Painting & Drawing

Painting & Drawing Studio in Aspen / Snowmass

The Painting & Drawing Studio at Anderson Ranch Arts Center, located in Snowmass Village near Aspen, Colorado, is a professional studio environment designed to support immersive artistic practice across a wide range of media. The space provides dedicated work areas, natural light, and technical infrastructure for artists working in oil, acrylic, watercolor, mixed media, and drawing.

Interested in enrolling? Explore the full schedule of Painting & Drawing workshops at Anderson Ranch.

Make, reflect, consider, engage—these are all critical elements of the Painting and Drawing workshops at Anderson Ranch. Our exceptional workshops combine focused, hands-on art making with critical feedback for artists of all levels. Painting and Drawing guest faculty are phenomenal artists and educators with experience supporting students by offering technical knowledge and encouragement.

The bright, natural light of the Wyly Painting and Drawing Building provides an inspiring environment where students can explore and expand their artistic practice. Our facilities are equipped with individual worktables, wall space, easels, rolling palettes, odorless solvents, a wide range of hand tools, computer access with Adobe software, wifi, printing, scanning, and projection capabilities. Spend a week here— or several—and engage in a variety of activities that will fuel your practice throughout the year.

Don’t know where to start? View the skill levels for Painting and Drawing workshops.

Anderson Ranch Arts Center is a historic, rustic campus that features gravel pathways and uneven terrain that may pose challenges for individuals using wheelchairs or other mobility devices. We strive to provide accommodations to ensure all guests can access and enjoy our programs and facilities. With advance notice, our staff can offer personalized assistance and coordinate access to studios and campus spaces. For questions or to request an accommodation, please contact us at (970) 923-3181 or [email protected].

Lindsey Yeager

Studio Coordinator, Paint and Printmaking

Lindsey Yeager paints and illustrates connections between society and nature, between human and animal, translating and reframing human contexts into fearful, raw, and feral allegories. Yeager received BFAs in New Studio Practice and Illustration from Milwaukee Institute of Art & Design. Her work has been shown at Var Gallery, Mana Contemporary, Soft Times Gallery, Museum of Wisconsin Art, and Society of Illustrators, among others. Lindsey is represented by Var Gallery in Milwaukee, WI and works as the Studio Coordinator of Painting, Drawing, and Printmaking at Anderson Ranch.

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Liz Ferrill

Senior Artistic Director of Painting, Drawing & Printmaking; Artists-in-Residence Program; Critical Dialogue Program

Liz Ferrill is the Senior Artistic Director of Painting, Drawing, and Printmaking at Anderson Ranch. She received her MFA from the Rhode Island School of Design. She has had solo exhibitions nationally and internationally, including in Aspen, Nashville, Omaha, New York City, and Berlin, Germany.

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Anderson Ranch Campus

Upcoming Workshops

gel plate transfer workshop exploring layered color, pattern, and surface
  • O

    Open to All

    Students of any skill and knowledge level.

Aug 17 - 21, 2026
9 AM - 5 PM

Gel Plate Transfers: Color, Pattern and Layers

Holly Hughes

Tuition $1,350
Code D1227-26

Gel Plate monotype is a low-tech, inventive, and user-friendly printing method that offers kitchen-table convenience for making art at home as well as portability for travel. Students learn the basics of this fun, press-free approach, launching their work in this medium for fun and discovery of new directions. We make finished prints and experiment with imagery and motifs for other artistic practices like painting and ceramics, and learn an “invisible” collage technique to combine works on paper into larger format works. Simple tools like brayers, rubber tipped clay shapers, brushes, and cut paper allows for complex layered prints.

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watercolor techniques workshop exploring light, color, and wash control
  • O

    Open to All

    Students of any skill and knowledge level.

Aug 17 - 21, 2026
9 AM - 5 PM

The Mechanics of Watercolor: Light, Color and Wash

EB Lewis

Tuition $1,295
Code D1225-26

Learn the elements of watercolor painting and many of the techniques that yield the luminous results the medium is known for. Students explore washes, dry brush techniques, color mixing, working in grey tones, and drawing elements. The workshop begins with working from a still life and moves on to other possibilities for observational study. Students leave the workshop with a toolbox full of new skills and techniques to apply to their watercolor painting practice, as well as several unique works of art to add to their portfolios.

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painting workshop focused on dialogue, critique, and reflective practice
  • III

    Level III

    Students have formal training in critical issues of 2-­D art making, experience with public critiques and a solid portfolio of their artwork.

  • IV

    Level IV

    Students have advanced skill and knowledge of painting and drawing. Students are highly motivated and self­-directed, have a minimum of five years experience in their field and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.

  • MC

    Master Class

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Aug 17 - 21, 2026
9 AM - 5 PM

Making and Dialogue in Painting

Linda Geary

Tuition $1,350
Code D1226-26

Master Class This advanced painting workshop is for students working in any painting medium, and is designed to be a catalyst for making art within a broadly-defined painting language. Students work on individual projects while digging into experimental processes that boost the forward momentum of their work. Presentations, prompts, and critiques support purposeful discussions addressing how work is communicating. Questions and topics covered include,How can time be captured through color? What is tactile knowledge? Who are your art ancestors and what is their role in the building of your visual language? What and how does your work communicate within the context of contemporary art? Students are asked to bring a digital portfolio of current studio work.

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