vaccine). Additionally, if six months have passed since completing the Moderna or Pfizer series or two months have passed since receiving the J & J vaccine, then a booster is also required. Ideally the booster would have been administered at least two weeks prior to coming to Anderson Ranch.
We have established a Business Safety Plan with added layers of precaution that prioritizes the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
COVID-19 Safety Plan
Scholarships & College Credit
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Click below to learn more.
You Might Also Be Interested In>
Open to All
Students of any skill and knowledge level.
Jan 9 - 27, 2023
Facilitated Studio Practice: Photography & New Media
Esther Macy Nooner
Anderson Ranch’s Facilitated Studio Practice approach provides artists the opportunity to work on independent projects while receiving regular one-on-one mentoring and critique sessions with Anderson Ranch artistic staff and interns. Each participant receives an assigned studio space, orientation and access to equipment, as well as five hours of weekly technical guidance in the Ranch’s state-of-the-art facilities. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. Applicants must submit project proposals or portfolios for approval. A limited number of participants will be accepted and rigorous health and safety standards, as well as social distancing requirements, must be followed. *Studios are open 24 hours a day and on weekends for students enrolled in multiple weeks, with limited use of equipment due to safety requirements. Evening monitoring hours are Tuesdays & Thursdays, 7 – 9 PM. Facilitated Studio Practice winter sessions run January 9-27 and participants may register for one, two or all three weeks. Cost is $1,000 per week. Private dorm rooms are available at Anderson Ranch for one, two or three weeks for an additional fee; please inquire for details and availability. Contact Liz Ferrill to apply: email@example.com
Open to All
Students of any skill and knowledge level.
Jan 9 - 20, 2023
Photographic Collage: A Painterly Approach
Join us for an engaging exploration of the artistic synthesis between two distinct art forms: photography and painting. The workshop takes a truly hybrid approach as it is designed for painters interested in incorporating photographic imagery and photographers interested in the physicality of painterly manipulation. Discover transfer techniques that integrate photographic images and text directly onto stained surfaces, resulting in intriguingly complex works. Using traditional collage combined with digital transfers to explore methods that allow for opaque and translucent layers. Reductive methods such as sanding and scraping reveal the history of earlier photographic layers and suggest an archaeological approach to image development. While the workshop introduces a variety of techniques, emphasis is placed on the unique conceptual power of collage and montage imagery and end of week critiques refocus participants on the expressive and narrative elements of the artworks produced. While the workshop is designed to accommodate all skill levels, students with some experience in digital photography workflow are able to maximize the variety of techniques explored in the workshop.